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Jagger: Rebel, Rock Star, Rambler, Rogue Hardcover – September 8, 2011


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Product Details

  • Hardcover: 320 pages
  • Publisher: Gotham; First Edition edition (September 8, 2011)
  • Language: English
  • ISBN-10: 1592406556
  • ISBN-13: 978-1592406555
  • Product Dimensions: 8.6 x 5.8 x 1.1 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 2.4 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #936,954 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

A biography and cultural examination of the Rolling Stones' frontman Mick Jagger's spectacular life and the cultural revolution he led.

As the Rolling Stones' legendary front man Mick Jagger remains an enigma. He hasn't given an in-depth interview for a decade and a half and never commented on his friend and partner, Keith Richard's often critical biography. Drawing on firsthand recollections from rockers, filmmakers, writers, radicals, and other artists who have been transformed by Mick Jagger's work, acclaimed music journalist Marc Spitz has created a unique examination of the Jagger legacy, debunking long held myths and restoring his status as a complicated artist. Combining biography with cultural history, Jagger unfolds like a captivating documentary, a series of episodes tracing the icon's rise from his childhood in middle-class postwar London to his status as a jet-setting knight.

A culturally astute, often funny, and painstakingly researched read, Jagger offers a far richer portrait than biographies published previously. The book reveals much about his relationships (with Marianne Faithfull and ex-wives Bianca Jagger and Jerry Hall); his complex, creative partnership with Keith Richards; his friends like John Lennon and David Bowie; and enemies like Hells Angels leader Sonny Barger. Spitz goes even deeper, exploring Jagger's many roles: an authentic soul man; powerful social commentator; sexual liberator; would-be movie star; and yes, sometimes, a shrewd businessman with an enthusiasm for much younger women. The myth of Mick is examined and rebooted for the twenty-first century.



Marc Spitz's "Best of Jagger" Playlist

Jagger: Rebel, Rock Star, Rambler, Rogue is a look at the Mick Jagger as you have never seen him before. From bluesy teenager to hardened legendary rocker, Jagger explores the highs and lows of over 50 years of rock n’ roll (with a little glam rock, punk rock, soul music and cocktail party mixed in). Combine with author Marc Spitz’s "Best of Jagger" playlist and you will find yourself on the Mick side of the Glimmer Twins.

Here are Spitz's 10 favorite Jagger vocal performances (in order). Preview all 10 songs.

1. "That’s How Strong My Love Is" (1965)
Anyone who says the dude has no soul needs to dig this one out. You can’t fake blood and Mick’s broken heart bleeds all over the track. While you can’t beat Otis Redding’s version from the same year, Mick and the Stones come very close.

2. "Moonlight Mile" (1971)
Simply the greatest comedown record of all time, as if the someone finally turned the light on at long and perilous 60s cocktail party and everyone started to shiver and scheme at once. Keith is famously absent but Micks Jagger and Taylor craft an inimitable mood full of dread, resolve and unmatched beauty.

3. "Emotional Rescue" (1980)
More a new wave disco suite than anything else, the title track of the Stones’ seventeenth (!) album features three great Mick vocals: a cartoon mouse falsetto, a gleefully smarmy drawl and finally, a stentorian, spoken vow to cross the desert on Arabian horseback and somehow end up at Studio 54 before last call.

4. "Shattered" (1978)
Three words: "Shmatta, shmatta, shmatta."

5. "The Spider and the Fly" (1965)
Who else can infuse a lyric like: "Down to the bar at the place I’m at..." with Hitchcock-ian suspense and sexy mischief? Something amoral is about to happen. Less an ode to the famous Mary Howitt poem and more a warning (that none of his women seemed to heed) that a spider will be a spider.

6. "I Can’t Get No Satisfaction" (1965)
So overplayed it’s underplayed. You don’t listen to it as much as you should because you think you know it, but have another (loud) date with it and be reminded (as last season’s Mad Men demonstrated) why it’s the greatest rock and roll recording of all time.

7. "Lady Jane" (1967)
Quietly elegant, terribly English, with the late, great Brian Jones’ lacework dulcimer and Mick’s least camp (or perhaps most) vocals ever.

8. "Ventilator Blues" (1972)
Slathered with echo and heavier than metal, this is one of the few places on record where Mick sounds like he might be able to kick your ass without a security team. Exile on Main Street purists can’t really abide including this without a nod to it’s segue song, the gospel great, "I Just Wanna See His Face."

9. "Too Much Blood" (1983)
Featuring Mick’s cockney "rap" (this was after all, the era when every respectable British rock god from Joe Strummer to Adam Ant, Captain Sensible and Malcolm McLaren released a rap record) about a Japanese pal who ate his Parisian girlfriend and buried her bones in the Bois de Boulogne. Not the greatest protest song ever written, but, musically, at least, certainly the Rolling Stones greatest (and only) Duran Duran homage.

