Most Helpful Customer Reviews
8 of 9 people found the following review helpful:
3.0 out of 5 stars
A thoughtful if somewhat long-winded interpretation., February 2, 1999
By A Customer
This review is from: J.S. Bach: Goldberg Variationen (Audio CD)
Barenboim plays the variations thoughtfully and with plenty of ornamentation to satisfy most purists, but his insistence on observing all repeats and his slower-than-usual tempi make this a real time committment for the listener and at times may cause drowsiness. The live Erato recording lets in more coughing and crowd noise than we have come to expect from most of today's live concert recordings. Also the pedal has a distinct squeak, audible through headphones. Despite these drawbacks, this is a good 3rd choice (after Gould 1955 and 1981) for those who like their Goldbergs on piano.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
every note counts in this recording, January 27, 2000
This review is from: J.S. Bach: Goldberg Variationen (Audio CD)
Heavy and humorless? Listen again, Jed Distler. Slow, yes, but never heavy -- rather, tender and considered. The slower tempi may be unsettling for the first few movements, but after the listener adjusts to the new pace, the untraditional tempi allow the listener to hear the impact of each note. With Barenboim's respectful and affectionate interpretation, I became aware of new subtleties and beauty in the Variations that were never apparent to me when listening to other musicians gleefully crash through them (although of course it was always fun).
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7 of 9 people found the following review helpful:
5.0 out of 5 stars
Brilliant Performance, July 8, 2003
This review is from: J.S. Bach: Goldberg Variationen (Audio CD)
Aside from this recording of the Goldberg Variations, I have those of Andras Schiff, Rosalyn Turek, and Glen Gould (both early and late). These are all excellent performances, but Barenboim's is my favorite: thoughtful, passionate, sensitive, delightful, and masterful. The lilting Variation 7 (Tempo di Giga) and the final Reprise of the Aria are especially magnificent. I suspect that some other reviewers may take Glen Gould as the standard, but this is unfortunate in my view. By contrast to Gould's rushed and sometimes mechanical interpretations, I found this recording of Barenboim's live performance in Buenos Aires to be worth hearing over and over again. It is one of a handful of my favorite recordings of any music altogether -- a real triumph.
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