Customer Reviews

Japan 1945: A U.S. Marine's Photographs From Ground Zero

5 star:		(7)
4 star:		(0)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

We've all seen the pictures of Hiroshima where everything but the shells of a few building is flattened. Here are seventy-four pictures from several cities, fire-bombed with conventional munitions, not atomic bombs, that look just as devastated, just as destroyed.

But more than that are pictures of the people. There's a picture of the crowd at an Athletic Day - women, children, and old men - the young men are gone, probably never to return. There's a picture of a young boy, perhaps eight years old. To his back is strapped his little brother, perhaps one year old. The little brother is dead and the boy is delivering him to the cremation site.

Yes the pictures from other wars, the child at the railway station after the rape of Nanking, those from the camps in Germany are equally tragic. Even the pictures showing Charleston after Sherman's army went through show this kind of destruction.

But there is a special feeling I get from these pictures. Perhaps it comes as a residual of the racial hatred this country felt towards Japan. I hope not, but the fact is that these striking photographs make me feel terrible.

Photographer Joe O'Donnell, a 23-year-old Marine assigned to the occupation of Japan, has released many of his photographs that he took while on station. Locked away for some 45 years, these vivid, graphic, and moving photos show what life was like immediately after the atomic bombings of Hiroshima and Nagasaki.

O'Donnell's photo archive begins with images from his arrival in Japan. A prayer service offered aboard a landing ship, and the unloading of equipment are shown in this section. The harbor at Sasebo is photographed with many American ships filling its waters, but it is in this section where the reader gets their first glimpse of the level of destruction wrought by American planes; most of the surrounding city is literally flattened. Many displaced Japanese citizens are shown wandering the streets of what has become a barren wasteland.

O'Donnell has also included images of American soldiers giving candy to Japanese children, and Japanese geishas performing dances. Images of children with babies strapped to their backs cleaning rubble and elderly displaced civilians with few or no possessions really touch the reader.

The most eye-catching part of the book for me was the images of Hiroshima and Nagasaki. Both cities were literally wiped off the face of the earth; only massive piles of rubble remained. O'Donnell had to travel by horse to navigate through the massive piles of debris. Images of people wandering about aimlessly, smashed factories, and burn victims dominate this part of the book.

The most piognant pictures I saw in the book are the one of the three brothers in Nagasaki; the eldest pushing his brothers in a make-shift cart, and the most heartbreaking one, the photo of the child who has come to the cremation site in Nagasaki with his dead baby brother strapped to his back, all the while struggling to keep from crying. I can't remember seeing a more moving photograph.

This is a tremendous book. Each photograph tells its own story, and O'Donnell has provided excellent narrative above each photo. I highly recommend this fine book. Open it up and take a photographic journey through a defeated Japan. Some photos will inspire awe; others pity, and you'll get a true sense of what it was like in Japan immediately after the war ended.

Joe O'Donnell captured the aftermath of World War II with his photographic record of the Japanese rubble. As a 23 year-old US Marine, O'Donnell served as a photographer, and a sample of the photographs he took are included in his book, JAPAN 1945: A US MARINE'S PHOTOGRAPHS FROM GROUND ZERO. The collection is a visual snapshot of the Japanese landscape of the cities and towns, Sasebo, Fukuoka, Hiroshima, and Nagasaki, almost a month after the atomic bombings and air raids.

Indeed, JAPAN 1945 includes poignant and moving exposures of remnants of the worn torn landscape. The book is a composition of photographs of O'Donnell's seventh month long tour of the Japanese cities in which he documented what was left of the cities -- pure destruction without a living thing in sight. There are numerous shots worth mentioning, such as the boy and his young brother on the cover of the book, the boy served as O'Donnell's guide through the streets of Hiroshima, as well a man severely burned, "Victim with Rope" who is covered with an immense amount of clothing in order to protect his skin. However, there are also photographs depicting reconstruction, such as the shot where a teacher leads a class with the classroom still intact despite the outside view of the devastating rubble that lurks in the background.

JAPAN 1945 is an excellent photographic record of the aftermath of the bombing of Hiroshima and Nagasaki. O'Donnell's account of what he had seen has been best described not with words, but with the photographs he presents. The book may further provide a better understanding of World War II history as well as how photographs provide a template to how history is interpreted.

This book portrays the feelings well - not just of those suffering from war or the atomic bombing but of the Marine photographer's as well. The opening pages describe well what this young US Marine has endured in his psyche and soul since 1945. Of the many unpublished photographs until now, the one that is most poignant shows a line of US Marine boots neatly lined up in front of Japanese clogs at the entrance to a church in Sasebo...bitter enemies until just weeks earlier but are now brought together in peace.

This book may not be for everybody as the pictures show a reminder of the destruction that was caused but if anything it reminds you and demonstrates how strong the Japanese character is and how resilent they are especially today after March 2011.

JAPAN 1945 is a fascinating and poignant photographic tour of Japan imemdiately after war's end. USMC photog Joe O'Donnell came ashore in September 1945 and began snapping photographs of the devastated country and the equally devastated people. JAPAN 1945 collects the best of those photographs; it's an often terribly saddening chronicle.

O'Donnell's book is arranged in five sections: Landing, Sasebo, Fukoka, Hiroshima and Nagasaki. The fascination for many readers will probably be the Hiroshima and Nagasaki shots but nearly every shot hits home. While the Hiroshima scenes are stunning, the shot of the small boy bringing his dead brother to the crematorium tears you up. Yet, despite the damage done by USAF fire-bomb raids AND the A-bomb missions, Japan's leaders wouldn't surrender until the A-bombs were unleashed; senseless!

Viewing O'Donnell's photos, you have to feel sympathy for the civilians - men, women and especially the children - who had no say in the war's prosecution yet had to suffer the consequences of their leaders' intransigence. It's heartening though to see images in the book of the Japanese people trying to put their lives back in order after war's end.

Thanks to Joe O'Donnell and Vanderbilt University Press, readers have a better understanding of what 'total war' means. And the butcher's bill it brings. Recommended.

Could it be that we see a photo of an 8 or 9 year old boy bringing the body of his dead baby brother to a site in Nagasaki for cremation? Could it be that this photo was taken by a 23 year old American Marine? Would it be possible that the Marine was mistaken, perhaps he misunderstood? Perhaps the baby is only sleeping. Alas, the older brother's face belies the truth as the baby's body hangs lifeless. Marine photographer Joe O'Donnell was obviously moved by many of the photos he took during his time in Japan, just after the war ended.

But it's not just bombed out cities that he shares with us. There are happier times when American GI's were talking to children, geisha and hotel maids and other slices of Japanese life that would interest most any foreigner (or perhaps today's Japanese even). We can only wonder how many other photos he has that are have not been published.

I think Japanese history is at its most interesting when it interacts (or collides) with other countries. O'Donnell shares with us images of a Japan that no longer is. Perhaps Japan never has publicly atoned for its war time actions sufficiently; but this book shows clearly that it certainly was punished sufficiently.