Jeff Wayne's Musical Version Of The War Of The Worlds [Hybrid SACD - DSD]

Julie Covington, Jeff Wayne, Richard Burton, Justin Hayward, David Essex, Phil Lynott | Format: Audio CD

Product Details

• Audio CD (July 5, 2005)
• Original Release Date: 1978
• Number of Discs: 2
• Format: Hybrid SACD - DSD
• Label: Sony
• ASIN: B0009MAPUO
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Music
• Average Customer Review: 4.8 out of 5 stars  See all reviews (261 customer reviews)
• Amazon Best Sellers Rank: #130,355 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. The Eve Of War

2. Horsell Common And The Heat Ray

3. The Artilleryman And The Fighting Machine

4. Forever Autumn

5. Thunder Child

Disc: 2

1. The Red Weed (Part 1)

2. The Spirit Of Man

3. The Red Weed (Part 2)

4. Artilleryman (Part 2)

5. Brave New World

6. Dead London

7. Epilogue (Part 1)

8. Epilogue (Part 2) (Nasa)

Editorial Reviews

Amazon.com

In hindsight, it seems almost incredible: 27 years ago, a young musician named Jeff Wayne (who at the time primarily wrote music for commercials) fell in love with H.G. Wells' much-loved book The War of the Worlds, and decided to make a musical version of it. Star Wars had just put people's minds into outer space, musical theatre was hugely successful, and long, anthemic orchestral prog-rock was all the rage. Wayne was inspired by all these elements and decided to gather together his peers and make a musical-mixed-with-spoken-word album, with the script taken directly from the famous book. This was by no means a soundtrack to a movie; in fact, all of the visuals were to come straight from the listener's minds (hard to imagine in today's video-oriented world.) The two-LP set featured Sir Richard Burton as frontman, along with some of the leaders of the progressive rock world who joined in on the fun. Moody Blues' Justin Hayward, "Rock On" vocalist David Essex and Thin Lizzy lead Philip Lynott each did more than sing on the record, they took a part in the musical play, performing key roles alongside the aforementioned dramatist Burton.

Amazingly, the eccentric project was a massive success, selling over 13 million copies and staying on the U.K. charts for over 260 weeks straight. DJs and bands--including the Orbital and Todd Terry--still use WOTW samples to inspire their own works. Unquestionably, the genesis of electronica can (in part) be mapped back to the War of the Worlds' use of sound experimentation and synthesized grooves.

The re-released double CD got a revamping both on an auditory and visual front: on the sonic side, the collection is now a remastered disc, mixed both in stereo and 5.1 surround sound. On the cosmetic side, the collection is now a six-panel digipack, with 48 pages of lyrics, biographies, and a handful of paintings from the original artwork. The music comes as a pair of Super Audio CDs (SACDs), a technology that will play both in standard and SACD players, the latter receiving up to four more times the sonic information for superior sound quality. --Denise Sheppard

Product Description

Original double album re-packaged into deluxe 6 panel digi-pak. Includes:
* 2 Hybrid SACDs - The original double album remixed in stereo and multi-channel 5.1 surround sound from the original 48 track master tapes by Jeff Wayne.
* Expanded 48 page full color booklet with new artwork, sleeve notes and content

Most Helpful Customer Reviews

62 of 66 people found the following review helpful

4.0 out of 5 stars I never saw this coming! July 28, 2005

By Rykre

Format:Audio CD

I bought this CD on a whim back in the late 80's. In my early days of buying CD's, truly unique sound projects were very scarce. Only the most popular albums were being transfered to compact disc at the time.

I read a review many years earlier about a "progressive rock concept" from England. H. G. Well's classic story, "War of the Worlds" on a double LP. When I saw it on CD years later, I thought that I would go ahead and buy it. It was a brave move because a double CD of something I never heard before, was a big expense.

When I brought it home, I started to play it during the dusk of the coming evening. I remember pouring a glass of wine, sitting in the "sweet spot" of my sound room. I turned on the CD, and kicked back:

It opened with Sir Richard Burton (who is the journalist and the main narrator of the whole CD). His chilling, opening words to this H. G. Wells classic, truly set the stage for the impending doom and terror of my next 90 minutes.

