Dr. Jekyll and Mr. Hyde and Other Stories (Courage Classics) (Hardcover)

by Robert Louis Stevenson (Author), Henry James (Author), G. K. Chesterton (Author) "Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward..." (more)
Key Phrases: Henry Jekyll, Edward Hyde, Sir Danvers (more...)

Editorial Reviews

Amazon.com Review
The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again. The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages, Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.

This University of Nebraska Press edition is a small, exquisitely produced paperback. The book design, based on the original first edition of 1886, includes wide margins, decorative capitals on the title page and first page of each chapter, and a clean, readable font that is 19th-century in style. Joyce Carol Oates contributes a foreword in which she calls Dr. Jekyll and Mr. Hyde a "mythopoetic figure" like Frankenstein, Dracula, and Alice in Wonderland, and compares Stevenson's creation to doubled selves in the works of Plato, Poe, Wilde, and Dickens.

This edition also features 12 full-page wood engravings by renowned illustrator Barry Moser. Moser is a skillful reader and interpreter as well as artist, and his afterword to the book, in which he explains the process by which he chose a self-portrait motif for the suite of engravings, is fascinating. For the image of Edward Hyde, he writes, "I went so far as to have my dentist fit me out with a carefully sculpted prosthetic of evil-looking teeth. But in the final moments I had to abandon the idea as being inappropriate. It was more important to stay in keeping with the text and, like Stevenson, not show Hyde's face." (Also recommended: the edition of Frankenstein illustrated by Barry Moser) --Fiona Webster --This text refers to the Paperback edition.

From Library Journal
This budget hardcover includes the full text of Jekyll and Hyde plus the short pieces "The Body Snatcher," "The Bottle Imp," "Markheim," and "The Pavillion on the Links," as well as an essay on Jekyll by Henry James and one on Stevenson by G.K Chesterton. A great deal for the price.
Copyright 1994 Reed Business Information, Inc.

See all Editorial Reviews

Product Details

• Hardcover: 221 pages
• Publisher: Courage Books (August 1994)
• Language: English
• ISBN-10: 1561384747
• ISBN-13: 978-1561384747
• Product Dimensions: 8.5 x 5.8 x 1 inches
• Shipping Weight: 13.6 ounces
• Average Customer Review: 3.9 out of 5 stars See all reviews (68 customer reviews)
• Amazon.com Sales Rank: #3,977,901 in Books (See Bestsellers in Books)

  Popular in this category: (What's this?)

  #21 in

  Books > Literature & Fiction > Authors, A-Z > ( J ) > James, Robert

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars Narrative Technique, May 3, 2000

By A Customer

This review is from: The Strange Case of Dr Jekyll and Mr Hyde (Broadview Literary Texts) (Paperback)

Stevenson created Utterson to narrate the story. But large sections of it are composed of Lanyon's letter to Utterson and Henry Jekyll's diary. The advantage of this is that it allows Stevenson to prolong the readers' suspense. In a way, Utterson, Enfield, and, for a time, Lanyon, are in the same position as the readers: observers trying to understand the mystery surrounding Henry Jekyll and Mr. Hyde.

Stevenson allies readers with Utterson and Enfield. Then, after we learn Lanyon knows Jekyll's secret, we, like Utterson, read his letter eagerly. Lanyon's narrative reveals the secret that Jekyll and Hyde are the same person. But, because Lanyon is also an observer, his narrative cannot tell us anything about Jekyll's motive. We need Jekyll's own account for that.

Thus, the narrative method Stevenson chooses prolongs our suspense. Gradually revealing information about Jekyll just heightens our desire to know the full story. By the time we get to Jekyll's story, we are at a fever pitch. I doubt Stevenson could have kept the pace of suspense had he used third-person point of view, and he certainly wouldn't have been able to do it using Jekyll as a first-person narrator. The drive of Utterson's limited point of view matches our own.

Stevenson's reliance on a limited first-person point of view also contributes to the story's theme. Perhaps Stevenson uses Utterson, Enfield, and our own ignorance of Jekyll's actions as a metaphor for human ignorance generally. In his narrative, Jekyll repeatedly refers to his life as the result of one choice among many choices he could have made. He creates Hyde to experience life and the other aspects of his personality denied by that choice. Jekyll argues that the choice he has made in selecting one life over another is discriminatory and limiting. It excludes other forms of knowledge and experience.

