From School Library Journal
Grade 8 Up-Lainey, 14, is being tormented by the son of a worker on her dad's Iowa farm, a boy who has been labeled in his high school counselor's file as "irreparably damaged." Jake's emotional maturity was badly stunted by his experiences in a juvenile-detention facility and he seems to be incapable of acceptable social interaction. When Lainey expresses her fears about him, her mother won't take her seriously and her father assigns both of them chores, believing that hard work is the cure for all the world's ills. Readers are drawn into a drama that feels real despite the novel's flaws-of which there are a few. Early on, Jake rescues a squirrel from certain death by amputating its leg; it's unclear whether this is an act of cruelty or kindness. Jake's threats against Lainey (both sexual and physical) are vivid and menacing for her as well as for sympathetic readers. The school counselor's coldness and the English teacher's insensitivities show Lainey's unreliability as a narrator, while, at the same time, her perceptions seem like those of a scared ninth grader. Her friends run the gamut from one who is socially and emotionally naive to another who becomes sexually active in spite of her own better judgment to a new girl who fascinates Lainey because of her apparent self-assurance. Arcadia's arrival on the scene and her connection to Jake seem tacked on rather than smoothly integrated. Nonetheless, this is a compelling read with credible and complex main characters. An excellent discussion choice.
Francisca Goldsmith, Berkeley Public Library, CACopyright 2003 Reed Business Information, Inc.
Gr. 7-10. Is it too late for Jake Riley? The school counselor thinks so, saying the 15-year-old is irreparably damaged. But Jake's neighbor and only friend, Lainey, isn't so sure. She has seen his nice side, but now she's also beginning to see something else, something dangerous. Then friendship gradually turns to fear and to hatred as Lainie discovers how damaged--and dangerous--Jake can be. Part psychological thriller, part sexual rite of passage, and part rural realism, the novel is an odd mixture of elements that don't quite cohere, and the psychology, which is so important to character development, seems borrowed from soap operas and Sunday supplements. The story is, however, compelling enough to command attention to the end, and the aspects dealing with rural life in Iowa come across as both authentic and richly realized.
Michael CartCopyright © American Library Association. All rights reserved