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Jane and the Wandering Eye: Being the Third Jane Austen Mystery
 
 
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Jane and the Wandering Eye: Being the Third Jane Austen Mystery [Hardcover]

Stephanie Barron (Author)
4.0 out of 5 stars  See all reviews (23 customer reviews)


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Book Description

January 5, 1998 Jane Austen Mystery
Jane Austen's potential as a brilliant sleuth was delightfully revealed in Jane and the Unpleasantness at Scargrave Manor and deliciously underscored in Jane and the Man of the Cloth.  Now, in Stephanie Barron's third superb Jane Austen Mystery, the beloved author embarks on her most perplexing case...as misplaced passions, festering malice, and the desire for revenge serve to conceal the true motives for murder.

As Christmas of l804 approaches, Jane Austen finds herself "insupportably bored with Bath, and the littlenesses of a town," despite the seasonal gaiety, the elegant Assemblies, and the appearance of a celebrated pair of actors at the Theatre Royal.  It is with something like relief, then, that she accepts a peculiar commission from her Gentleman Rogue, Lord Harold Trowbridge--to shadow his niece, Lady Desdemona, who has fled to Bath to avoid the attentions of the arrogant and unsavoury Earl of Swithin.

But at a masquerade thronged with the fashionable and the notorious, Jane's idle diversion suddenly turns deadly.  Even as actor Hugh Conyngham transfixes the guests with his declamation of Macbeth's murderous soliloquy, his theatre manager is discovered stabbed to death in an anteroom.  Weeping on his breast is Hugh's sister, the spirited tragedienne Maria Conyngham.

And standing by the body, knife in hand, is Desdemona's brother, Simon, Lord Kinsfell.  In vain does Simon protest his innocence: he is arrested and charged with murder.

Jane, however, knows that there is more to this fatal drama than meets the eye.  And what is one to surmise from the stormy portrait of an eye left lying on the corpse?  As Yuletide revels progress, Jane's delicate inquiries expose a bewildering array of suspects amid an endlessly shifting pattern of flirtations, amours, and sinister entanglements.  And as Jane's fascination with mystery and her fondness for the dramatic arts lead her deeper into the investigation, it becomes clear that she will not uncover the truth without some play-acting of her own.

Yet Jane's bravura performance could do more than unmask a killer...it could lead to the ruin of her reputation, or even the loss of her life.

Fiendishly clever and breathlessly diverting, Jane and the Wandering Eye weaves manners, mayhem, and murder into a dazzling
spectacle of intrigue and suspense.


Editorial Reviews

Amazon.com Review

It's evident from the opening lines of Jane and the Wandering Eye that author Stephanie Barron knows both her Regency-period England and her Jane Austen. In this novel, the famous author takes center stage and finds herself embroiled in nefarious doings--in this case, the murder of a theater manager. As in the series' other books, Jane herself tells the story through a series of journal entries, and it is in her heroine's voice that Barron's genius comes to light: the same sharp eye for detail and ironic understanding of human character that informed Miss Austen's novels are hard at work in this fictional account of her sideline occupation as a sleuth. Though the mystery at the heart of Jane and the Wandering Eye is hardly a nail-biter, the wonderful mix of fictional and historical characters--all rendered up with Austenian wit--that inhabit this murderous comedy of manners are what will keep readers going to the very last page--and coming back for more.

From School Library Journal

YA-Jane Austen, who cleverly solved crimes in Jane and the Unpleasantness at Scargrave Manor (1997) and Jane and the Man of the Cloth (1997, both Bantam), once again finds herself in the role of detective. During the Christmas season in Bath, she accepts the job of observing the movements of Lady Desdemona, who has come there to escape the attentions of an unwanted suitor, and reporting them to the young woman's uncle, Lord Harold Trowbridge. Jane is more than a little bored and looks forward to the intrigue she is sure will follow Lord Harold's request. Then, while famous actor Hugh Conyngham entertains guests, his theater manager is murdered and a portrait of an eye is found on the body. Jane must turn sleuth when Desdemona's brother is wrongfully accused of the crime. Real historical figures, characters from the other Jane Austen mysteries, and footnotes from the "editor" give a tone of authenticity to this mystery that is filled with elements of mistaken identity, revenge, and betrayal. Jane must use all of her wits to navigate the sinister world in which she finds herself. Her wry observations and sleuthing abilities will please her fans and readers interested in history blended with mystery.
Susanne Bardelson, Wheat Ridge Public Library, Jefferson County, CO
Copyright 1998 Reed Business Information, Inc.

Product Details

  • Hardcover: 272 pages
  • Publisher: Bantam; 1St Edition edition (January 5, 1998)
  • Language: English
  • ISBN-10: 0553102044
  • ISBN-13: 978-0553102048
  • Product Dimensions: 9.1 x 6.1 x 1 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (23 customer reviews)
  • Amazon Best Sellers Rank: #1,541,926 in Books (See Top 100 in Books)

More About the Author

STEPHANIE BARRON

Stephanie Barron is a graduate of Princeton and Stanford, where she studied history. THE WHITE GARDEN is her twentieth novel, but she is perhaps best known for the critically-acclaimed Jane Austen Mystery Series, in which the intrepid and witty author of PRIDE AND PREJUDICE details her secret detective career in Regency England. JANE AND THE MADNESS OF LORD BYRON, the tenth Austen mystery, is forthcoming from Bantam in October 2010. A former intelligence analyst for the CIA, Stephanie--who also writes under the name Francine Mathews--drew on her experience in the field of espionage for such novels as THE ALIBI CLUB, which Publishers Weekly named as one of the fifteen best novels of 2006. She lives and works in Denver, CO.