Maybe Stevenson hoped to gain reader sympathy for Dr. Jekyll by associating our ignorance and desire to understand the Jekyll/Hyde mystery with Jekyll's desire to know more of the life he sacrificed to play the role of a respected doctor.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Victorian sight of Good and Evil struggle., October 25, 2004

By	Maximiliano F Yofre "Maxi" (Buenos Aires, Argentina) - See all my reviews (TOP 500 REVIEWER)

This review is from: The Strange Case of Dr. Jekyll and Mr. Hyde (Dover Thrift Editions) (Paperback)

Robert Louis Stevenson (1850 - 1894) was a remarkable author from the Victorian Era. He has left us at least two masterpieces: "The Treasure Island" (1883) and "The Strange Case of Dr. Jekyll and Mr. Hyde" (1886) and some other good novels such as "The Black Arrow" (1888).

It is amazing how writers and poets are able, thru intuition, to anticipate events or discoveries. When this book was first published, Sigmund Freud was studying with Charcot and not so many years later will produce his theoretic corpus of the human psyche. At some points the present story touches Freud's conceptualizations.

Dr. Jekyll suspect evil burdens every human soul, being an obstacle in its way to goodness. So he investigates and produces a drug that "liberates" the evil spirit and doing so he intend to be relived of it.
But Evil starts to grow each time more powerful and Mr. Hyde end cornering Dr. Jekyll into impotence and fear.

This story has captivated the public's imagination for more than a hundred years. Movies, comics and theater pieces had evolved from it. His tortured dual character is now a well known icon as Stoker's Dracula or Mary Shelley's Frankenstein.
Even if you know more or less the story and its ending, reading this very short book is a powerful adventure.
A Classic you shouldn't let pass by unheeded!
Reviewed by Max Yofre.

7 of 8 people found the following review helpful:

5.0 out of 5 stars The classic horror tale of the beast buried within us, October 20, 2002

By	Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - See all my reviews (TOP 10 REVIEWER)    (COMMUNITY FORUM 04)

This review is from: The Strange Case of Dr. Jekyll and Mr. Hyde (Dover Thrift Editions) (Paperback)

"The Strange Case of Dr. Jekyll and Mr. Hyde" is assured a place in the history of horror fiction because it the literary classic that represents the archetype of the werewolf (the human with the hiding inside). Along with Mary Wollstonecraft's "Frankenstein" (the Thing Without a Name) and Bram Stoker's "Dracula" (the Vampire) Robert Louis Stevenson's novella is part of the gothic foundation of the modern horror story. All have in common the fact that they promise to tell a story that might best be left untold, which, of course, is exactly the sort of story we want to hear.

Given that Stevenson was writing when the genre of horror fiction was not recognized as such, it is surprising that "The Strange Case of Dr. Jekyll and Mr. Hyde" is cast in the form of a mystery novel. Stevenson invites his readers to try and get ahead of the story, to put the clues together and come to the conclusion. Today it is nearly impossible to pick up this story and not know the "secret," but if you think back to the late 19th-century when this story was written you can get a sense for how Stevenson used the biases and limitations of his readers to his advantage in keeping them from what we might consider to be an obvious conclusion.

More importantly, Stevenson is writing several decades before the writings of Sigmund Freud revolutionized the whole idea of human psychology. Yet we can certainly find evidence of the conscious and subconscious mind of which Freud would write. Stevenson reinforces this metaphor with the block of buildings that divides this particular part of London, with one side representing the civilized world of a respected physician and the other side the squalor of the world inhabited by an inhuman creature who gives in to his every earthly desire. The novella also speaks to the topic of evolution, with Hyde being described as "ape-like," reinforcing the idea that our most human attributes remove us ever further from the category of mere animal.

Of the three classic horror novels, "Dr. Jekyll and Mr. Hyde" is the most accessible. Not only because of its shorter length, but also because its evil is more realistic, even in terms of our imagination. We might be unable to reanimate the dead or to become the walking dead, but we can certainly relate to the idea of unleashing the beast buried with us. Even if we could not, we can recognize the "werewolf" in the real world in the form of serial killers who try to show a civilized face to us in public. This is not to say that the novella is simplistic, for Stevenson offers a sophisticated narrative. If this is one of those literary you have never read because you already know the story, then you should take out an evening to sit down and finally get around to reading it.