First Sentence:
Broadly speaking either composers want primarily to make shapes, patterns, forms, journeys, buildings, tables, gardens, mud-pies, or they want primarily to utter what wells up from within themselves, or from what is suggested within themselves by the impact of things from around them.
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Key Phrases - Statistically Improbable Phrases (SIPs):
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motivic dimension, motivic returns, pivotal motives, mer analysis, harmonic motives, dynamic paragraph, final semiquaver, acoustic scale, motivic fragmentation, plot archetype, passion hymn, speech melody, diatonic collection, speech melodies, harmonic reduction, rehearsal number, melodic motives, cor anglais, musical analysis, direct discourse, symphonic poems, key motives, chromatic alteration
Key Phrases - Capitalized Phrases (CAPs):
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Taras Bulba, Australian Opera, John Tyrrell, The Fiddler's Child, Claude Debussy, Cambridge University Press, New York, Emilia Marty, Michael Beckerman, Universal Edition, Complete Harmony Manual, David Gyger, Uncollected Essays, Ron Stevens, Czech Philharmonic, Emil Solc, Gregory Dempsey, Jan Racek, Paul Wingfield, Sydney Opera House, The Adventures of the Vixen Bystrouska, The Makropulos Affair, Charles Mackerras, Festival Theatre, Lighting Designer
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