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The Jahangirnama: Memoirs of Jahangir, Emperor of India [Hardcover]

Jahangir (Author), Wheeler M. Thackston (Translator)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

November 25, 1999 0195127188 978-0195127188
Wheeler Thackstons lively new translation of The Jahangirnama, co-published with the Freer/Arthur M. Sackler Gallery of the Smithsonian Institution, presents an engaging portrait of an intriguing emperor and his flourishing empire.
The Emperor Jahangir is probably best know in the West as being the father of Shahjahan, who built the Taj Mahal. His reign was one of great prosperity, and his passion for art and nature encouraged a flowering that some say rivaled European art during the rule of the Medicis. In penning his memoirs, Jahangir followed a tradition begun by his great-grandfather, the Emperor Babur. Jahangirs memoirs, however, provide not only the history of his reign, but also his reflections on art, politics, and private details about his familyincluding the suicide of one of his wivesand selections of poetry written by members of his harem. One of Jahangirs stories describes his astonishment at witnessing the fall of a meteorite, an event that so amazed him that he ordered that a dagger be made from its metal. This book includes a selection of exquisite full-color paintings, drawings, and objects that specifically illustrate the passages they accompany--including a photograph of the Emperors treasured dagger.
A lover of jewels, nature, hunting, drinking, and opiates, Jahangir carried the Mughal empire to artistic and political heights. Refreshingly candid and frank, this splendidly illustrated edition of Jahangirs memoirs is a thoroughly absorbing profile of an emperor and the zenith of his empire.


Editorial Reviews

From Library Journal

Jahangir, fourth Moghul emperor of India (r. 1605-1627), kept a personal record of his reign. While battles, intrigues, etc., form a major portion of the work, Jahangir also recorded his fascination with the natural history, customs, and peoples of India. The book was produced under the auspices of the Freer Gallery of Art and the Sackler Gallery, an arrangement that allowed the publisher to supplement the text with approximately 100 illustrations of miniature paintings, objects d'art, and photographs of sites noted in the text. Unfortunately, one quarter of the miniature painting reproductions are black and white, and many are reduced to such a small size that details are difficult to perceive. Still, the work is a basic text for the study of the period, and libraries collecting in this area that don't have a copy will want this handsome edition.ADonald Johnson, Univ. of Minnesota Lib., Minneapolis
Copyright 1999 Reed Business Information, Inc.

Review

"...a very valuable resource..." --Jay Freeman, Booklist

Product Details

  • Hardcover: 502 pages
  • Publisher: Oxford University Press, USA (November 25, 1999)
  • Language: English
  • ISBN-10: 0195127188
  • ISBN-13: 978-0195127188
  • Product Dimensions: 9.1 x 6.6 x 1.1 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,028,115 in Books (See Top 100 in Books)

 

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3 of 3 people found the following review helpful:
5.0 out of 5 stars Miniature painting at its best, August 25, 2001
By 
Joan Fabian (San Antonio, TX United States) - See all my reviews
This review is from: The Jahangirnama: Memoirs of Jahangir, Emperor of India (Hardcover)
I would recommend this book for serious folks interested in the art of Mogul Miniatures. Jahangir was a very special king and this book sheds light on the magic of the time period. It is a big and physically heavy book but such a joy to read. You can glimpse into the interests and lives of the royality and experience their lives in detail. The authors have gone into alot of research and there are many descriptions to dates, calendar, language and art. The book itself is a work of art. The reproductions of the miniature paintings, including many portraits of the royal court, are excellent. It is about time that art such as this is understood, recognized and appreciated. This book leads the way.
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