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Jeff in Venice, Death in Varanasi: A Novel [Kindle Edition]

Geoff Dyer
3.7 out of 5 stars  See all reviews (80 customer reviews)

Print List Price: $15.00
Kindle Price: $9.99
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Sold by: Random House LLC

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Book Description

A New York Times Notable Book

A Best Book of the Year: The Economist, The New Yorker, San Francisco Chronicle, Slate.com, and Time

In Venice, at the Biennale, a jaded, bellini-swigging journalist named Jeff Atman meets a beautiful woman and they embark on a passionate affair.

In Varanasi, an unnamed journalist (who may or may not be Jeff) joins thousands of pilgrims on the banks of the holy Ganges. He intends to stay for a few days but ends up remaining for months. 

Their journey—as only the irrepressibly entertaining Geoff Dyer could conjure—makes for an uproarious, fiendishly inventive novel of Italy and India, longing and lust, and the prospect of neurotic enlightenment.


From the Trade Paperback edition.


Editorial Reviews

Amazon.com Review

Book Description
A wildly original novel (what else would we expect from this fearless and funny writer?) that explores the underbelly of erotic fulfillment and spiritual yearning.

Every two years the international art world descends on Venice for the opening of the Biennale. Among them is Jeff Atman—a jaded, dissolutely resolute journalist—whose dedication to the cause of Bellini-fuelled party-going is only intermittently disturbed by the obligation to file a story. When he meets Laura, he is rejuvenated, ecstatic. Their romance blossoms quickly but is it destined to disappear just as rapidly?

Every day thousands of pilgrims head to the banks of the Ganges at Varanasi, the holiest Hindu city in India. Among their number is a narrator who may or may not be the Atman previously seen in Venice. Intending to visit only for a few days he ends up staying for months, and finds—or should that be loses?—a hitherto unexamined idea of himself, the self. In a romance he can only observe, he sees a reflection of the kind of pleasures that, willingly or not, he has renounced. In the process, two ancient and watery cities become versions of each other. Could two stories, in two different cities, actually be one and the same story?

Nothing Geoff Dyer has written before is as wonderfully unbridled, as dead-on in evocation of place, longing, and the possibility of neurotic enlightenment, as irrepressibly entertaining as Jeff in Venice, Death in Varanasi.
About the Author
Geoff Dyer is the author of three previous novels and five nonfiction books, including But Beautiful, which was awarded the Somerset Maugham Prize, and Out of Sheer Rage, which was a National Book Critics Circle Award finalist. The winner of a Lannan Literary Award, the International Center of Photography's 2006 Infinity Award for writing on photography (for The Ongoing Moment), and the American Academy of Arts and Letters' E. M. Forster Award, Dyer lives in London.

Questions for Geoff Dyer

Q: What is this book about?

Geoff DyerA: At the risk of being cowardly, I'll take refuge behind a line from one of Kerouac’s letters: "It's my contention that a man who can sweat fantastically for the flesh is also capable of sweating fantastically for the spirit." (See also answer to question 4.)

Q: Is it a modern twist on Death in Venice? If not, what's up with the title?

A: Yes, the first part is a version of the Mann novella--the opening sentence is ripped straight out of the opening line of the original--but mine operates at a far lower cultural level. His protagonist is a world-famous composer, mine is a hack journalist. And whereas in the Mann, Aschenbach's obsession with the young boy, Tadzio, is tied up with some quest for ideal beauty, in my book the romance with Laura is very carnal and hedonistic--though that could itself be said to represent some kind of ideal.

Q: Why Venice and Varanasi?

A: They're actually very similar: both are water-based, old, with crumbling palaces facing onto either the Grand Canal or the Ganges with alleys and narrow streets leading off into darkness and sudden oases of brilliant light. And both, in their ways, are pilgrimage sites. I'm not the first person to be struck by the similarities. There are quite a few occasions in his Indian Journals when Ginsberg is so stoned walking by the Ganges that he thinks he's in Venice, strolling along the Grand Canal!

Q: Are the two parts of the book, two stories in two different cities, or are they the same story? How are they linked? One early reviewer claimed that the protagonist in each story wasn't the same person, but two people--is it the same person or not?

A: Well, these are huge questions and this, in fact, is what the book is about. By asking questions like these the reader is hopefully confronted by several more, about what kind of unity the book has, about the ways in which a novel might be capable of generating an aesthetic unity of experience that is not narrative-driven. Regarding the person in each part, I'll opt for what governments call the N.C.N.D. response, neither confirming nor denying. It is never made clear whether the un-named narrator in Varanasi is the same as the protagonist in Venice. And although sequentially it comes afterwards, there is nothing in the book to suggest that part 2 comes chronologically after part 1. I actually wanted to subtitle the book "A Diptych" but was dissuaded by my handlers. I didn't mind: it so obviously is a diptych there's no need to call it one!

