Ivan Moravec Plays Beethoven

Ludwig van Beethoven (Composer), Martin Turnovsky (Conductor), Vienna Musikverein Orchestra (Orchestra), Ivan Moravec (Performer) | Format: Audio CD

Product Details

• Performer: Ivan Moravec
• Orchestra: Vienna Musikverein Orchestra
• Conductor: Martin Turnovsky
• Composer: Ludwig van Beethoven
• Audio CD (September 6, 1994)
• Number of Discs: 1
• Label: Video Artists Int'l
• ASIN: B000003LIU
• Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #45,973 in Music (See Top 100 in Music)

Track Listings

1. Pno Con No.4 In G, Op.58: Allegro moderato

2. Pno Con No.4 In G, Op.58: Andante con moto

3. Pno Con No.4 In G, Op.58: Rondo (Vivace)

4. Pno Son In e,Op.90: Mit Lebhaftigkeit und durchaus mit Empfinung und Ausdruck

5. Pno Son In e,Op.90: Nicht zu geschwind und sehr singbar vorzutregen

6. 32 Var On An Original Theme In c

Customer Reviews

Most Helpful Customer Reviews

15 of 16 people found the following review helpful:

5.0 out of 5 stars sublime, transporting and enlightened!! :D, August 9, 2003

By 

yuka michitaka (New york, NY USA) - See all my reviews

This review is from: Ivan Moravec Plays Beethoven (Audio CD)

No matter what Mr Moravec plays, he is simply astonishing - but the 4th concerto is simply to die for. From the famously impossible and elusive first chord, the balancing and color is exquisite. he continues with the often-dryly-played opening using various degrees of the tre corde, masterfully blending the colors and preparing for the orchestra's awesome "common-tone" modulation. needless to say, his second movement is unparelled; he collaborates WITH the orchestra in order to convey the ageless saga of "The Man (solo piano) vs. the World (orch.)". The third movement is a triumphant jubilation, but he manages to play it with elegance (unlike many of the other comercially recorded artists, who exaggerate the Forte markings and running notes passages to the point where it begins to get vulgar.) although this piece requires a highly sophisticated degree of digital agility, he never exploits these opportunities, and is faithful to the effects the composer is trying to convey through his markings; he truly a "virtuoso" in the original sense.

15 of 17 people found the following review helpful:

5.0 out of 5 stars Great Beethoven concerto, February 8, 2003

By A Customer

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This review is from: Ivan Moravec Plays Beethoven (Audio CD)

I'm amazed no one else at Amazon has reviewed this wonderful recording. Moravec's performance of Beethoven's fourth concerto is simply one of the best. I have owned the Connoisseur Society's LP version for many years. It's a record I truly cherish. Moravec's playing is outstanding. His interpretation of the fourth concerto has both beauty and spiritual depth. This is a recording you will not forget.

2 of 2 people found the following review helpful:

3.0 out of 5 stars *** 1/2 Moravec is generally fine, but there are other drawbacks, August 17, 2011

By 

Santa Fe Listener (Santa Fe, NM USA) - See all my reviews
(TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)   

This review is from: Ivan Moravec Plays Beethoven (Audio CD)

Before approaching what Ivan Moravec has to say in the Beethoven Fourth Cto., let me clear up some issues. I appreciate the almost delirious praise from the previous reviewers, and when I heard various defects, I doubted if we were on the same page. But the Gramophone reviewer from 1977, covering a reissue of the 1963 LP, also noted the foursquare conducting, recessive miking of the orchestra, and the generally lackluster performance of the Vienna Sym., which was no great shakes back then and probably barely rehearsed the music, given that the original label devoted to Moravec, Connoisseur Society, was a small and no doubt restricted outfit when it came to paying orchestras.

there are glaring defects in ensemble, such as the cello accompaniment at the beginning of the finale, which lags by half a beat at one point. The horns hang back to much in the first movement, and everyone plays it safe throughout. Turnovsky isn't competitive with any rival conductor of note, not even Alexander Schneider for Serkin on Sony, who wasn't a full-time conductor but an extremely talented violinist. In addition the recorded sound places us right under the lid of the piano, and since Moravec is shy of using the pedal, there are moments of uncomfortable ping in the upper registers.

As for Moravec himself, his devotees walk on air, as they have since he was a cult pianist in the Sixties. Even by 1977 the Gramophone noted that he was all but unknown in Britain. Of course, a coterie can be right in its enthusiasm, and I respect anyone who loves Moravec's touch, is purity of line, his assurance, and above all his individuality. for me, those virtues don't add up to something exceptional in this concerto. Moravec, like Rubinstein, is a touch pianist when it comes to Beethoven; Chopin's nuances are never far away. He can be mannered, to my ears, although not here. What strikes me is very beautiful, precise, somewhat detached playing that is refreshing but not, I think, equal to Serkin or Pletnev in this music. As a touchstone, listen to the finale, and you will hear a certain sameness in the way Moravec approaches episodes where the other two find more variety, contrast, and drama. Heard at his best moments, Moravec is a delight, yet too many drawbacks keep me from sounding completely enthusiastic. By the way, the shorter and rarer of Beethoven's first-movement cadenzas is played.

As for the rest of the program, I don't have the Op. 90 Sonata but only the great C minor Variations. Moravec begins by punching out the theme, at a quick pace, to rival Richter at his most impetuous. The headlong rush doesn't continue, but he constantly leans into the phrase, insuring maximum momentum at all times. It's a thrilling approach that elevates one of Beethoven's less-played works. Here I can appreciate the originality and charisma that Moravec's fans hear at all times. But with such dynamic expressions of personality in this work, their lack in the concerto stands out. Too bad that the piano sounds brittle and clangy by turns.