 

Customer Reviews

23 Reviews
5 star:
 (10)
4 star:
 (6)
3 star:
 (4)
2 star:
 (3)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (23 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

9 of 9 people found the following review helpful:
4.0 out of 5 stars an enjoyable addition to the series, June 21, 2002
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I enjoy these Jane Austen-as-sleuth novels. Author Stephanie Barron is a fine writer who emulates Austen's elegant prose style with success. This third installment of the series takes place in 1804 Bath, where Jane's family has moved, in part to accommodate father George's declining health, and Jane dislikes intensely living in a place of such "dissipation". A murder has occurred during a fancy dress party Jane attends, and she is drawn into the mystery by her old friend, Lord Harold Trowbridge.

I had some minor quibbles with the book -- Austen's renowned wit is missing, too many characters (in costumes, no less!) and relationships make the plot confusing -- but in general I enjoyed this book very much, and appreciate the opportunity to spend time with our beloved Jane as the author deftly weaves historical and biographical facts into her story.

Personally I enjoy the footnotes, which are infrequent, informative and not at all intrusive.

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5 of 5 people found the following review helpful:
3.0 out of 5 stars Darn! I wish I could say I liked this book better., June 21, 2008
By 
Having read the first two books in this series and enjoyed them both I thought I would just pick this book up and begin a delightful reading experience. Sadly, that did not turn out to be the case. Even though a three star rating is not actually considered bad, it does say that I did not find the pleasure in reading this one which was so evident for me in the previous two.

Right away I began to have trouble. Maybe it was a lack of concentration on my part, maybe not. I had to go back and read the first chapter a second time in order to get all the many characters placed in my head. Even so I still lost track of one of them. I didn't think that Stephanie Barron did a very good job of clearly defining who was who for the characters. This was magnified by the fact that they were all in fancy dress, wearing masks, and Jane didn't know any of them, even if they had not been in costume. Lord Harold Trowbridge had gotten in touch with Jane (he knew her from another one of her mystery adventures) and asked her to keep an eye on his niece, Lady Desdemona. Lady Desdemona has been made an offer of marriage by the Earl of Swithin. She turns him down flat and leaves London to stay with her grandmother in Bath. Lord Harold wants Jane to keep an eye on Mona to make sure she doesn't do anything foolish, such as form an unacceptable alliance, just to prove to Swithin that she is serious about not marrying him. How was Jane Austen, a spinster on the fringes of high society, in very perilous financial circumstances, supposed to accomplish this task? That weakness in the plot was such a glaring problem that I began to read with a frown on my face and it didn't leave my countenance very often. The murder which happened at the fancy-dress ball was what ultimately threw the characters together but under normal circumstances I don't think Jane would have been very likely to become a confidant for Lady Desdemona. I needed something more substantial to tie these two women together in the first place.

I found that the sentence structure and word usage was not always well done. I had to fight to comprehend some of the sentences and read them over and finally arrived at the meaning. I do not read these books because I am a fan of the writings of Jane Austen. I read these books, first and foremost, because I love a good mystery. Having them "told and solved" by Jane Austen is just a plus for me. This mystery was not a very good mystery. I went back and read the last half of chapter 16 and the first half of chapter 17 over again to make sure I understood who, what, when and why. That is not a ringing endorsement. I pay close attention when I read a mystery because I like to solve it myself. Yet in this case I was confused and not very happy about it when all was revealed. And I will tell you right now, I did not like what Ms Barron did with one of the real life friends of Jane Austen. There was no reason that I can see for her to have cast any doubts on the death of that person. No reason whatsoever!

I'm sorry to say that any friend who asks my opinion of this book, and indeed this entire series, will likely get an earfull. I will not sugar-coat the entire series just because I liked the first book so very much and continued to enjoy the second in the series. This one was not up to standard for me and I will have to relay that information. It almost seemed that Ms Barron was using so much of her attention in getting the historical setting and the Austen voice correct that she forgot the mystery. Well, the historical setting is fine by me. I don't know enough to be critical. The Austen voice became quite a bit weaker in this third book, at least for me. The mystery? That came off almost like an afterthought which she continued to re-write and solve as she went along.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Better as they go, September 18, 2004
'Jane and the Wandering Eye' is the third novel in Stephanie Barron's Jane Austen as detective series; and she merely improves each time upon an ingenious and highly likely concept, as our favorite author plays sleuth to high-profile murders and crimes. Barron has realistically recreated Austen's time period, playing the editor to Jane's "found" diaries that record these events, and peppering her narrative with footnotes that inform the reader about Austen's day.

With the third book of the series, Barron has improved upon her style. At times it almost seems a bit of a stretch to capture the language used in Austen's day, but Barron is comfortable in Jane's mindset. She does the author justice in thought and deed - one can very easily imagine Jane adventuring to discover the twists and turns of the mysteries that fill Barron's pages. And if there is a slight resemblance to some of Austen's published novels, well, we know when the idea/observation struck her.

The third book introduces us to a murder mystery, filled with numerous twists and turns. Once again we find Jane in the companionship of Lord Harold Trowbridge, as they try to solve a mystery that was committed at his mother's house and that throws suspicion on his family, as well as on various suitors who would claim his niece's hand in marriage. Together, Lord Harold and Jane uncover the murderer while the law remains impotent to do so. I very much look forward to whatever mischief she may set her sights upon in book four.
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