Language Notes
Text: English (translation)
Original Language: Japanese
Original Language: Japanese
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Inside This Book
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First Sentence:
Although such views are gradually changing, mistaken and widespread presumptions about Japan and the Japanese continue to exist in the West: a woman dressed in a formal kimono is automatically assumed to be a geisha, while sumi-e brush painting is thought to be a mystical art form. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
continental culture, scroll pattern, national seclusion, golden pavilion Key Phrases - Capitalized Phrases (CAPs): (learn more)
Art Nouveau, Liang Kai, National Museum of Tokyo, Prince Shotoku, Fudo Myo-o, Korean Peninsula, Jodo Shinshu, Mount Fuji, World War, Meiji Restoration, Zen Buddhism, Abstract Expressionism, Mount Hiei, Asai Chu, Middle Ages, Miroku Bosatsu, Nara Prefecture, Shiba Kokan, Shirai Seiichi, Tawaraya Sotatsu, Zen Buddhist, Gakko Bosatsu, Hon'ami Koetsu, Hsia Kuei, Karasumaru Mitsuhiro New!
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Although such views are gradually changing, mistaken and widespread presumptions about Japan and the Japanese continue to exist in the West: a woman dressed in a formal kimono is automatically assumed to be a geisha, while sumi-e brush painting is thought to be a mystical art form. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
continental culture, scroll pattern, national seclusion, golden pavilion Key Phrases - Capitalized Phrases (CAPs): (learn more)
Art Nouveau, Liang Kai, National Museum of Tokyo, Prince Shotoku, Fudo Myo-o, Korean Peninsula, Jodo Shinshu, Mount Fuji, World War, Meiji Restoration, Zen Buddhism, Abstract Expressionism, Mount Hiei, Asai Chu, Middle Ages, Miroku Bosatsu, Nara Prefecture, Shiba Kokan, Shirai Seiichi, Tawaraya Sotatsu, Zen Buddhist, Gakko Bosatsu, Hon'ami Koetsu, Hsia Kuei, Karasumaru Mitsuhiro New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 8
books:
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- Claude Monet by National Gallery of Art on page 118, and Back Matter
- Art Nouveau: Spirit of the Belle Epoque (Art Movements) by Susan A. Sternau on page 23
- Edo Painting: Sotatsu and Korin (Heibonsha Survey Vol. 18) by Hiroshi Mizuo in Back Matter
- The Pleasures of Japanese Literature by Donald Keene in Back Matter
- The Folk Arts of Japan by Hugo Munsterberg in Back Matter
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