The first CD really is just fantastic! The guitar licks, and the ambient, but nerving, incidental music that played in the background as Richard Burton describes what's happening before him. He puts you right there with him. You feel as if you should get up and run because the horror is unfolding right in front of you. Although, it's all just psychological, you might actually feel the heat of the space ship in the commons. Good narration can compell terror quite well. (Just like Rod Serling with the "Twilight Zone" and Robert Stack narrating the stories of "Unsolved Mysteries". A commanding voice, and the effective use of dramatic pause, can inspire terror).

For the longest time, I thought that I was the only one (in America) that has ever heard of this album.... This was one of those albums that contributed to my being "proudly unhipp" for many years. Now I have friends calling me and asking me: "Is that the same "War of the Worlds" album that you told me about so many years ago?" Only now, are they interested in hearing the whole thing instead of just a few highlights.

Well, I'm glad it's available again, remastered, and being heavily promoted, along side of the new movie soundtrack.

I give this CD release a 4 star rating because I just don't like the paper digi-paks that they use to release this. CD's belong in jewel boxes. Always. Because, although, jewel boxes can get scratched up, the paperwork can stay new looking forever. Just replace the jewel box, and you have a new CD again. But these digi-paks suck. When these get tethered and worn, you're stuck with a packaging that's deteriorating in just a few years.

Anyway, check this album out. It's one of the UK's biggest selling albums. If you like the narrator concept of music and story, check out Rick Wakeman's "Journey to the Centre of the Earth" (1974), and also, check out a double CD concept called "Closed on Account of Rabies: Poems and Tales from Edgar Allan Poe". That's a gathering of various celebrities telling Edgar Allan Poe stories. (Marianne Faithful, Christopher Walken, Dr. John, Iggy Pop, Diamanda Galas, etc.) Really cool, chilling stuff. Read more ›

38 of 39 people found the following review helpful

5.0 out of 5 stars Worth the extra money for the collector's edition August 16, 2005

By Esther Schindler TOP 500 REVIEWERVINE™ VOICE

Format:Audio CD|Amazon Verified Purchase

I hesitated before spending over a hundred bucks on the collector's edition of Jeff Wayne's War of the Worlds. There's a two-disc version of the CD that's a whole lot less; surely I could put the "collectors" money into something else?

But as they say, you never regret your luxuries.

I should state up front that this music has special meaning for me. In 1979, when I met my husband, he had a tape of this album in the car -- back in the days when we all took the time to tape our vinyl albums! -- so I strongly associate it with our first days together, driving around Clearwater Florida and getting to know one another. I think I'd love the album anyway, as I'm a sucker for melodic versions of spoken-word stories, such as Rick Wakeman's Journey to the Center of the Earth.

If you're new to the music, and are trying to get a sense of its value from Amazon's little 30-second previews, I'll simply summarize by saying that the album is very true to the original novel. One friend of mine disliked the WotW movies (all of them) because he feels the story needs to be told in Victorian England; if you feel as he does, you'll be well pleased by this version.

But you'd get that with the $20 version, which Amazon also sells. Is it worth it for the extra stuff?

Yes and No. The Yes-reasons strongly over-power the Noes, so I'm still quite happy I sprung for the expensive version.

Let's get the negatives out of the way first. I've no real interest in the "club mix" CD (in fact I haven't even listened to it yet); to me, this album is about melodies and story-telling, not dancing. The two CDs of out-takes and variations (such as some of the narration from a German version) are interesting, but they're inherently "listen once" items.... There's nothing wrong with these, but nothing compelling either.

On the other hand... I really enjoyed the Making-Of DVD. It could have been a sappy, self-congratulatory indulgence on the part of Jeff Wayne, but the video escapes that trap. He (and others) explain how the album came about; the business and people negotiations; and particularly the artistic and creative efforts. I'm not a musician, but I really enjoyed Jeff Wayne's demonstrations of constructing the musical themes for the heat ray and so on.

Plus, the printed material is simply beautiful. Some of it was in the original vinyl album (I still do own it!), but the photos, script, and other stuff is really enjoyable. I haven't had the chance to read it all the way through, but I'm trying to spread out the pleasure.

