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With this, his very first album, White's music clearly had plenty of bedroom appeal. Using the same technique as Hayes, with extended songs that lasted several minutes, White helped put a lock on midnight love anthems. In addition to the pop and R&B smash "I'm Gonna Love You Just a Little More Baby" and his own standouts, "Back My Yesterday" and "I've Found Someone," White took the Four Tops' "Standing in the Shadows of Love" and turned it into a veritable opus. With swirling strings, arrangements courtesy of Gene Page, and his own Love Unlimited vocal trio providing back up, White's first album was just a taste of what was to come. --David Nathan
"Barry wrote these songs for a yet-to-be-discovered artist he was going to produce. When he cut them with his own voice for reference, BW realized that he was that artist. The rest is history: the opening of a door to the genius of Barry White." --This text refers to an alternate Audio CD edition.
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Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
5.0 out of 5 stars
Stellar Debut,
This review is from: I've Got So Much to Give (Audio CD)
Barry's first (and best) album is utterly fantastic from start to finish. Every track is a classic. I was skeptical of the opening track being a cover (Standing in the Shadows of Love), but was utterly blown away by his smoking rendition. Eight minutes of pure emotion that far surpasses the original. The album's most popular track is of course I'm Gonna Love You Just A Little More Baby, a complete funk classic. My favorite on the album is probably the beautiful title track (though it is hard to choose). Bring Back My Yesterday and I've Found Someone are likewise thoroughly excellent. This is one of the strongest debut albums I have ever heard and my expectations were shattered upon hearing it. One of the best soul/funk albums ever recorded, hopefully it will be back in print soon.
4 of 4 people found the following review helpful:
4.0 out of 5 stars
"...It's Such A Groove...",
This review is from: I've Got So Much to Give (Audio CD)
This May 2010 Hip-O Select CD reissue (B0014038-02) takes the 5 lengthy tracks of Barry White's debut solo album and adds on two rare 7" single B-sides. It breaks down as follows (45:38 minutes):
Tracks 1 to 5 are the album "I've Got So Much To Give" released April 1973 on 20th Century T-407 in the USA and on Pye International NSPL 28175 in the UK (it reached Number 1 on the US R'n'B charts). Track 6 is "Just A Little More Baby" - a non-album instrumental version - it's edited down from its full album length of 7:11 minutes to 4:21 minutes; it's the B-side to "I'm Gonna Love You Just A Little More Baby" and was released April 1973 on 20th Century TC-2018 in the USA and June 1973 on Pye International 7N.25610 in the UK. Track 7 is "I've Got So Much To Give", a non-album instrumental version, B-side to "I've Got So Much To Give", released August 1973 on 20th Century TC-2042 in the USA. Downsides - there's an awful lot of 7" mixes missing - the 7" edited single version of "I'm Gonna Love You Just A Little More Baby" isn't on here (3:58 minutes), nor is the slightly longer version that's on the American promo 7". The "I've Got So Much To Give" 7" single was not issued in the UK, but the American A-side is again an edit and no show. There was a further British 7" for "Bring Back My Yesterday" (Pye International 7N.25622), which also had an edited A-Side - but again - no show. With the playing time so short, it's sloppy not to have had these exclusive cuts on here. The 3-way foldout inlay is unfortunately like so many Hip-O Select releases for their single discs - adequate and no more. There's credits for each track, but no appraisal of Barry White and his music, no liner notes, nothing on the back page, the inlay under the see-through tray is blank, there's no singles pictured etc. Just a little more effort would have made such a difference. But there is, however, a huge compensation - the SOUND... The 1st generation master tapes have been remastered by KEVIN REEVES at Universal Mastering Studios-East and it's a truly fantastic job done. The sound is HUGE - really clear and clean - amazing punch to all of the tracks. And it's not trebled up nor compressed down - just full - the music is better than you've ever heard it before. It's especially good on those fantastic B-sides, which I've been after for years on CD. Highlights include the Full Album Version of "I'm Gonna Love You Just A Little More Baby" which is a monster sexy workout (lyrics above), but is of course lyrically naff. Which brings me to a point. I can vividly remember 1973 when a Barry White 45 was the soul single your 'sister' bought - and even though you secretly enjoyed the sly and wicked back-groove that punctuated his every release - you couldn't actually admit this to any of your mates lest you get a thick lip. Thirty-five years on and in all honesty, the lover-man routine is even more difficult to listen to now than it was back then... Still - this release is saved by its beautiful sound quality. If you're into BW and the Love Unlimited Orchestra and their unique Seventies Soul sound - then this is essential purchase. Casual buyers will probably only want it for Full Album Version of "I'm Gonna Love You Just A Little More Baby" and those cool instrumental B-sides though.
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Introducing The Music Maestro,
By
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This review is from: I've Got So Much to Give (Audio CD)
So many artists in music from many different era's can only dream of a debut album as self defining as this turned out to be. It's hard to imagine that Barry White was a total unknown,merely a marginally successful producer before this album came out and afterward almost everyone knew his name. One of the reasons for such early recognition is simply that usually it takes at least two or three albums into ones career before an artist really developes a name for themselves. On this debut there was absolutely no tenative nature to the sound. As with Isaac Hayes five years earlier with his landmark Hot Buttered Soul this set the pattern for the next few albums to come from White. Interestingly enough that is where the comparasin ends with Isaac really. White's style of cinematic soul doesn't possess the psychedelic and gusty soul flavors Hayes had been dealing with during his breakthrough period. There is a more Northern urban sophistication to the arrangements here that have a lot of Philly/Gamble & Huff flavors but nonetheless Barry White is still one of the funkiest people around. Even though this album is almost entirely made up of slower songs such as "Bring Back My Love","I've Found Someone" and the title song each of these songs possess this strong blacksploitation era slow funk groove where the rhythm section,the orchestra and backup singers all keep the dramatic progression forward from start to finish. Interesting thing is these songs were never intended for Barry himself. He wrote them for someone else and they were only designed for reference but when he heard himself singing these songs Barry realized he'd unknowingly established how he'd sound as a solo artist. These are extended romantic soul symphonies as only Barry could deliver them. The other two songs on this album give up the funk a lot more obviously. The Shaft-like wah wah's and the building arrangement of his version of "Standing In The Shadows Of Love" brings the Holland/Dozier/Holland original into a whole new era and more than does justice to the famous Four Tops hit by successfully updating it for the 70's funk era. The one song that could've easily made this album even if the album hadn't otherwise been that good was "I'm Gonna Love You Just A Little More,Baby". It's one the first songs even non fans have flash into mind when they think of Barry White and has been used in as many modern Hollywood movie sex scenes as "Let's Get It On". What's amazing about this song to me is the energy it builds up and what a constructivist arrangement is;the drums,keyboards and Barry's jazzy piano stylings all gradually worm their way into the song. So believe it or not it actually musically implies the act of sexual intercourse itself and actually that's quite an accomplishment. This album was issued on CD and went out of print later so happily Hip-O Select had it reissued on CD again now with bonus tracks. One is a brilliant instrumental take of the song I was just discussing retitled "Just A Little More Baby" with some multi tracked echoed backup vocals of Barry thrown in for effect. The other is a total instrumental of the title song,showing how musically inventive and elaborate Barry's music was even without the drama of the spoken word narrations and bass voiced vocals. It's a great honor to the late Barry White that this album is now available again so that current and future generations will have the opportunity to view him in his rightful musical rather than cultural context.
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