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I've Suffered For My Art...Now It's Your Turn
 
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I've Suffered For My Art...Now It's Your Turn [Live]

Marshall CrenshawAudio CD
4.1 out of 5 stars  See all reviews (13 customer reviews)


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Music

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Biography

Over 25 years since breaking through to critical and commercial acclaim with his 1982 self-titled debut and its infectious, era-defining pop hit “Someday, Someway,” Marshall Crenshaw creates an incredible new chapter in his career with his 429 Records debut Jaggedland. Crenshaw’s first studio recording in more than six years is his most musically dynamic and lyrically intimate collection yet.… Read more in Amazon's Marshall Crenshaw Store

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Product Details

  • Audio CD (September 25, 2001)
  • Original Release Date: 2001
  • Number of Discs: 1
  • Format: Live
  • Label: King Biscuit Flower
  • ASIN: B00005NW1S
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #82,430 in Music (See Top 100 in Music)

 
1. Television Light
2. Endless Sleep
3. Cynical Girl
4. Tell Me All About It
5. Better Back Off
6. Little Wild One (#5)
7. What Do You Dream Of
8. Dime A Dozen Guy
9. T.M.D.
10. Walk Away Renee
11. You're My Favorite Waste Of Time
12. Whenever You're On My Mind
13. There She Goes Again
14. Someday, Someway

 

Customer Reviews

13 Reviews
5 star:
 (6)
4 star:
 (3)
3 star:
 (3)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (13 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 11 people found the following review helpful:
2.0 out of 5 stars Alas, an Apt Title, January 5, 2003
By 
This review is from: I've Suffered For My Art...Now It's Your Turn (Audio CD)
Did he listen to these tapes before releasing them?

Marshall Crenshaw has an ear like no one else -- for the pop hook, the unforgettable guitar lick, the surprising chord change, the addictive chorus. His brilliant studio albums over the past 20 years haven't received anywhere near the notice they deserve. Nor have there been enough of them -- I guess that explains why so many of us snatch up anything he releases!

However, this one won't get a second listen. (Okay, maybe a second, but no THIRDS!)

The songs are great but pale in comparison to the studio originals. The playing and singing are sloppy and reveal nothing new. The sound and arrangements are surprisingly amateurish coming from someone with such meticulous studio standards (and amazing studio technique!) And shy guy that he is, the onstage patter is limited and predictable.

By all means, support this guy by buying his complete studio catalog - but you can safely skip this one.

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5 of 5 people found the following review helpful:
4.0 out of 5 stars Slightly Disappointing, November 20, 2001
By 
This review is from: I've Suffered For My Art...Now It's Your Turn (Audio CD)
Although Marshall Crenshaw turns in a respectable live acoustic performance of some of his best songs, this album ironically proves that his songs (and his voice) really sound best when they're performed by the type of band for which he originally intended them. Unfortunately, the acoustic mode doesn't always show off his voice to great effect (that's never been his strongest suit anyway), and listening to this album one misses the unique and distinctive electric guitar textures that mark so many of his best songs. It's still very listenable, and the songs are still great, it's just that this album will probably appeal more to those who already know Crenshaw's work and will appreciate the sometimes strikingly new interpretations of his older songs.
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3 of 3 people found the following review helpful:
3.0 out of 5 stars Loses Something in the Translation, June 9, 2002
By A Customer
Amazon Verified Purchase(What's this?)
This review is from: I've Suffered For My Art...Now It's Your Turn (Audio CD)
Marshall Creshaw is an outstanding musician. As such, he should understand that it is incumbent on the musican to take a few minutes to repurpose/rearrange a song for acoustic presentation. Many of these cleverly crafted electric pop songs just don't translate easily in an unplugged format. They are presented with the same vibe and tempo as they are when Crenshaw is backed by a full band.

This is a good album with a few gems and frankly a must have for Crenshaw fans. However with a little extra work from Crenshaw on the front end, it could have been a truly great album.

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