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Jeffrey Dahmer's Dirty Secret: The Unsolved Murder of Adam Walsh - Book One: Finding The Killer Paperback – July 15, 2009
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Arthur Jay Harris did finally find details in those same police files which further confirmed that Jeffrey Dahmer actually killed Adam Walsh. This is my own conclusion...to me it was as clear as day. This book is absolutely full of interesting information, most derived from this writer's own investigation. He followed up on so many leads, quite a few which produced amazing results...all the information eventually unravels into the amazing conclusion that Jeffrey Dahmer did kill Adam Walsh. -- Yvette Kelly, True Crime Book Reviews
Harris has meticulously reviewed thousands of court documents and news articles to lay a foundation for his book. He has interviewed prosecutors and investigators, and talked to more than a handful of witnesses who say they saw Dahmer at the mall the same day Adam disappeared--accounts that were either ignored or never taken seriously by the police... Harris makes it clear why Toole could not have killed Adam, but why Dahmer could have been the real killer. -- Jane Smith, Examiner.com
From the Author
For the most part, the case's narration has been told by the victims, Adam's parents Reve and John Walsh. However, there has been another voice, independent investigative journalist and author of five True Crime books about Florida, Arthur Jay Harris, who has continued to write about it for two decades, and has worked on it with ABC News, The Miami Herald, and others. The deeply-researched story he tells disputes almost everything that everyone in the public has been led to believe.
IN BOOK ONE, Harris shows that the taker of Adam was most likely not the drifter Ottis Toole, as police now say, but rather the serial killer Jeffrey Dahmer, who was arrested ten years later with eleven severed heads in his apartment. Harris documented him by a police report living near Hollywood as a transient about when Adam disappeared. That report had him supposedly finding a dead body in an alley behind where he worked. The report referred to a meter and storage room steps away where Harris and ABC News found blood droplets rising up a wall next to a lumberman's axe and a sledgehammer. Was this Dahmer's doing?
Further, Dahmer was identified by seven police witnesses who said they saw him at the mall with or near Adam when he was taken. One of those witnesses said he saw him throw Adam into a blue van and get away. Where Dahmer worked there was a blue van, easily and often taken for personal use, without permission. Early on, a blue getaway van was Hollywood's first, best clue.
Also, a police composite drawing of a suspect in an attempted kidnapping of a similar-age child at a Sears in the next county, two weeks before Adam's disappearance, closely matches a mug shot of Dahmer taken a year later. The similarity was confirmed by the near-victim, a witness who helped make the drawing, and a police artist Harris consulted. The photo comparison is in the book.
IN BOOK TWO, more shocking, Harris shows that all the official files are incredibly missing the most customary documents that would prove the identification of the found child who was said to be Adam. Among the documents missing are the autopsy report, a forensic dental report (considering that the ID was strictly based on a tooth comparison), and Adam's dental chart and dental X-rays. An investigation by the Florida Department of Law Enforcement confirmed his finding.
In fact, the ID was not only shoddy and inadequate but is overwhelmingly likely wrong. In Adam's last photo he was clearly missing both his top front teeth. A police crime scene photo, never before published, shows the found child had a mostly-in buck tooth -- a top left front tooth. Harris consulted a number of pediatric and forensic dental and medical examiner experts who confirmed the obvious: there wasn't enough time for Adam to have grown it in that far.
All that would have been exposed at a court trial -- but more than 30 years after Adam's disappearance, there has never been one.
Yet another remarkable finding Harris made is that more than 20 years after the incident, the Walshes consented to police forensic testing that presumed a doubt about the found child's real identity.
Did police end the search for Adam too soon? Could Adam still be alive? In fact not so impossible, Harris found...
More About the Author
"FIVE THRILLING, INVESTIGATIVE TRUE CRIME WHODUNIT BOOKS BY ARTHUR JAY HARRIS: BUT DID THE COPS AND PROSECUTORS GET THESE MURDER CASES RIGHT?"
"ADAM WALSH SERIAL PART ONE: DID POLICE GET THE MURDER CASE PERFECTLY WRONG?"
True crime writers primarily pursue the question "Why?" Why did somebody commit the crime? How could he get away with it for so long?
In my true crime books, I pursue a different primary question: about the case's outcome, I ask, "Are you sure?"
Every true crime story has loose ends that naggingly just don't fit into the constructed narrative. They make for a challenge: stay with your narrative and ignore or play them down, or follow them and risk your narrative.
There is an essential messiness to true crime that a reader of it must both resist and embrace. But that's why we read it, right? If you want everything well-tied up at the end, read crime fiction. To start, give up on the idea that a story must have a bottom. How can there not be a bottom? Yes, theoretically there is a bottom, but to us on the outside looking in, it's just not accessible. In reality, what we think are story bottoms are really false bottoms; beneath them, if we dare to look, are more bottoms. That wisdom, I should add, did not come to me easily. My stories are always less about the crimes themselves than my endurance to stay on the rollercoaster rides to find the truth. Countless times I'm upended, and I never see it coming.
