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In 1966 Abdouli played at a festival in Tambacounda. The Ballet National du Senegal was there looking for a djembe player who sounded like or knew Dugufana Tarawele. The found Abdouli. They recruited him to the National Ballet in 1968. He was the lead djembe soloist for the next 18 years.
JebeBara is the ancient name for what is now know as the djembe drum. JebeBara means unity drum in Bamana. The djembe is a drum that brings people together. One must have an open heart in order to be a master djembe player.
The Bamana people are a subset of the Malinke who resisted modernization and missionary efforts. The Bamana have chosen to keep their ancient African beliefs and practices. The djembe originated in the Wosolo region of Mali 3000 years ago. Abdouli Diakite comes from a Bamana lineage of djembe masters whose origin can be traced back 3000 years to the first djembe player Numuni Tarawele.
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Most Helpful Customer Reviews
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Superb! This CD makes djembe into an artform.,
By Jim Brehmer (San Francisco, CA USA) - See all my reviews
This review is from: Jebebara - The Bamana Djembe (Audio CD)
Incredible documentation of traditional djembe drumming the way the old masters used to play(some continue to play this way to this day). I really enjoyed this CD and I am looking forward to further releases through rootsyrecords.com. Thank You!
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Authentic!,
By Gail Herrick (New York, New York) - See all my reviews
This review is from: Jebebara - The Bamana Djembe (Audio CD)
I have never heard a djembe CD like this before! I was getting bored with djembe CDs, they all sounded the same. This CD is unique and very special. I recommend it to everyone who is serious about traditional djembe.
1 of 2 people found the following review helpful:
5.0 out of 5 stars
Djembe Djamsession,
By mzungu wa ndekeli (North American Subcontinent) - See all my reviews
This review is from: Jebebara - The Bamana Djembe (Audio CD)
This is the type of recording that we sorely miss here in the States. Its clean, clear, raw emotion from the mother country. No Eno dubs, no Phil Spector sound, no Tony Visconti dance beat. Its beautiful, soulful and real.Mimi nilipendelea kusafiri kokote ulimwenguni. Nilisafiri nchini nyingi kama Afrika Mashariki, Marekani, Mexico, Ulaya, India na Pakistan, China, Korea na Asia Kusini Mashariki n.k. Nilitembelea mijini kutafuta vitu na kuzungumza na wananchi huko. Watu wowote wanatofautiana na tena kulingana nao, nilivyofundishwa nao. Kama dini gani wangeamini, nyumbani gani wangeishi, tunaweza kuwa marafiki zao ikiwa tunataka kuwa
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