If you're unsure which version to get... go ahead and get this one. I don't think you'll regret it. Read more ›

24 of 24 people found the following review helpful

5.0 out of 5 stars Thrilling and Beautiful... September 20, 2000

By "morganav"

Format:Audio CD

I first discovered this masterpiece over 20 years ago in a record store and thought its cover was quite unique. Started playing it and my family sat in and listened as well. The music was quite haunting especially "Forever Autumn". Needless to say WOTW was played a great deal. Fast forward to this past July, I again found the CD in a Book/Record store and immediately purchased it. The young man who worked at the cash register was quite impressed with the names behind WOTW's production. I encouraged him to buy a copy and listen seriously. Two days later my sister, her seven-year-old daughter and I were on a 2-hour road trip to participate a 5K race. What better way to pump ourselves up than to "imagine" the Martians chasing us!

Hearing the opening lines of "Thunder Child" brought tears to my eyes. You cannot help but imagine seeing the tripod figures striding through the Thames bearing down upon a lone ironclad vessel which had no hope of winning such an ill balanced battle. This is a wonderful CD. I highly recommend it to everyone.

25 of 26 people found the following review helpful

5.0 out of 5 stars One Of Rock's Greatest Concept Albums July 5, 2005

By Alan Caylow

Format:Audio CD

A double album *rock musical* version of H.G. Wells' sci-fi classic, "The War Of The Worlds"? Many people would laugh at such an idea. But in 1978, musician/songwriter/producer Jeff Wayne actually did it, and created one of rock's most supreme concept albums. Although the album has always been much more popular in Britain and other parts of Europe (even having a multi-year UK album-chart run rivaling Pink Floyd's "Dark Side Of The Moon"), it nonetheless has a strong cult following here in North America, myself proudly included. I first became aware of the "War Of The Worlds" album sometime in the late 80's, when I discovered that Justin Hayward, the lead singer for The Moody Blues (one of my all-time favorite bands) was singing on it. Curious, I picked up a vinyl copy of the album at a used record store, dropped the needle on Side One, and I was instantly hooked. I'd never heard anything like it before. The way the Martian-invasion narrative is brilliantly sustained from beginning to end, and, of course, Jeff Wayne's incredible music score that matches it. And, completing the "War Of The Worlds" package, there's the elaborate artwork that accompanies & illustrates the album---simply marvelous to look at. No question about it, "The War Of The Worlds" is quite an acheivement. Nearly three decades later after it's initial release, the album still sounds just as fresh & exciting now as it did back then. Besides the legendary, commanding voice of Richard Burton as the album's narrator, Jeff Wayne's stunning music rocks ("Horsell Common & The Heat Ray"), rouses ("Brave New World"), has incredible beauty ("Forever Autumn"), and, at turns, is effectively eerie ("The Red Weed").... The musicianship that Wayne has ensembled for the album is first-rate, from great singers like Justin Hayward, David Essex, Thin Lizzy's Phil Lynott & Julie Covington, to incredible musicians like Jo Partridge, Herbie Flowers, Chris Spedding, and Jeff Wayne himself. The album has amazing moods, atmospherics & sound effects, and the surprise twist at the album's end still gives me goosebumps to this day! There's no doubt in my mind that H.G. Wells himself would've been very happy indeed with this powerful musical treatment of his story. Although Jeff Wayne's "War Of The Worlds" has never been staged, I was very fortunately blessed to see a Laserium presentation of the album at the London Planetarium back in July of 1990. They presented the *whole* double album, complete with lasers, slides, & pyrotechnics. There was even an intermission after Side Two! It was a truly spellbinding show, and a great tribute to the album's timeless appeal. The point of mentioning it is that Jeff Wayne's "War Of The Worlds" succeeds not only as a rock album, but as a storytelling album that lends itself quite well to visual presentation. I can easily see a touring "rock concert" presentation of "War Of The Worlds" someday, complete with rock band & orchestra, singers, slides, lasers & pyrotechnics. Maybe Jeff Wayne could try to hook up with someone in the theater world and mount such a production? One can dream....In the meantime, buy the CD, and discover for yourself what all the fuss is about. Jeff Wayne's "War Of The Worlds" is truly a rock musical masterwork. (NOTE: This is a slightly-revised version of the review I wrote for "The War Of The Worlds" five years ago, as the old CD version is now out-of-print. But I stand by every word of it, 'cause I love this album. Thanks.) Read more ›