Yet the job of a guide, narrator and investigator, such as myself, remains to organize that mess. However, I also scrutinize the work of the other guides, narrators, and investigators on the story. When I approach a story, I look for, then follow, significant pathways not taken: people who law enforcement couldn't get or weren't then ready to talk; witnesses who weren't asked everything important; and things the authorities were blind to or simply missed.
Then there are the stories in which the official investigators suppressed facts. On those, I am unrelenting in pursuing public records (always politely, politeness is essential in all information gathering). In obscure files and from additional reporting based on them, I've discovered a few rare things that were never known outside of law enforcement.
Always remember that to some extent, every interested party in a crime story is intentionally misleading us. They tell mostly true things but withhold or lie about other facts that are contrary to their interests. Trust only the people with no skin in the game not to intentionally mislead.
In each of my books, I first bring you up to speed by composing the story from what's on the record, then I make a narrative switch to first person and have you follow my investigation. When I pick up the right trail, it becomes obvious. I always advance my stories, including Speed Kills and Until Proven Innocent, but the two books in which I made the most significant (and contrarian) contributions are Jeffrey Dahmer's Dirty Secret: The Unsolved Murder of Adam Walsh, and Flowers for Mrs. Luskin.
And now, because it seems obligatory in such biographical summaries, among the television shows I have appeared on with my stories include: ABC Primetime; Anderson Cooper 360; Nancy Grace; Ashleigh Banfield; The Lineup; Inside Edition; Catherine Crier; Snapped; City Confidential; Cold Blood; and Prison Diaries.
Top Customer Reviews
I conveyed to Art a few main points: first, as a former newspaper reporter myself, the quality and breadth of his research and reporting on this subject is just about jaw-dropping; second, in spite of his fine efforts, I don't think Jeffrey Dahmer killed Adam Walsh, though the reporting about Dahmer's presence in South Florida at the time of Adam Walsh's disappearance which he has done on his own as well as with David Smiley in The Herald has been extremely provocative, merits an award for journalism, and should have been followed up by the authorities; and lastly, the holes he has punched in the case against Ottis Toole as Adam's killer are grave and substantial. I make this last point as someone who still leans slightly in favor of Toole as the prime suspect in this case.
A couple of reader-related points: one of the compelling aspects of the Adam Walsh case is its extraordinary complexity. Art's work deals with that complexity as it exists. His books on the case are in-depth, detailed and about as exhaustive as is possible with a case as enigmatic and elusive as this one. If you want a glib, grand-standing, pseudo-literary treatment of the Adam Walsh case that glides over the case's innumerable inconsistencies in order to neatly nail the official perp to the wall, buy "Bringing Adam Home" instead.Read more ›
As for his killing Adam Walsh, read the book.
If there had been less bias I might have found the argument more believable, but as it stands I knew that they were going to reach the conclusion "Dahmer did it" because that's the conclusion that the author wanted to reach. Still, I can see why he wanted to- stuff like this sells. As is apparent by the fact I bought it.
There are several things in this book about Dahmer that are wrong, which, given Harris' attempt to "prove" Dahmer's guilt, struck me as strange. So Dahmer says something about remembering Adam's case and the president getting shot because these things happened in "a similar time frame". Harris immediately attacks Dahmer's statement and regards it as a lie because the shooting and the disappearance were what, three or four months apart? To me that *is* a similar time frame, especially if asked about ten years later. He also drank heavily back then, which of course blurs one's memory only further.
Many times, Mr. Harris state something like "eye witnesses cannot really be trusted after 10 or 20 years after the fact", and yet he heavily relies on such "eye witnesses" for trying to prove his claim. Among the things that make no sense to me are: Why would Dahmer, who obviously found skulls to be very important and even started to keep them as "mementos" of his victims, discard Adam's head like it was piece of garbage, and where people could find it quite easily? Dahmer always made sure that the remains of his victims would not be found (He obviously saw his apartment as a safe place for keeping parts of his victims, but he also had painted the skulls so no one would suspect they were real, and towards the end his mental state had worsened considerably, so he became less careful. If he hadn't gotten so out of control, Mr.Read more ›
Most Recent Customer Reviews
Art harris a complete certified idiot just read his first book then read the second book! Really? Adam Walsh is still alive?Published 1 month ago by Ronald cutshaw
This appears to be the definite book on what happened to ADAM WALSH. The author, ARTHUR JAY HARRIS, seems to have found the most factual, damning information that points to JEFFREY... Read morePublished 13 months ago by Schuyler
This book kept me captivated. All the twists and turns and flawed police work was thrilling. I'm looking forward to reading part two.Published 13 months ago by ALISSA REICHRATH
By mid- book the whole story becomes monotonous and I skipped lots and lots of pages.Hypothetical humdrum,tedious and easy to put downPublished 22 months ago by Christian H. Gortz
Book 1 was O.K., but book 2 was extremely repetitive and confusing. Then it basically came out with the same opinions as the first book.Published 22 months ago by Patricia
Just when I thought I knew it all about this case...what a bombshell. And they say the Boulder PD botched the Ramsey case. Read morePublished on March 5, 2013 by William Lecklikner
Hats off to Mr. Harris for a job well done.
I thought I knew all the facts of both Adam Walsh and Jeffrey Dahlmer but I was wrong. Read more