From Kirkus Reviews
When in 1923 the American writer Jean Toomer (1894-1967) published Cane, his famous lyric and experimental novel of black southern life, he received immediate recognition and acknowledgment for having produced an American literary masterpiece. In the more than 40 years of his life following Cane, however, Toomer was neither to publish voluminously nor to recapture the breadth of recognition that had come to him after his first book. His life and thought, nevertheless, continued to possess passion, relevance, and consistency during the subsequent decades, and black and American literature scholar Rusch (English/John Jay College/CUNY) has compiled this welcome selection of unpublished Toomer writings in order to provide a full overview both of the author's life and of his thought. Fragments, letters (to Waldo Frank, Sherwood Anderson, Horace Liveright, and Alfred Stieglitz and Georgia O'Keeffe, among others), essays, fiction, poetry, even a children's story are included. ``The attainment of self-realization and psychic wholeness leading to a new personal and social harmony was Toomer's aim throughout his life,'' writes Rusch, speaking in his introduction of Toomer's indefatigable idealism: ``Toomer believed that human beings could change, transcend their ordinary lives and selves, and find true being and unity with others.'' Toomer himself, in a Whitmanesque fragment dated 1931 and included in the volume, writes that ``There is a new race in America. I am a member of this new race. It is neither white nor black nor in-between. It is the American race, differing as much from white and black as white and black differ from each other.'' And in a letter to Stieglitz of October 21, 1939, he writes: ``If I have not yet reached Heaven at least my feet are more firmly planted on the Earth. As every jumper knows, one must have good purchase on the ground in order really to spring up.'' --
Copyright ©1993, Kirkus Associates, LP. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.
Review
"A useful addition to African-American literary scholarship....Properly emphasizes what Toomer critics have identified as the major themes of his life and work."--
Choice"A valuable addition to the body of Toomer's work."--
Georgia Historical Quarterly"Toomer was one of the most talented authors of the Harlem Renaissance, and he made valuable contributions to modernist literature, unfortunately forgotten, that this volume helps make clear."--Mary Ann Wimsatt,
University of South Carolina"Continuing a decade's work on Jean Toomer's literary development, Frederick L. Rusch's exemplary edition of the unpublished works invites us to follow the work of a writer whose project was no less than defining the subjective creation of a multi-cultural American."--John M. Reilly,
State University of New York at Albany"Valuable supplementary material from one of the most important African-American writers of all time. This will help to re-establish his worth and make him more widely known and appreciated."--Dennis Brutus,
University of Colorado"A valuable addition to the primary source materials on Toomer."--Joseph McLaren,
Hofstra University