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Jack Staff Volume 1: Everything Used To Be Black And White
 
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Jack Staff Volume 1: Everything Used To Be Black And White [Paperback]

Paul Grist (Author, Artist)
4.7 out of 5 stars  See all reviews (3 customer reviews)


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Paperback $14.27  
Paperback, March 2, 2004 --  

Book Description

March 2, 2004
Jack Staff is Britain's Greatest Hero, or at least he used to be. Twenty years ago he disappeared, and everyone just forgot about him. Except for Becky Burdock, Girl Reporter for The World's Press. She's investigating a series of murders in Castletown, but finds a lot more than she expected, including a long forgotten super-hero and a secret that's been hidden for over sixty years.


Product Details

  • Paperback: 352 pages
  • Publisher: Image Comics (March 2, 2004)
  • Language: English
  • ISBN-10: 158240335X
  • ISBN-13: 978-1582403359
  • Product Dimensions: 10.1 x 6.7 x 1.1 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,616,382 in Books (See Top 100 in Books)

 

Customer Reviews

3 Reviews
5 star:
 (2)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

14 of 14 people found the following review helpful:
5.0 out of 5 stars Best comic I've read in quite a while, August 18, 2004
By 
Babytoxie (Dallas, TX USA) - See all my reviews
This review is from: Jack Staff Volume 1: Everything Used To Be Black And White (Paperback)
When I first saw promos for Paul Grist's JACK STAFF comics, I wondered why we needed a superhero that appeared to borrow so liberally from 2 other established heroes: Marvel's Union Jack and Captain Britain. As a result of prejudice, I wrote this series off for quite a while as just another creator-owned superhero romp. Little did I know that this comic would eventually provide me with such enjoyment, and all because of a random article on Alan Moore.

Recently, I discovered that the inimitable Mr. Moore was preparing to write a series for DC focusing on the IPC characters from British comics (The Spider, Tim Kelly, The Steel Claw, etc.). I'm a big Moore fan, but I knew absolutely nothing about these characters, and a web search led me to a site on Jack Staff, noting that these characters, or variants in some cases, appeared in Grist's series. This led to my purchasing the trade paperback, EVERYTHING USED TO BE BLACK AND WHITE, and while I did learn quite a bit about these characters, I learned something even more important: Paul Grist is an exceptional and very creative writer.

The Jack Staff character came about due to the rejection of a Union Jack script Grist had written for Marvel. Not wanting to discard a good story, Grist reworked the plot substantially, altered the Marvel-owned characters, incorporated the IPC characters, and made it his own. The result is a fantastic piece of work that is very complex when read in an extended trade format. The stories within are actually made of even smaller bits that may seem disjointed at first, but are actually very tight. What's more, they are well-conceived: every story has a point, and instead of starting with a good catch and meandering to a pointless end, they were written with a purpose clearly in mind. Jack Staff is not just the main character here - he's the knot that holds the various threads of Grist's superhero universe firmly in place. Furthermore, he is "Britain's Greatest Hero", active since WWII, and the reader is provided with bits and pieces of Jack's 60-year "history". The supporting characters are so strongly realized that they threaten to overshadow Jack at times. Grist's approaches to Captain America (Sgt. States) and Dr. Strange (The Druid) are alternately hilarious and eerie, taking approaches that are very original, yet could never work in Marvel's continuity. By the end of this book, I was floored that such a well-told and complex tale had slipped right under my nose.

Grist's artwork is very impressive, as well. While it is minimalist, it's obvious that he has an excellent understanding of page layouts and perspective. Many times I caught myself marveling at his choice of panel arrangement and text positioning, which aren't normally things on which I focus. So, impressive in both story and art, JACK STAFF: EVERYTHING USED TO BE BLACK AND WHITE is an excellent choice for your next meaningful read.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars A genre-blending mini-masterpiece., August 7, 2004
This review is from: Jack Staff Volume 1: Everything Used To Be Black And White (Paperback)
First and foremost, Paul Grist's Jack Staff is... well... fun. Incredibly fun. Reluctant superheroes, spunky girl reporters, gentleman thieves, master escape artists, vampires, hard-headed cops, psychic detectives... it's all here, plus the kitchen sink. Emulating the format and content British comics of his youth, Grist delivers rapid-fire, bite-sized stories that interlock to seamlessly tell much larger stories. It's a bit strange at first, but once you adjust, you'll find yourself hooked.

All this good clean fun is backed up by truly impressive talent on Grist's part. Despite his cartoony style, Grist's grasp of anatomy and perspective is rock-solid. His characters are enjoyably complex and lively, and his plots prove surprisingly absorbing, full of portent and mystery. He uses black and white to striking effect, and loves to combine bold text and images in novel, poster-like compositions.

"Jack Staff: Everything Used to Be Black and White" tops out at more than 400 pages, but you'll finish it in what seems like minutes, and find yourself wanting more at the end. It's terrific entertainment, and a sterling example of the comics medium to boot.
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5.0 out of 5 stars Wonderfully Clever Book, January 18, 2012
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I purchased this volume based on an exuberant recommendation, and I can now add my own as well. Events from years past intersect and affect the current activities of the famous superhero Jack Staff as he returns to the world after a sudden and mysterious (to the public at least) departure from crime fighting. Paul Grist creates this new world centered on the titular hero but filled with depth and mythos through the many supporting characters. He weaves several different story arcs into a cohesive work to give the book both complexity and a sense of history. It is of the common superhero genre of comic books, but it also has some various elements of crime, mystery and horror. Non-traditional fans will appreciate the style of writing and Grist's creative layouts with his art. It is very fun read, and the price per page factor makes this a great bargain, especially compared to current $4 single issue comics.
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