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Jazz Anecdotes [Paperback]

Bill Crow (Author)
4.7 out of 5 stars  See all reviews (14 customer reviews)


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Book Description

0195071336 978-0195071337 September 12, 1991
When jazz musicians get together, they often delight one another with stories about the great, or merely remarkable, players and singers they've worked with. One good story leads to another until someone says, amid the laughter, "Somebody ought to write these down!" With Jazz Anecdotes, somebody finally has.
Drawing on a rich verbal tradition, bassist and jazz writer Bill Crow has culled stories from interviews, biographies and autobiographies, the remarkable collection of oral histories compiled by the Institute of Jazz Studies at Rutgers University, and his own columns to paint fascinating and very human portraits of jazz musicians. Organized around general topics--teaching and learning, stage fright, life on the road, prejudice and discrimination, and the importance of a good nickname--Jazz Anecdotes shows the jazz world as it really is and suggests why it gives its devotees a kick like no other. In addition, it offers extended sections on jazz greats such as Bessie Smith, Louis Armstrong, Fats Waller, Duke Ellington, Tommy Dorsey, Dizzy Gillespie, Charlie Parker, and the fabulous Eddie Condon, who seems to have lived his entire life with the anecdotist in mind.
With its unique blend of sparkling dialogue and historical and social insight, Jazz Anecdotes will delight anyone who loves a good story. It offers a fresh perspective on the joys and hardships of a musician's life as well as a rare glimpse of the personalities who created America's most distinctive music.


Editorial Reviews

Review

"Read this somewhere where you're not afraid to be seen laughing out loud....Everyone should be able to find something to like in this rich collection"--Library Journal

"A scintillating omnium gathering of jazz talk." --Washington Post

"Guarantees up to a thousand laughs...recommended without reservation."--Los Angeles Times

"The intense sociological hothouse that was the jazz and commercial music world has cooled down greatly over the years, but it's important to have books like this to remind us how exciting and invigorating those days were....Don't let it slip by."--Allegro

About the Author


Bill Crow is a free-lance musician and a member of the Executive Board of Local 802 of the American Federation of Musicians in New York City. His articles and reviews have appeared in Downbeat, The Jazz Review, and Gene Lees's Jazzletter. He writes a monthly column for Allegro, the newspaper of Local 802.

Product Details

  • Paperback: 368 pages
  • Publisher: Oxford University Press, USA (September 12, 1991)
  • Language: English
  • ISBN-10: 0195071336
  • ISBN-13: 978-0195071337
  • Product Dimensions: 8 x 5.4 x 0.8 inches
  • Shipping Weight: 11.5 ounces
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #1,248,011 in Books (See Top 100 in Books)

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Customer Reviews

14 Reviews
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Average Customer Review
4.7 out of 5 stars (14 customer reviews)
 
 
 
 
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14 of 14 people found the following review helpful:
5.0 out of 5 stars Jazz Humor, February 2, 2001
This review is from: Jazz Anecdotes (Paperback)
If you were intrigued by the musicians portrayed in Ken Burns' "Jazz" series, this book will deepen your appreciation of the musicians' humor, problems, and triumphs. Though limited to short anecdotes, jokes, and short but histories, the book, much like Gene Lees' great "Meet Me at Jim and Andy's, offers a whole pie of jazz life its intimate slices.

Crow provides a lot of jazz history to introduce the topically arranged anecdotes (e.g., Good Lines," "On the Road," "Beginnings," "Hirings and Firings," "Prejudice"). The lines and stories are very good, and give insights into personalities and jazz, in general. There are one-liners: "Shelley Manne gave an interviewer his definition of jazz musicians: `We never play anything the same way once,'" and longer stories such as the legendary fight between Juan Tizol and Charles Mingus on Ellington's bandstand (We get Tizol's and Mingus' versions of what happened, including Mingus' revealing recitation of what Duke told him afterwards about the fight "I congratulate you on your performance, but why didn't you and Juan inform me about the adagio you planned so that we could score it?."

There are short sections focusing on one or two famous jazz musicians, such as Mingus, Armstrong, Miles Davis and John Coltrane, Bessie Smith, "Fats" Waller, Dizzy, Bird, Eddie Condon and others, as well as funny stories about lesser known players: "[Joe] Puma dropped in at a small New York Club where Jim Rainey was working. The club wasn't doing much business...there was a fire department sign on the wall... `OCCUPANCY OF THESE PREMISES BY OVER 116 PEOPLE IS UNLAWFUL.' Jimmy penciled neatly underneath: `AND UNLIKELY.'"

Sources include autobiographies, interviews, biographies, oral histories, and Crow's own experiences. Under "Acknowledgements," the book includes a great bibliography of jazz-related writings. No pictures, but an index, and, as mentioned earlier, lots of information mixed in with the humor. Very highly recommended.

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7 of 7 people found the following review helpful:
4.0 out of 5 stars Entertaining -- and a good intro to jazz., August 25, 2001
By 
slomamma (San Luis Obispo, CA USA) - See all my reviews
This review is from: Jazz Anecdotes (Paperback)
I bought this book for my son, whoÕs a musician, but I heard him laughing so much as he was reading it that I asked to borrow it. Even if youÕre not a musician, or even very knowledgeable about jazz, this is a really entertaining book. Almost every chapter has at least a couple of laugh-out-loud lines. It also gives you a good feel for what the lives of jazz musicians were like Ð the camaraderie and competition, the inventiveness, the struggles over money, the often terrible working (and especially recording) conditions. There are also poignantly funny stories about problems with drugs and alcohol, and even about the racial prejudice that musicians had to put up with. My favorite story in the book was about Bessie Smith storming out to confront a group of Klansmen gathering outside the tent where she was working. Peppering them with curses, she ordered them to "pick up them sheets and run." They did. Great woman. There are lots of great women (and men Ð mostly men) in this book. I thoroughly enjoyed getting to know a little bit about them.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars One of the very best books on jazz!, January 2, 1997
By A Customer
This review is from: Jazz Anecdotes (Paperback)
As already stated this book is the kind that you can pick up anytime and flip thru to almost any page and get some quick story that you'll learn from and laugh at. Buy two copies because you'll want to give one to a friend
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Inside This Book (learn more)
First Sentence:
Around 1923 the delegate of Local 44 got a one-night job over at Beartown, Illinois, for a little pickup band. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
trombone section, trumpet section, sax section, band bus, tenor player
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Pee Wee, Benny Goodman, Kansas City, Charlie Parker, Lester Young, Louis Armstrong, Duke Ellington, Woody Herman, New Orleans, Ben Webster, Dizzy Gillespie, Eddie Condon, Fats Waller, Fletcher Henderson, Los Angeles, Count Basie, Earl Hines, Joe Venuti, Lionel Hampton, Roy Eldridge, Coleman Hawkins, Joe Glaser, Miles Davis, Milt Hinton
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