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Jazz Nocturne

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Audio CD, April 1, 1994
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$11.01 $9.96

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$13.05 & FREE Shipping on orders over $35. Details Only 1 left in stock. Ships from and sold by Amazon.com. Gift-wrap available.

Product Details

  • Audio CD (April 1, 1994)
  • Number of Discs: 1
  • Label: Evidence
  • ASIN: B0000014L0
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #402,729 in Music (See Top 100 in Music)

1. You'd Be So Nice To Come Home To
2. Everything Happens To Me
3. Alone Together
4. Misty
5. Body And Soul
6. My Funny Valentine
7. In A Sentimental Mood

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14 of 14 people found the following review helpful By N. Dorward on February 27, 2001
Format: Audio CD
Lee Konitz has so frequently avoided "ordinary" jazz situations that it's actually a rare treat to hear him do an album like this, with a roster of jazz standards performed by a straightahead American rhythm section--the great Kenny Barron on piano, James Genus on bass & Kenny Washington on drums. Konitz's playing is wonderfully unflashy--precisely because he's not interested in letting prefabricated licks fall under his fingers. When he lets a quick series of triplets fall out of his horn towards the end of "You'd Be So Nice to Come Home To" it's a small surprise, & a sly response to the fleet lines of Barron. Unexpectedly for a player who started out under Tristano's wing, Konitz's tone is keening, alternately wry and plangent; it's like a distant cousin of Art Pepper. It's a nicely varied album: "Everything Happens to Me" is a sax-piano duo, which gives Barron a chance to show off his gentle stride-piano style; "Body and Soul" moves from duo to full quartet to a lovely acapella coda; "Alone Together" lets Lee stroll around with just bass and drums for a bit before the quartet digs in. Lee pulls out his soprano for two ballads, "Misty" & "My Funny Valentine". The renditions of standards are absolutely straightahead but without any sense of routine. It's a very warm, relaxed album, with four musicians palpably enjoying themselves.
Not one of Konitz's most adventurous performances, but certainly one of his most enjoyable.
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