Jazz in the Space Age

George Russell | Format: Audio CD

Product Details

• Audio CD (May 19, 1998)
• Number of Discs: 1
• Label: Grp Records
• ASIN: B000006R88
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #451,502 in Music (See Top 100 in Music)

Editorial Reviews

Digitally remastered and expanded release containing George Russell's complete original album Jazz in the Space Age plus bonus tracks. One of the composer's seminal albums, it extensively features pianist Bill Evans, along with other well known musicians such as Paul Bley, Bob Brookmeyer, Frank Rehak, and Barry Galbraith. As a bonus, a complete live performance by the George Russell Sextet taped a few months after the culmination of Jazz in the Space Age. --This text refers to an alternate Audio CD edition.

Customer Reviews

Most Helpful Customer Reviews

18 of 18 people found the following review helpful:

5.0 out of 5 stars A highpoint of postwar jazz, November 19, 2000

By 

N. Dorward "obsessive reviewer" (Toronto, ON Canada) - See all my reviews
(REAL NAME)   

This review is from: Jazz in the Space Age (Audio CD)

This album is positioned at a watershed in George Russell's career. It represents the peak of his early "arranger's albums", in which Russell assembled a large & stellar cast of musicians (typically, as here, pinned on a number of stalwarts: the pianist Bill Evans, the bassist Milt Hinton, the guitarist Barry Galbraith, the alto player Hal McKusick) to play his formidably complex charts. Russell does not play on the album beyond contributing the eerie percussion opening to "Chromatic Universe", running a string of beads over tuned drums. Russell was after this album to change his approach, as reflected in _Live at the Five Spot_ & the Riverside albums: there he led a small jazz combo with himself at the piano, & pared back the complexity of his charts in a way similar to Gil Evans when he became a regular bandleader.

The album is divided between a series of three short "Chromatic Universe" tracks and three longer pieces. The "Chromatic Universe" tracks are features for the duelling pianos of Bill Evans & Paul Bley, one of the most memorable encounters in modern jazz. They play together against a tricky 5/2 rhythm-section backdrop, one which maximises the soloists' freedom: these tracks are in fact probably the closest Evans ever got to "free jazz". -- The three longer tracks feature charts that are meticulously detailed, with the characteristic off-centre polyphonic fanfares of Russell's early work. There's fine work from lesser-known players like Al Kiger & David Young, but the centrepiece is again a piano battle between Evans & Bley on "The Lydiot"--this time, not a simultaneous improvisation but trading fours.

This is a recording both enjoyable & historically significant. With _Ezz-Thetic_ & the Jazz Workshop date it's one of the peaks in Russell's oeuvre.

13 of 13 people found the following review helpful:

5.0 out of 5 stars Not Just a Theorist, August 30, 2002

By 

Christopher Forbes "weirdears" (Brooklyn,, NY) - See all my reviews
(REAL NAME)   

This review is from: Jazz in the Space Age (Audio CD)

George Russell is probably the most influential jazz musicians that you've never heard of! If you are a musician, you may know him from his exceptional, and exceptionally difficult treatise on jazz theory "The Lydian Chromatic Concept"....but this theory, watered down and simplified, has been passed on to innumerable young jazzers educated at the Berklee School, in the theory of "chord scales". These chord scale theories are fine as far as they go, but Russell's concept goes farther and deeper.

All of this would be well and good, but should be judged by the results, and the results on this CD are spectacular. Russell's music is both gripping and complex. The CD is a suite, not a set of pieces. There are melodic and rhythmic corrospndences in each of the movements. And Russell's writing is so flexible that there are moments where the transitions from improvisation to composition are completely seemless. The playing in the orchestra is crisp and precise, rivaling the work of the Kenton band of the time, but pushing the envelope even more.

Part of the reason to get this CD is to listen to the duo piano work of Bill Evans and Paul Bley. Evans is as adventurous on this album as he ever got...(except on Russell's Living Time album which is an extension of the concepts explored here) and he and Bley listen intently to each other. The results are spectacular! There is also fine soloing by David Young and especially a young David Baker.

Many of the musicians on this album ended up going down different paths. Bley became the lyric voice of the avant-garde, Evans, a neo-traditional romantic, Baker, a jazz educator of the first degree. But what is evident here is that Russell taught them much more than has ever been ackowledged....and is himself a genuine creative artist. Here's hoping that his masterwork (Othello, a ballet for big band that Russell recorded in the late 60s) will someday be available again. Until then, this CD is a treasure. Buy it and be amazed.

5.0 out of 5 stars An Original Composer Beyond Category., September 18, 2011

By 

Bruce Hart "pilgarlic" (USA) - See all my reviews

Amazon Verified Purchase

This review is from: Jazz in the Space Age (Audio CD)

Jazz In The Space Age was recorded in 1959 and 1960. It still stands up today as original and with Bill Evans on piano this is an excellent example of just how creative Russell's music was back then. One needs only to listen to this a few times to realize that Russell was doing something very different and this music still stands up as being highly original and timeless. Everything Russell recorded was worth listening to and it is now understandable why he lived in Scandinavia for many years where the musicians there loved and understood his composing. He was an original and his music sounds like no other composer and it is always challenging.