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15 of 15 people found the following review helpful:
5.0 out of 5 stars
A fresh and wonderful detective novel, March 11, 2005
Reed Coleman is one of the hidden gems of the mystery genre, a skilled writer who has somehow flown under the radar, despite getting some of the best buzz among fellow writers. His series detective, Moe Prager, is a great character, a refreshing change from the typical PI cliché. He's a good man, a devoted father and husband, a successful businessman. Like the rest of us, he's got his share of pain, but he's not a dark, haunted soul. Even though he runs a wine shop, he only occasionally drinks. Coleman's writing is sparse and direct, with great characters and excellent use of setting. There are moments in the book that are very funny, elements of fine suspense, and turns that are touching and even sad. Don't miss this wonderful book from a writer who deserves much more attention than he's getting.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
A Thriller Out of the Headlines, April 7, 2005
When he is cornered at an employee's wedding in 1983 New York, the last thing wine shop owner and private investigator Moe Prager is to work for a politician. A former cop who was forced on disability by a piece of carbon paper on a waxed floor, Moe has had enough of being manipulated and holds a secret that could destroy his marriage. However, a carrot and stick approach by the bride's father forces Moe into working for State Senator Steven Brightman and investigating the disappearance of his female intern in Reed Farrel Coleman's The James Deans (Plume).. Moe soon makes headway into the case, but after coming to a conclusion that leaves everyone satisfied niggling doubts begin to force Moe into looking a little closer at a case that has been tidily resolved. Now, Moe must decide whether to open a can of worms that would leave the powerful and his own friends particularly unhappy with his actions. From the Senator down to the neighborhood bar owner, all are invested in the nicely wrapped package Moe has presented to the city. To continue investigating means that Moe risks sacrificing his career, his family, and his friends. Moe Prager is a wonderfully down-to-earth detective who, although bored with his mundane life, would rather avoid a fight than wield his muscle. His love for his family makes him engagingly human, especially when he knows that a secret he shares with his father-in-law will one day explode and shatter his marriage (Walking the Perfect Square, 2001). Not overly bright but always quick with a quip yet never annoyingly so, it's his ethics and sense of honor that make Moe shine. Taking a turn at writing his version of the Chandra Levy/Gary Condit scandal, Coleman does an original twist with the plot as halfway through, just when you think the mystery has been solved, he boomerangs the story and leads Moe into making a decision that forces him to look deep into his soul and his sense of justice. While Coleman does make a few obvious references meant to give a wink and a nod to the present (a poetic look at the sturdy World Trade Center and jokes about a going-nowhere Arkansas Senator), he writes a riveting plot and creates a vivid portrait of eighties New York City. Always entertaining with a character who is never disappoints, Coleman continues a series that improves and expands on a truly unique character.
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8 of 9 people found the following review helpful:
3.0 out of 5 stars
Very enjoyable, March 26, 2005
A pretty decent, fairly engaging mystery. The characters are pretty well fleshed out and the relationships, for the most part, are very believable and sympathetic. The plot is a good mix of an old-fashioned Hammettesque detective story and modern day mystery. My main problem is the observations, obviously from a post 9/11 perspective, of 1980's New York. I mean, come on, why would a 1983 detective be looking for the twin towers, thinking that "the skyline wouldn't look right without them?" Over all, I enjoyed the characters enough to try another Moe Prager mystery. It's a decent, light read for a Saturday afternoon.
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