10. "Country Honk" (1969)
Rock’s greatest mimic can turn on a Jamaican patois (see 1976’s "Hot Stuff") and, most consistently an African American blues baritone (see every Rolling Stones record up to Aftermath), but he seems to get the most pleasure from channeling the hard r’s and elongated vowels of our country "sang-errrs." The more famous single version (with more cowbell to boot) contains a straight forward rock vocal but this album track (off Let It Bleed) is more fun than a jar full of spit.

Listen to the "Best of Jagger" playlist

Review

"Talk about sympathy for the devil: Marc Spitz turns Mick Jagger’s life into a savagely funny, monstrously hypnotic narrative. It’s a brilliant tale of sex, music, decadence, and celebrity, one that seems to suck in most of the past century, from Route 66 to Studio 54. Nobody’s ever told the story betterJagger might be rock & roll’s most unknowable soul, but Spitz gives him back every bit of his Satanic majesty."
(Rob Sheffield )

"Mick Jagger is our age's Byronic exemplar of action and experience. Mick and the Rolling Stones opened new worlds for us, and worlds beyond. Marc Spitz, Jagger's latest biographer, has done him justice and more, with new info, trenchant insights, and best of all- a sense of humor."
(Stephen Davis )

"The first sentence of the 5th paragraph of this book is 'Here we go', and Spitz means it.   This is a sustained, headlong, late-night crystalline rant/sermon/declaration that never lets up, never plays safe, and, when you're finished, finally lets you breathe. Goddamit. Now I have to go buy this dude's Bowie book."
(Patton Oswalt )

"If Chuck Berry invented 'rock and roll' Mick Jagger invented 'rock star.' With the swagger and the soul, the brains and the balls, Spitz proves that Jagger is truly the man. An insightful and inspiring page burner, Jagger is a pleasure for even the most jaded jukebox junkie." 
(Jesse Malin )

"With a reporter's doggedness, a fan's zeal, and a stand-up's eye for absurd detail, Marc Spitz makes the awfully compelling case that Mick Jagger's true talents have long gone underappreciated. Jagger provides ample proof of why Spitz is one of rock lit's funniest, funkiest, and finest voices."
(Doug Brod, Editor in Chief, SPIN )

“[A] picaresque biography.”
(Vogue )

“An eager hagiography that takes aim at Mr. Richards while trumpeting Mr. Jagger’s overlooked fine qualities. Spitz knows enough about the Stones’ history to pick good shots and leave out the dull stuff.”
(New York Times )

“His history is every bit as compelling as the one portrayed by Richards in his recent autobiography”
(The Boston Globe )

“Stones fans and popular music readers can rest comfortably knowing that Jagger is not only an engaging biography, but also a compelling work of cultural criticism.”
(Popmatters.com )

“Competently enough written, this is a pleasant read that nicely puts all the old stories in some order, referencing discarded lovers, dalliances, and other time-honored themes.”
(Booklist ) --This text refers to the Paperback edition.

More About the Author

Marc Spitz is the author of the novels, How Soon Is Never and Too Much, Too Late and the biographies We Got the Neutron Bomb: The Untold Story of LA Punk, Nobody Likes You: Inside the Turbulent Life, Times and Music of Green Day, Bowie: A Biography and Jagger: Rebel, Rock Star, Rambler, Rogue. He is a regular contributor to Uncut Magazine in the U.K. and his writing on rock and roll and popular culture has appeared in Spin, Maxim, Nylon, Vanity Fair, New York Magazine and The New York Times.

Since emerging in 1998 on the Ludlow Street scene centered around Todo Con Nada, Marc Spitz has written and co-produced a dozen plays including "Retail Sluts," "The Rise and Fall of the Farewell Drugs," "...Worry, Baby," "I Wanna Be Adored," "Shyness Is Nice," "Gravity Always Wins," "Your Face Is A Mess," "Up For Anything" and "P.S. It's Poison." "Shyness Is Nice" appears in the Applause anthology One on One: The Best Men's Monologues For the 21st Century, as well as Plays and Playwrights 2002 (edited by Martin Denton).

Customer Reviews

This book is terrible.
Mark A. Galisdorfer
Yet those readers seem to be oblivious to the fact that Spitz is not attempting to write a Jagger bio; he says as much in the introduction.
J Swink
This book ain't it, and I'm so bummed that I spent the money to buy a copy right when it came out.
SDC

Most Helpful Customer Reviews

18 of 21 people found the following review helpful By SDC on September 17, 2011
Format: Hardcover Verified Purchase
I had really high hopes for this Jagger biography. I greatly enjoyed Spitz's Bowie bio, and assumed we'd get the same meticulous details and documentary-style chronology. As soon as the book arrived, though, and I saw how thin it was, I had a sinking feeling. All Spitz has done is to write a Cliff Notes version of Jagger's/The Stones' history. The book reads like a longform sociological essay. But there is absolutely nothing new here. One can learn more about Jagger and the Stones in the Victor Bockris 'Keith Richards' biography, or any number of other books.

