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Jane Eyre

4.5 out of 5 stars 258 customer reviews

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(Apr 24, 2007)
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Editorial Reviews

Charlotte Bronte's gothic heroine loves her moody employer, who keeps a dark secret hidden from her.

Special Features

  • Full Screen Feature (Black & White)
  • Orson Welles's Jayne Eyre
  • Story Boards
  • Production Gallery
  • Restoration Comparison
  • Trailer

Product Details

  • Actors: Orson Welles, Joan Fontaine
  • Format: Black & White, Full Screen
  • Language: English (Dolby Digital 2.0 Mono), English (Dolby Digital 2.0 Stereo), French (Dolby Digital 2.0 Mono), Spanish (Dolby Digital 2.0 Mono)
  • Subtitles: Spanish, English
  • Dubbed: English, French, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated:
    NR
    Not Rated
  • Studio: 20th Century Fox
  • DVD Release Date: April 24, 2007
  • Run Time: 96 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (258 customer reviews)
  • ASIN: B000MGBLHS
  • Amazon Best Sellers Rank: #14,445 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Jane Eyre" on IMDb

Customer Reviews

Top Customer Reviews

By J. Kara Russell VINE VOICE on July 24, 2006
Format: VHS Tape
I've been having a "Jane Eyre-athon." There are many good versions of this gothic story of the fight between worldliness and virtue. Many have one really outstanding element, but this version, with Orson Welles and Joan Fontaine remains overall the best. Like most, it eliminates much of the second half of the book, which is the really important part for Bronte, who is one of the finest religious thinkers of her age. There are so many bests in this version, it will always be hard to top for getting Bronte right.

This version was shot when black and white filmmaking was at it's best, and Fox was known as the best at noir/gothic, with velvety blacks, and really crisp lighting and shading. One thing that helps this film be better is that it has the best script (by Huxley, Stevenson and Houseman). The script transitions well, and really captures the major emotional elements of the story. This version also has the best child Jane (Peggy Ann Gardner). I agree with many that Zelah Clarke (Jane in the 1983 miniseries) is probably the definitive adult Jane, but Joan Fontaine is equally fine, and many people will simply not sit through the slow miniseries. Joan Fontaine has a real sense of refined restraint that seems very natural, and her strength is not so much in knowing she is strong, but overcoming her weakness. That is a very important mental/emotional component for getting Jane right.

Orson Welles is beefy and sexy, and plays every note of Rochester perfectly. If he is a bit too young for the role, that is the only flaw. While I feel that Cirian Hinds (the 1997 film version) is the best Rochester, Welles performance equals him.
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Format: VHS Tape
I was induced to read Charlotte Bronte's "Jane Eyre," a beloved literary classic, at the relatively early age of eleven - all because I saw this movie. I stayed-up late on a Saturday night, with my favorite aunt as company, and we watched the 1944 version of Jane Eyre, with Jane Fontaine and Orson Welles, on TV. At the conclusion, I noticed I had cried my way through a box of tissues and had become a fan forever. The next day I visited the library. Although I have seen three or four cinematic interpretations of "Jane Eyre" since that time, Director Robert Stevenson's production, co-written for the screen by Aldous Huxley, John Houseman, and Mr. Stevenson is by far my favorite. The writers and director remained faithful to Miss Bronte's magnificent work and brought this darkly gothic drama to life on the big screen. Filmed in black and white, using noir techniques from the German Expressionist school, (chiaroscuro lighting, surrealistic settings, etc.), the movie's gothic nature is emphasized and a forbidding mood is set early on. I always wondered if Orson Welles had anything to do with the direction. I sense his influence throughout the piece.

The story is set in England's North Country in the mid-nineteenth century. Orphaned as an infant, Jane (Peggy Ann Garner as young Jane), is taken in and cared for by her aunt, the mean spirited Mrs. Reed of Gateshead Hall, (Agnes Moorehead is superb as Mrs Reed). It is clear from the beginning that Mrs. Reed favors her own spoiled children and despises Jane, punishing her harshly for her perceived impudence and "willfulness." After a particularly cruel and unjust episode with her fat, older cousin, John, Aunt Reed locks the ten year-old girl up in the dreaded "red-room," where her uncle died.
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Yes, this movie is perfect. I have seen this film more than a few times and it never ceases to amaze me and it leaves me with a sense of complete joy when the viewing is over. Infact I have been found to rewind it right after i just got through watching it. The flick start with Jane Eye as a child who has to endure a torturous aunt and is forced to leave to a cruel and harsh boarding school wher she witnessess her classmates death. As the years past she matures into a demure lady who seeks employment out side of the school as a governess and is hired by Mr. Rodchester (Welles). Welles plays Rodchester in such an all out full on bravado that you never question while Fontaine as Eyre falls in love with him! As she setteles into the house as governess she learns that things are not as they seem! The shadows in the house seem to be alive! One night Eyre is awakend by the stir of footsteps and she soon finds Mr. Rodchester's bed ablaze! After the fire is out, one of the most romantic moments in film history takes place! It's not a kisss nor a hug not even a longing look - it's a HANDSHAKE! The embrace of Welles' massive hand over Fontaine's is purely entrancing! The brooding, sinister, darkly, tall and handsome Welles is matched by Fontaine's porcelin beauty! The glances and facial expressions they give each other through key scenes of dialogue will leave you weeping for days! But the film has a level of tension and suspense that is not overshadowed by the romance. The thrill of the house's secret resident and Welles' steps to keep it and his pain staking steps to take solice in his private pain is just a rush and keeps you biting your nails to the climax! An amazing film with such heart and nereve that it deserves to be in everyones collection! The atmospheric fog and tales of lust, jealously, intrigue and pure emotions are breathtaking!
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