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| Disc: 1 | |||
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| 1. Jenufa, opera, JW 1/4: Act 1. Scene 1. Uz se vecer chýlí | |||
| 2. Jenufa, opera, JW 1/4: Act 1. Scene 2. Co to robía, Jenufa, starenka, | |||
| 3. Jenufa, opera, JW 1/4: Act 1. Scene 3. Co ty, Jenufo | |||
| 4. Jenufa, opera, JW 1/4: Act 1. Scene 4. Vseci sa zenila | |||
| 5. Jenufa, opera, JW 1/4: Act 1. Scene 5. Dusa moja, Stevo | |||
| 6. Jenufa, opera, JW 1/4: Act 1. Scene 6. Stevo, já vím | |||
| 7. Jenufa, opera, JW 1/4: Act 1. Scene 7. Jak rázem vsecko to Sevkovo vypínání | |||
| 8. Jenufa, opera, JW 1/4: Act 2. Scene 1. Nechám jeste dvére otevreny | |||
| 9. Jenufa, opera, JW 1/4: Act 2. Scene 2. Ba, ta tvoie okenicka | |||
| 10. Jenufa, opera, JW 1/4: Act 2. Scene 3. Tetko Kostelnicko | |||
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| Disc: 2 | |||
| 1. Jenufa, opera, JW 1/4: Act 2. Scene 5. Co chvíla | |||
| 2. Jenufa, opera, JW 1/4: Act 2. Scene 6. Mamicko, mám tezkou hlavu | |||
| 3. Jenufa, opera, JW 1/4: Act 2. Scene 7. Kdo to je? | |||
| 4. Jenufa, opera, JW 1/4: Act 2. Scene 8. Tot' zrovna jde! | |||
| 5. Jenufa, opera, JW 1/4: Act 3. Scene 1. Není ti teskno | |||
| 6. Jenufa, opera, JW 1/4: Act 3. Scene 2. Dej Buh stestí | |||
| 7. Jenufa, opera, JW 1/4: Act 3. Scene 3. Vidís, Laco | |||
| 8. Jenufa, opera, JW 1/4: Act 3. Scene 4. A hen uz jsou tu! | |||
| 9. Jenufa, opera, JW 1/4: Act 3. Scene 5. To bylo nákého prohlízení! | |||
| 10. Jenufa, opera, JW 1/4: Act 3. Scene 6. Pán Buh rac dát | |||
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Most Helpful Customer Reviews
5 of 5 people found the following review helpful:
3.0 out of 5 stars
Again, good singing, mediocre sound,
By Edith Swanek (Anaheim, Ca) - See all my reviews
This review is from: Janácek - Jenufa / Benackova · Nadazda Kniplová · Krejcík · Príbyl · Bruno Janácek Opera Orchestra · Jílek (Audio CD)
Gabriela Benackova's silvery soprano and poised dignity make a most moving effect in the title role. Vilem Pribyl's nobly sung Laca and Nadezda Kniplova's raw-voiced but impassioned Kostelnicka are much the same as they were 10 years ago on the Angel set, while Frantisek Jilek conducts the Brno Janacek Opera Chorus and Orchestra in an affectionate reading that accents the score's lyrical as opposed to its melodramatic character. The main problem is the murky sound, which lacks presence and definition.
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