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Jarrett: Bridge of Light
 
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Jarrett: Bridge of Light [ORIGINAL RECORDING REISSUED]

Keith Jarrett (Composer), Thomas Crawford (Conductor), Marcia Butler (Performer), Keith Jarrett (Performer), Patricia McCarty [viola] (Performer), Michelle Makarski (Performer)
4.8 out of 5 stars See all reviews (4 customer reviews) More about this product


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Product Details

  • Performer: Marcia Butler, Keith Jarrett, Patricia McCarty [viola], Michelle Makarski
  • Conductor: Thomas Crawford
  • Composer: Keith Jarrett
  • Audio CD (April 18, 2000)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Original recording reissued
  • Label: Ecm Records
  • ASIN: B000025XCY
  • In-Print Editions: MP3 Download
  • Average Customer Review: 4.8 out of 5 stars See all reviews (4 customer reviews)
  • Amazon.com Sales Rank: #38,327 in Music (See Bestsellers in Music)

    Popular in this category: (What's this?)

    #2 in  Music > Classical > Featured Performers, A-Z > ( J ) > Jarrett, Keith

Listen to Samples

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1. Celebration
2. Song
3. Dance
4. Birth
5. Dance

On this CD:
  1. Elegy for violin and String orchestra
    Composed by Keith Jarrett
    with Michelle Makarski
    Conducted by Thomas Crawford

  2. Adagio for oboe and String orchestra
    Composed by Keith Jarrett
    with Marcia Butler
    Conducted by Thomas Crawford

  3. Sonata for violin and piano
    Composed by Keith Jarrett
    with Michelle Makarski, Keith Jarrett

  4. Bridge of Light for Viola and orchestra
    Composed by Keith Jarrett
    with Patricia McCarty
    Conducted by Thomas Crawford


Editorial Reviews

Amazon.com
Keith Jarrett describes his pieces as "prayers that beauty may remain perceptible," and indeed he seems to have written exactly what his ear and heart told him. The music is peaceful, lyrical, pastoral, sometimes mournful, sometimes dancelike, often devotional. It spins out melodies in long silken threads, without real form or development, shaped only by rising and abating intensity. Its harmonies are firmly based in tonality, and there are hardly any dissonances. It could have been composed in an earlier century, but far from being derivative, its very lack of self-conscious striving for "style" gives it originality. The orchestral sound has a natural richness without gimmicky effects; the writing for the solo instruments is wonderfully idiomatic.

The Elegy for Violin and Strings, written for Jarrett's maternal Hungarian grandmother, is somber, intense, with a gypsy flavor, and fluctuates between major and minor. The Violin and Piano Sonata has five contrasting movements, two of them dances, one Spanish, one half-Spanish, half-Oriental, both with an ostinato rhythm in the bass; the rest are singing and lyrical. Michelle Makarski plays both with a lovely pure tone and great nobility of expression. The Adagio for Oboe and Strings is pastoral but somewhat contrapuntal; Marcia Butler's full, languid tone both blends and contrasts with the strings. "Bridge of Light" for Viola and Orchestra has a chordal, hymnlike quality and colorful orchestration; the viola merges into and emerges from the texture, standing out with no apparent effort. Patricia McCarty, who commissioned and premiered the piece, plays it beautifully, with warm, loving tenderness; the orchestra is excellent. --Edith Eisler


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Customer Reviews

4 Reviews
5 star:
 (3)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
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Average Customer Review
4.8 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
15 of 16 people found the following review helpful:
4.0 out of 5 stars Orchestral Lyricism, July 1, 2000
By Robert Harwood "rwh" (Kitchener, Ontario) - See all my reviews
(REAL NAME)   
I suppose most will be familiar with Keith Jarrett as a solo pianist or member of a trio. He has released several works of classical performance and original composition. His renditions of Bach's Goldberg Variations, Mozart piano concertos, the music of Handel and Shostakovitch are exemplary. His own classical compositions have, perhaps, stirred more controversy.

This recording, from 1993, features four original compositions including one in which Jarrett accompanies the violinist Michelle Makarski on piano (Sonata for Violin and Piano); the third section, "Dance", is one of the most invigorating and sweetly beguiling melodies I have heard. Elegy for Violin and String Orchestra is less immediatly recognizable as a Jarrett work. It opens with dark strings, bringing to mind the gypsy music of Hungary (where, Jarrett says, his grandmother was born). It is a moody piece - albeit without the dramatic emotional shifts which characterize much Hungarian music. But, then, Hungary remains only a flavor in this rich, evocative composition.

This is contemporary classical music which, while being undeniably of this era, retains a strong sense of melody and harmony. The music does meander at times, giving an impression - not of aimlessness, but of a wandering curiosity; it's like a trip down an unfamiliar, quietly flowing river.

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11 of 11 people found the following review helpful:
5.0 out of 5 stars Bridge of Light- GORGEOUS!, November 25, 2003
By Kenneth A. Martinson (Gainesville, FL USA) - See all my reviews
(REAL NAME)   
I bought this CD specifically out of curiousity to hear the Viola Concerto "Bridge of Light". It is gorgeous work, which is played beautifully by soloist Patricia McCarty. This piece has a completely tonal sound that is still "fresh" sounding for the modern listener. I highly recommend that violists especially get to know this gem of a viola concerto.

Kenneth Martinson, professor of viola at the University of Florida, asst. editor for the American Viola Society Journal
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8 of 10 people found the following review helpful:
5.0 out of 5 stars Bridge of Light, June 13, 2000
One of the most beautiful pieces of music composed by Keith Jarrett and very different from his Solo piano and trio works. An essential addition to anyones Jarrett collection.
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Most Recent Customer Reviews

5.0 out of 5 stars Very un-Jarrett-like
The five-movement piano and violin sonata is worth the price of the disk. Jarrett fans will not recognize his hand in this. Read more
Published 15 months ago by C. Gauker

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