If someone knew absolutely nothing about the Stones and needed a quick overview, then, yes, what the heck, read this book. But man, oh man, what an incredible disappointment. Spitz knocked this out quickly. The question is, why? The world wasn't crying out for another Jagger book unless it was something really in-depth and "new." This book ain't it, and I'm so bummed that I spent the money to buy a copy right when it came out.
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8 of 9 people found the following review helpful By P. Andre Gosselin on October 15, 2011
Format: Hardcover Verified Purchase
Really not much here!!
All second hand quotes and not much insight into Jagger, who remains a mystery or nobody can get a hold on this guy's persona and certainly not this book.

Stick with Keith Richards's memoirs instead of this badly written,non event of a book wich will be forgotten in six months.

Waste of time and money.
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12 of 15 people found the following review helpful By guitar gary on October 10, 2011
Format: Hardcover
I looked forward to reading this book. I had just finished reading Bill German's book "Under Their Thumbs" which I HIGHLY recommend. This book is boring, plodding and breaks no new ground whatsoever. I wonder who edited it much less why did the publishing house pay for it. It was like work to get through this book. I am relieved to be finished with it. Keith's book and German's book are fun and you don't want them to end. I wanted this to end. I wanted it to get better but it never did. If you stick pins in your eyes you will have more fun than reading this book. If someone gives you this book don't read it, use it to start a fire. You can thank me later. Honestly, talk about HYPE ! Don't get me started . . .
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7 of 9 people found the following review helpful By Stuart Jefferson TOP 100 REVIEWER on September 14, 2011
Format: Hardcover
Hardcover-16 page Introduction, 276 pages of text, plus Acknowledgments, Bibliography, and Index. There's also 16 pages of b&w photos in two sections of the book. This biography hovers somewhere between 2-3 "stars"-higher if you know nothing about Jagger, lower if you do. But this relatively short book cannot be definitive-too much is missing from Jagger's life. Was this a cash-in? Who knows for sure. Others who know more concerning Jagger will rate this book much lower-and for good reason. But if you don't know anything about Jagger, this small book will give you some of the basics. But for most people interested in Stones/Jagger this will be a let down.

This book by well known author Marc Spitz ("Bowie: A Biography", "We Got The Neutron Bomb: The Untold Story of L.A. Punk", and others), is yet another current, though short, look into Jagger. Drawing on people in the music business, musicians, friends, lovers, writers, and film-makers, Spitz paints an in depth picture (as far as he can here) of Mick Jagger and his importance and influence on not only music but culture in general. There's quotes from many people, including Patti Smith, Keith Altham, Mick Farren, James Brown, Peter Whitehead, Nik Cohn, Chris O'Dell, Peter Rudge, Bianca Jagger, Carly Simon, Sid Vicious, and Jagger himself.

Spitz begins with Jagger's early life in middle class London, and his formative years and the influences Jagger picked up along the way. The author lays out Jagger's life both in and out of music, and traces his career from a seemingly "grotty" "bad boy" (which was partly manufactured) in the original "Rollin' Stones" of 1962, to his band's ascendancy in the music world, and finishes up with Jagger as cultural/musical elder statesman in the present.
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1 of 1 people found the following review helpful By A. Gray on March 15, 2012
Format: Hardcover
Quoted a lot of other books, spacey writing style, used a lot of references to unrelated subject matter.
Made me think the author was high, himself. And I didn't enjoy reading it. It kind of brought me down.
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2 of 3 people found the following review helpful By Sharon Lee on September 29, 2011
Format: Hardcover Verified Purchase
When I was in high school and assigned to write a paper on a figure in history, I'd go to the library, read a few articles, essays or other references, then type up something fairly superficial, throw it together hastily and turn it in to the teacher. That's how this bio of Mick Jagger by M. Spitz comes across to me.

I already know the things he goes over, and I'm not a super fan who reads every word printed on Mick Jagger or the Stones. But their music, written mostly by Jagger/Richards, provided the sound track to my life, and I thought it might be interesting to have a deeper look into the character of Mick, especially after LIFE by Keith Richards. But it isn't presented.

To be fair, a better book may have resulted had he interviewed the man, but I assume that wasn't an option. I like the cover, but I'll be selling my copy.
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Format: Hardcover
Other readers on Goodreads have slammed this book for many reasons, not least of which being the "fact" that this is not a "great" Jagger biography. Yet those readers seem to be oblivious to the fact that Spitz is not attempting to write a Jagger bio; he says as much in the introduction. Instead, Spitz offers something potentially more interesting than just another standard bio: he poses a question concerning Jagger and then seeks to find the answer by analyzing particular moments in Jagger's life. Whether Spitz succeeds or fails at this is up for debate---read it yourself and find out. Considering the length of the book which is less than 300 pages (the first clue that this could not be a definitive bio on Jagger), "Jagger" is a fun and quickly paced read---a picaresque look at different moments in Jagger's life in the service of Sptiz's theories on Jagger.

While I was left feeling that the answer to Spitz's hypothesis was still unanswerable as the book concluded, "Jagger" is nonetheless a nice alternative to de facto rock biographies. For Spitz is no stranger to composing a good, solid biography (see his excellent "Bowie"), and in "Jagger" his aim is something else; namely, to encourage a dialogue about a rock legend that all Stones fans love to read about and talk about.
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