Q: You've clearly spent a lot of time in Venice and Varanasi. Have any of Jeff's adventures happened to you?

A: Yes, I've been to three biennales and spent a big chunk of time in Varanasi. As I've said elsewhere, I like writing stuff that's only an inch from life but all the art--and, for me, all the fun--is in that inch.

From Publishers Weekly

Starred Review. Two 40-ish men seeking love and existential meaning are the protagonists of these highly imaginative twin novellas, written in sensuous, lyrical prose brimming with colorful detail. In the first, Jeff Atman is a burnt-out, self-loathing London hack journalist who travels to scorching, Bellini-soaked Venice to cover the 2003 Biennale, and there finds the woman of his dreams and an incandescent love affair. The unnamed narrator of the second novella (who may be the same Jeff) is an undistinguished London journalist on assignment in the scorching Indian holy city of Varanasi, where the burning ghats, the filth and squalid poverty and the sheer crush of bodies move him to abandon worldly ambition and desire. Dyer's ingenious linking of these contrasting narratives is indicative of his intelligence and stylistic grace, and his ability to evoke atmosphere with impressive clarity is magical. Both novellas ask trenchant philosophical questions, include moments of irresistible humor and offer arresting observations about art and human nature. For all his wit and cleverness, Dyer is unflinching in conveying the empty lives of his contemporaries, and in doing so he's written a work of exceptional resonance. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product Details

  • File Size: 991 KB
  • Print Length: 305 pages
  • Page Numbers Source ISBN: 1847672701
  • Publisher: Vintage (April 7, 2009)
  • Sold by: Random House LLC
  • Language: English
  • ASIN: B0024NP5C4
  • Text-to-Speech: Not enabled
  • X-Ray:
  • Lending: Not Enabled
  • Amazon Best Sellers Rank: #312,873 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

Most Helpful Customer Reviews
10 of 10 people found the following review helpful
5.0 out of 5 stars An intense, vivid trip June 9, 2010
Format:Hardcover
Geoff Dyer's fourth work of fiction is a brilliantly bifurcated exploration of the emotional poles of sensual pleasure and spiritual quest. It's a smart, funny, eyes-wide-open take on our search for meaning, one of those rare novels that begs to be read again the moment you have turned to the final page.

In the novel's first half, "Jeff in Venice," Dyer introduces Jeff Atman (in a sly nod to the second part of the book, the word means "soul" or "true self" in Hinduism), a cynical 45-year-old British journalist who has just dyed his hair for the first time and taken off for Venice. He is headed there on assignment to cover the Biennale and write a piece on the ex-girlfriend of a prominent artist (the latter a task he bungles spectacularly). Jeff seems more intent on sampling the pleasures of the Italian city (a torrent of bellinis and never-ending helpings of risotto the most prominent). There, he meets Laura Freeman, a ravishing young woman who works for a Los Angeles art gallery. The two zip around the city's waterways on its fleet of vaporettos and quickly tumble into a relationship that features copious bouts of sex (described in NC-17 detail) and cocaine, interspersed with a mind-numbing swirl of parties and gallery visits.

Astonished by the ample, unanticipated pleasures of his encounter with Laura, Jeff strides the streets, dumbly celebrating his good fortune: "He swaggered through Venice as if he owned the place, as if it had been created entirely for his benefit. Life! So full of inconvenience, irritation, boredom and annoyance and yet, at the same time, so utterly fantastic." Though it seems the two have made a connection that transcends the purely carnal, Laura departs for Los Angeles after three magical, if inexplicable, days.
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52 of 66 people found the following review helpful
3.0 out of 5 stars Double Trouble April 9, 2009
Format:Hardcover|Vine Customer Review of Free Product (What's this?)
The unwieldy title of this book is indicative of its troubles. JEFF IN VENICE, DEATH IN VARANASI offers two novellas, two continents, and two somewhat listless narratives in search of some grounding. The first novella, written in the 3rd person limited, chronicles the tale of a self-absorbed, hedonist Brit in the Italian city as a freelance writer covering an art festival (the Biennale). Though in his 40's, our protagonist (Jeff Atman) dyes his hair and acts in general like an untethered frat boy as he chases down party invites, quaffs as many free drinks as possible, and hunts up skirts. The writing itself is crisp (thus 3 stars), but you'll be offering your kingdom for a plot after awhile, unless you're perfectly content to read vast stretches of self-satisfied witticisms in the form of cocktail chat. Certain readers may pass on the cocktails and go straight for the tail in the form of some rather randy scenes where Jeff scores repeatedly with the fair -- and oh, so game -- Laura (it must be all that art putting them in the mood for something graphic).

Reaching the end of the first piece and shrugging, we move on to India with a nameless 1st-person protagonist as our new host. This novella, less "modern" in feel, comes off like a travel book, rich in details about the squalid Indian city, the filthy Ganges, and the constant funeral pyres -- metaphoric, perhaps, for a tandem of books that don't quite mesh and don't quite grab the reader by the lapels?

