The man who enshrined a Hoover vacuum cleaner, who suspended a basketball in a fish tank half filled with water, who created a life-size polychromed wooden replica of Michael Jackson and his pet chimp Bubbles, who transferred his sex life with his then-wife, Italian porn star Ilona Staller (aka Cicciolina), onto canvas, and who made a monumental topiary sculpture in the shape of a puppy, is here given a mini-retrospective in the form of a book. Jeff Koons: Pictures 1980-2002 focuses primarily on the formation and development of Koons's paintings, but, given that he considers his early sculptures to be "three-dimensional paintings," this limit need hardly be considered medium-restrictive. Thomas Kellein's extended interview provides a walloping good tale told by the artist himself. In it, Koons remembers his childhood drawing lessons, his first sale (his father had a decorating business and showroom where he would display and sell his 11-year-old son's art), his experiences at art school, his courtship with ex-wife Cicciolina (they fell in love after he hired her to make his Made in Heaven series), and how the birth of his son inspired his Celebration series, all the while sharing his philosophies on art. Organized chronologically and with an extended biography and bibliography, Pictures presents each of the main works from Koons's painting series from 1980 to the present.
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Editorial Reviews
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... Cliffs Notes to his career. -- Bregory Garry --- Flaunt
About the Author
Jeff Koons was born in York, Pennsylvania, in 1955. The former Wall Street commodities broker rose to prominence in the mid-80s and has been the subject of numerous solo museum exhibitions, such as those seen at the San Francisco Museum of Modern Art, the Bilbao Guggenheim, and the Museum of Contemporary Art, Chicago. Koons currently lives in New York.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars
Succinct Overview,
By Zoller (Philadelphia, PA United States) - See all my reviews
This review is from: Jeff Koons: Pictures 1980-2002 (Hardcover)
This volume is too slender though it's beautifully made and the color reproductions are excellent. The book is divided chronologically by series (e.g. Equilibrium, Banality, Easyfun, etc.). There is a brief introduction by Thomas Kellein followed by Jeff Koons' slightly longer one. The first-person comments by Koons are interesting and are nice to see right next to the work he is discussing but for a book with pretensions at being a career retrospective it is way too thin, does not feature any substantial critical essays, and only reproduces a small number of works from each series.
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