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James Taylor

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Audio, Cassette, November 19, 1991
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Over the course of his career, James Taylor has sold more than 40 million albums, and won more than 40 gold, platinum and multi-platinum awards as well as five GRAMMY® Awards. Taylor’s first Greatest Hits album earned him the RIAA’s elite Diamond Award, given for sales in excess of 10 million units in the United States. In 2000, Taylor was inducted into both the Rock and Roll ... Read more in Amazon's James Taylor Store

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Product Details

  • Audio Cassette (November 19, 1991)
  • Label: EMI Distribution
  • ASIN: B00000EFPE
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (33 customer reviews)
  • Amazon Best Sellers Rank: #1,379,784 in Music (See Top 100 in Music)

1. Don't Talk Now
2. Something's Wrong
3. Knocking 'Round the Zoo
4. Sunshine Sunshine
5. Taking It In
6. Something in the Way She Moves
7. Carolina in My Mind
8. Brighten Your Night With My Day
9. Night Owl
10. Rainy Day Man
11. Circle Around the Sun
12. Blues Is Just a Bad Dream

Customer Reviews

Every song on this album is very listenable.
local musician
I am thrilled this CD is finally out as the apple album was the one you could never get and my tape of an aquaintances' has worn out.
When the first album makes the listener hungry for more, you've got something.
F. R. W. Miles

Most Helpful Customer Reviews

44 of 45 people found the following review helpful By Barron Laycock HALL OF FAME on August 20, 2000
Format: Audio CD
I was lucky enough to first see James Taylor live in a small outdoor venue called Avaloch in rural Lenox, Massachusetts in the summer of 1970, after this first album recorded by the Beatles in London had been released and just before the release of the fabulously successful "Sweet Baby James" album by Warner Brothers. He appeared alone on-stage with a full head of long, long hair in a simple denim shirt and cut-up jeans with his four or five acoustic guitars, and for two and a half hours proceeded to absolutely enchant the sprawling lawn-full of hundreds of audience members with a spellbinding performance of all of the work from both of those albums. Although virtually unknown at the time, word of mouth had spread so quickly in the Berkshires area (who still considers him one of their own) that many of us went out to get this album to play before he appeared. The rest, as they say, is history.
This is a fantastic folk album, and shows a different aspect of his talents in that he is much more somber, reflective, and open about his own uncertainties and personal troubles in the songs he sings, and in the delivery as well. But many of my favorites are here, including a spare and lean version of "Something In The Way She Moves", "Carolina In My Mind", and "Rainy Day Man". Yet I actually prefer many of the other cuts, such as "Brighten Your Night With My Day", "Don't Talk Now" and Something's Wrong". My all time favorite song from this album is a sleeper that he never plays and that no one else seems to be familiar with, a traditional song called "Circle Round The Sun".
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24 of 25 people found the following review helpful By jeff hirshberg on May 6, 2003
Format: Audio CD
An old record my sister had in a Paul McCartney cover had more scratches on it than a couch in a house with twenty cats. I listened to it, and came to adore it. It was JT's first album on Apple records. To save my needle, I copied it onto a cassette, and played it for over twenty five years before a radio station told me the album was rereleased on CD. Talk about luck, the first store I went to had a copy of it. It was mine; all mine. For the first time, I could hear the guitar music without the background of all the scratches.
There is a tender sensitivity to this album reflecting a great deal of JT's emotional experience in his early years. His songs tell of warm loving relationships, expressed through greatly tender poetry. There is a softness and vulnerability in his voice, lyrics,and music we never see quite the same in his later productions.
"Something in the Way She Moves"

"And I feel fine any time she's around me now;
She's around me now almost all the time.
And if I'm well you can tell she's been with me now
She's been with me now, quite a long long time,
and I feel fine"'
"Circle Round the Sun"
"I love my baby, and she's bound to love me some;
Let me say that I love my baby,
And she's bound to love me some.
Now she throws her arms around me,
Like a circle round the sun, yeah".

"Sunshine Sunshine"

"Sounds of laughter, here comes sunshine;
Smiling faces all around;
They possess you, bless you sunshine
Now, you can never let them down
I say sunshine".
This album was always there for me when I shared the same vulnerabilities James had in his youth.
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17 of 17 people found the following review helpful By A Customer on March 31, 1999
Format: Audio CD Verified Purchase
James Taylor's first album remains largely undiscovered. JT fans who think Sweet Baby James was his best, enjoy his later stuff but feel he never quite reached that level again, MUST hear this album. It is a masterpiece. Much of it reminds me of "Country Road" with strings bridging the songs (the strings style reminds me of Beatles orchestral works, such as in Yellow Submarine, from this era). Anyone who has wondered where the song, "Carolina On My Mind" came from will now have their answer. Another magnificent selection is "Circle Around the Sun," a traditional song that has been borrowed in part by the Grateful Dead (I Know You Rider) and Janis Joplin (Piece of My Heart). This album is hard to find. It is really the first half of the Sweet Baby James work. Get it-you'll thank yourself!
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10 of 10 people found the following review helpful By Phil Rogers on March 13, 2003
Format: Audio CD Verified Purchase
The king of mellow pop got his start here; it's a very good album to listen to as background to just about anything - communal dinners with your friends from the 60's/70's, whatever. And most of the songs are very good to listen to carefully, individually, when you take the time. He's very inventive - the feeling he conjures, even when sad, warms your guts (which can be very, very helpful). Between each two songs is an instrumental interlude; they are of all sorts, played by various players - there's even a harpsichordist.
Taylor isn't about to bring high excitement to anyone, but as for relaxation and groove, he's got plenty. It's not that easy to put 'bite' into 'mellow' - here he does just that. Let's not forget a sense of humor, which inhabits some of the songs - always portrayed with a quiet, confident touch.
Here, his voice doesn't come off nearly so reedy as later on in his career; nor is there even a twinge of his later, more lukewarm and self-absorbed, almost jaded sound. At this early stage, everything was dovetailing together quite nicely. If you don't mind the understatement, it's very elegantly, and eloquently done.
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