Fans of parties, booze, and sex (Round One) and fans of Hindu rituals, travel writing, and kangaroos (if you get that far in Round Two, you'll see) may be confused as to why these odd bedfellows share a dust jacket, but the writing isn't bad and Dyer's a gamer -- too bad he just can't get it off the ground.
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11 of 14 people found the following review helpful
1.0 out of 5 stars extremely disappointing April 16, 2011
Format:Paperback
I loved Dyer's Out Of Sheer Rage, so I went out and bought this book with real optimism and anticipation. He can be a wonderful writer, and for that reason I don't like having to say what a complete disappointment this one is. It's so bad I'm almost stumped. The first part of the book, which takes place in Venice, is incredibly dull, the characters are lifeless, the dialogue is worse than amateurish, the humor (what little of it there is) is lame, and the sex scenes, which seem to have scandalized some reviewers here, are downright boring. The endless commentary about the heat and the bellinis and the means of getting from one place to another nearly made me lose my patience. But I kept reading, sighing with tedium every fifteen minutes, hoping some of Dyer's spark and energy would show up. It didn't. I was completely relieved when it was over.

The second part of the book, which takes place in Varanasi, improves just slightly. Varanasi is a strange enough city that it would be hard to make it boring. But again, I found myself bored, found myself reading on with impatience and dismay, wondering what happened to Dyer's clever insights, his heart, his humor, his sharp imagery. The whole thing is just really slack. In the last thirty pages of the book the pace picks up a little bit, but mainly because things become a bit surreal and a tiny bit imaginative. A lot has been made of the fact that the two cities in this book are based on the water that flows through them. Big deal. For this reason the book is described as a "diptych". Who cares? With what Dyer has made of it, it's completely meaningless.

I almost had the feeling Dyer just dashed this book off and hoped he could get away with it. He didn't get away with it, believe me. If you want to know what Dyer can do as a writer, avoid this one and read Out of Sheer Rage.
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Most Recent Customer Reviews
5.0 out of 5 stars Five Stars
Excellent copy that came fast! Thanks. Great service! RC
Published 8 days ago by Robert M. Coleman
3.0 out of 5 stars Confusing but Well-Written
A novel in two halves - I kept waiting for the connections to be made but was confused and disappointed when they seemingly weren't. Read more
Published 1 month ago by Nancy Lucas
5.0 out of 5 stars jeff in venice
I love love love this book. Humorous yet touching. One of my favorite authors. Travelouge, fiction, truth. I loved it
Published 3 months ago by Amazon Customer
4.0 out of 5 stars Memories of travels past.
oh...the adventures of extreme traveling...in and out of reality...in and out of consciousness...details etched in the memories...Perhaps not profound, but memories nonetheless.
Published 6 months ago by Kirk J Erickson
5.0 out of 5 stars Death in Venice and Geoff Dyer
An excellent and interesting juxtaposition of two stories, and a riff on Thomas Mann's classic Death in Venice. This is typically superb writing from a great author. Read more
Published 12 months ago by C. Bukowski
5.0 out of 5 stars Dyer's has written something special that you will never forget in the...
One novel that includes two distinct and stunning novellas in the life of Jeff Atman. Jeff, of course, seems to be a thin disguise for Geoff. Read more
Published 16 months ago by Noovella
4.0 out of 5 stars Take a journey as a arm-chaired traveler
I loved the chance meeting by Jeff to a beautiful woman, and he is head-over heels smitten! This book will take you to the holy ganges river, bathing with pilgrims, to the land of... Read more
Published 17 months ago by Rev. Donna M. Swindells
4.0 out of 5 stars Jeff in Venice, Death in Varanasi
I bought this book online based on the excellent recommendation from Time magazine. I did like it. However, the first story "Jeff in Venice" was character driven and to me... Read more
Published 18 months ago by Janet A Stickler
5.0 out of 5 stars Two environments, one story
While it may be a two part novel, I see this as a single story - a man who is so empty of any cultural identity, he takes his identity from the environment in which he finds... Read more
Published 23 months ago by C. McCutcheon
4.0 out of 5 stars "Pen-is in Venice"
I just read the first part,"Jeff in Venice," so my review is 'so far in the novel.' i like Geoff Dyer's travel writings (e.g. "Yoga for People Too Lazy.. Read more
Published on May 6, 2012 by juliette montague
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More About the Author

Geoff Dyer is the author of four novels and six other nonfiction books, including But Beautiful, which was awarded the Somerset Maugham Prize, and Out of Sheer Rage, which was a National Book Critics Circle Award finalist. The winner of a Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award for writing on photography, and the American Academy of Arts and Letters' E. M. Forster Award, Dyer is a regular contributor to many publications in the US and UK. He lives in London. For more information visit Geoff Dyer's official website: www.geoffdyer.com

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