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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Smokin' Hot Ignore the Recording Quality Whiners, December 22, 2007
This review is from: Jazz at the Plaza (Audio CD)
This is an extremely good set by what is probably the greatest group of talented individuals ever assembled to play "jazz". I couldn't believe my eyes when I saw the 2 and 3 star ratings. Let me remind you that in 1958, live recordings were very rare. In fact, I have some live recordings from earlier dates by Charlie Parker and they are FAR worse than Jazz at the Plaza. The record companies did not have the methodology down nor did they have the technology to record live events and make 'em sound spectacular.
Why do you listen to music like this anyway? Do you wet yourself over the fidelity? No, you wet yourself over the incredible licks laid down by Miles, Trane, Cannonball, and Evans. Good Lord, two stars. Obviously those reviewers do not understand the significance of that little bit of plastic spinning 'round in the CD player.
Ok, enough of that. I own over 80 Miles Davis CDs. I am well read on the man's life and his music. I won't say I'm an expert but I probably know far more about this music than most of the reviewers out here. So trust me, this is a great great great session. These guys blew the roof off The Plaza on the evening of September 9, 1958. In fact, when this recording was made, it was not meant to be a commercial release. It was recorded as a kind of keepsake by Irving Townsend. Music by this Miles' sextet is exceedingly rare if you think about it. We have just a few sessions available for our enjoyment. Thank God Columbia decided to release this date. Thank you Columbia (Sony)!
So, is the recording quality great? No. Is it terrible to the point of distraction and painful listening? Heck no! Yes, Miles is a bit off mic here and there. One reviewer claims the background players are louder than Miles. I sure don't hear it that way, but if you do find this to be true, that's what equalizers are for. Two stars indeed. If one is so concerned about fidelity, one should pick up some of those stereo demonstration recordings used in stereo shops and listen to those all day.
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11 of 13 people found the following review helpful:
3.0 out of 5 stars
Excellent music / not so excellent recording quality..., April 22, 2001
This review is from: Jazz at the Plaza (Audio CD)
Here is the sextet that recorded much of KIND OF BLUE, heard in performance not long before that legendary album was cut. Two classic bop-era tunes (STRAIGHT, NO CHASER, OLEO) and two standard pop ballads (MY FUNNY VALENTINE, IF I WERE A BELL) comprise the short set. The uptempo tunes have a more aggressive demeanor than KIND OF BLUE, but I would say if you like the music on that album you'll be happy with the performances here, too. However... ...if you are not a Miles Davis collector but wish to sample more of his music from the KIND OF BLUE era, I recommend picking up the studio albums ROUND ABOUT MIDNIGHT and MILESTONES next, rather than this CD. Furthermore, if you are looking for a live album from this period, I recommend AT NEWPORT 1958 first. FYI, all of the studio and live recordings I have mentioned in this review are on the Miles Davis & John Coltrane COMPLETE RECORDINGS boxed set. On JAZZ AT THE PLAZA, the sound quality is a bit rough (Miles' trumpet is too-often off-mike), which is probably why this 1958 set wasn't released until the early-1970s. Clearly it wasn't taped with the thought of releasing the results to the public in mind (recording conditions were far from optimal, with the hum of audience chatter present throughout the entire set). This tape was probably dug up and issued in the 1970s to appease those acoustic jazz fans who weren't too happy with Davis' then-current electric directions in music.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
better sound quality than before, but could still be better, May 31, 2001
This review is from: Jazz at the Plaza (Audio CD)
Jazz at the Plaza was recorded at a press party at the Plaza Hotel in New York City, but not released until 1973 (it was never available before on CD). The group only played four songs, but the recording is far from flawless. Miles was playing off-mike at the beginning of "If I Were a Bell," and in some spots the crowd noise (talking, glasses clinking together, etc) is almost louder than the music. But to these ears, this just adds to the ambience of the recording, effectively creating the sense of 'being there.' And although the sextet was not playing at their best, the interaction between Miles, Coltrane, and Cannonball remained creative and inspired. Coltrane, in particular, takes this material to new heights. As I mentioned earlier, the sound quality is definitely not great; but it's better than any previous version and it conveys the feeling and excitement of a live performance.
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