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With financial and visual help from world-renowned painter (and jazz fan) Roy Lichtenstein, alto-sax player Hayes Greenfield, his fellow musicians, and kid contributors happily transform a handful of nursery rhymes into jazz tunes. All the elements that make jazz what it is are here--spontaneity, color, texture, skewed phrasing, melody, and magic, to name a few. And the kids, who are perhaps more in tune with jazz rudiments than most adults, react with great passion and playfulness in this lively 1998 recording session.
Richie Havens adds his distinctive voice to the proceedings, but vocalist Miles Griffith madly steals the show, tearing into "Blow the Man Down" like a man about to be blown down, and breathing new life into the immortal standards "Twinkle Twinkle Little Star," "This Old Man," "The Muffin Man" and others. Ranging from the sublime and beautiful to the madcap and capricious, Griffith is, as the liner notes declare, "a totally up cat"--just like the disc. Delightful and instructive.
--Martin Keller
Nursery rhymes and traditional children's songs get the jazz treatment from some top-line artists, saxophonist and arranger Hayes Greenfield, vocalists gravel-voiced folk/pop artist Richie Havens, Miles Griffith and Lisa Michel, David Berkman on piano, Jay Anderson on bass and several others. A group of young children add their enthusiastic, if not always musical voices to the mix, too. This is no lullaby album, by the way, although it has some quiet moments, most notably the lovely "Fiddle De-Dee" with Lisa Michel's floating, sweet voice, and "Sur Le Pont D'Avignon" with Michel and Charenee Wade. The number one highlight, "Oh, Susanna" is a perfect marriage of Havens' signature, hoarse vocals and Greenfield's softly melancholy sax. The mood is otherwise very lively indeed.
Although "Animal Fair," is undone by a gooey, too-precious vocal-Michel again, in an unfortunate departure from her natural high soprano-the playful music is a blast. So too, are a raucous scat version of "Skip to My Lou" sung by Griffith, for instance, and "I've Been Working on the Railroad," with its martial percussion and audacious brass accompaniment. A 1998 Parents' Choice® Silver Honor.
Reviewed by Lynne Heffley, Parents' Choice® 1998