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Comment: This book has already been loved by someone else. It MIGHT have some wear and tear on the edges, have some markings in it, or be an ex-library book. Over-all it's still a good book at a great price! (if it is supposed to contain a CD or access code, that may be missing)
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J.B.: A Play in Verse Paperback – August 1, 1989

4.4 out of 5 stars 34 customer reviews

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About the Author

Archibald MacLeish was born in Glencoe, Illinois in 1892. He attended Yale University and served in World War I. Later, he went to Harvard Law School and practiced law in Boston for a few years until he gave it up and moved to Paris with his wife and children to devote all his time to writing poetry. He returned to the United States to research the Spanish conquest of Mexico, and the result, CONQUISTADOR (1932), won him a Pulitzer Prize. From 1920-1939, he was a member of the editorial board of FORTUNE magazine and he served as Librarian of Congress from 1929 to 1944. MacLeish's COLLECTED POEMS (1952) won a Pulitzer Prize and his poetic drama, J.B. based on the Book of Job, was a Broadway success in 1957.
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Product Details

  • Paperback: 153 pages
  • Publisher: Houghton Mifflin (August 1, 1989)
  • Language: English
  • ISBN-10: 0395083532
  • ISBN-13: 978-0395083536
  • Product Dimensions: 5.1 x 0.4 x 8.2 inches
  • Shipping Weight: 5 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (34 customer reviews)
  • Amazon Best Sellers Rank: #126,805 in Books (See Top 100 in Books)

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Top Customer Reviews

Format: Paperback
MacLeish's pulitzer prize winning verse play sets the Old Testament book of Job in a semi-satirical modern setting (a circus tent), where JB (Job) undergoes his trials under the watchful eyes of the circus vendors Zuss and Nickles, who mimic the roles of God and Satan, respectively. JB's plight is essentially a play within a play, as the focus of the work tends to be the interactions between Zuss and Nickles. MacLeish raises the eternal questions through these powerful scenes, most notably with the recurring jingle of Nickles: "If God is God he is not good; if God is good He is not God..." Readers of this play are forced to address the questions themselves while they are entertained and challenged by the proposals of the characters and the Biblical parallels they represent.
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Format: Paperback
J.B. is a modern day (1950s) retelling of the biblical story of Job. To summarize: Job, God's most loyal servant, is punished by God without reason. God only wishes to prove that no matter what obstacles God threw at him, Job would still "praise God." While the story of Job makes a deep point about human suffering and the strength of faith, J.B. delves deeper.

The play centers on a dialogue between two characters, Zuss and Nickles, who play God and Satan respectively. Each makes important points about the root of suffering and God's role in Job's pain. Zuss argues, in more words or less, that Job has no right to question God. Nickles, instead, sympathizes with Job's pain believing that God has been unfair to mankind and especially to this man. Please grant that these are simplifications of their arguments, one can write novels on the meaning of this play.
Its not hard to imagine how the play ends, but like many things it's the journey not the destination that matter. The banter between the two, and satirical overtones of throwing the whole setting in a circus tent, take the reader beyond the norm. This is a story that requires the reader to engage, be prepared to think! You can not help but question your spirituality and faith during the play. For while few of us suffer as Job does, fewer still believe in God. Would you be able to still love God, if he took everything away from you?

I'll be straightforward and admit that my review is biased. MacLeish's J.B. has been (since reading it in my High School AP English Class) my favorite. I'm an avid reader, but there's something so subtly beautiful about MacLeish's language, something so deep in his words that have resounded in my heart, that I am compelled to re-read this play over and over again. MacLeish has a profound message to teach us "modern, disillusioned men" that one would have to have a heart of stone not to appreciate.
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By JimB on December 10, 2002
Format: Paperback
This play in verse is a modern take on one of the timeless questions of suffering during our lives.In this instance,JB loses his wealth, health and family and during the ensuing discussions with his "friends", it beomes evident that the story is not about suffering, but about faith.Very powerful,but short, descriptive scenes and dialogue.
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Format: Paperback
Based on the biblical story of Job, MacLeish takes that story and turns it into a modern day play. That catch? J.B. doesn't know he's in the play. He doesn't know the actors are playing God and the Devil, or using him to prove how quickly man will turn from God when things go wrong.

This is a refreshing take on the story of Job, and in the play J.B. is not just one man, but all of humanity. Originally published in 1956, the world had already gone through two World Wars and if nothing else was going to shake humanity's faith in God and justice, these wars would. J.B.'s oldest son is killed coming home from the war, his next two children die in a car wreck, and his youngest daughter is found dead in the back of a lumber yard. Of course if you're familiar with the story of Job, things don't stop there. J.B. looses his livelihood, his savings, his house, his health, and his wife. With nothing left the Devil tempts him into committing suicide, the one thing he still has control over. But J.B. chooses instead to repent if God will only tell him why. While the story is one most people have heard before, MacLeish really does something unique with it. The idea of the whole thing being a play, with J.B. the only one who doesn't know, makes it even more heartbreaking as his life falls apart, and borrows from Shakespeare's "the whole world's a stage". It's easy to see how J.B. stands for more than just an individual and brings to light the suffering of more than just one person.

The play has won both a Pulitzer Prize and a Tony, so there's really no point in me reiterating that it's good. So, I'll just say it's a very quick read and if you haven't read it and want to add something a little more "classic" to your reading list, give this a try.
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Format: Paperback
MacLeish's pulitzer prize winning verse play sets the Old Testament book of Job in a semi-satirical modern setting (a circus tent), where JB (Job) undergoes his trials under the watchful eyes of the circus vendors Zuss and Nickles, who mimic the roles of God and Satan, respectively. JB's plight is essentially a play within a play, as the focus of the work tends to be the interactions between Zuss and Nickles. MacLeish raises the eternal questions through these powerful scenes, most notably with the recurring jingle of Nickles: "If God is God he is not good; if God is good He is not God..." Readers of this play are forced to address the questions themselves while they are entertained and challenged by the proposals of the characters and the Biblical parallels they represent.
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