Customer Reviews

Jennie Gerhardt

5 star:		(9)
4 star:		(2)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

Truly, Jenny Gerhardt has a lot of heart.

Though she makes some bad decisions and often lacks the confindence that could have reinvented her in the magnified binocular-eyes of society, Dreiser's love for the character shines and we, the readers, grow to love her also. Several glimmers of why Dreiser is the transcendent novelist that he is peek out from the fast moving story of Jennie Gerhardt.

"She was not, like so many, endeavoring to put the ocean into a tea-cup or to tie up the shifting universe in a mess of strings called law."

"The loveliness of seventeen is centuries old. That is why passion is almost sad."

"So this little household drifted along quietly and dreamily indeed, but always with the undercurrent of feeling which ran so still because it was so deep."

I admit to you, I have never been very interested by the sometimes dry prose offered in the writing of earlier time periods. But Dreiser seems to me a rare gem in the world of early 20th century fiction.

However, the one reason I am writing a 4 star review is because of the ending of this novel. After several mini-climaxes, the book ends. --just like that. With a grim display of "if only". And although most, if not all of us, identify with that theme, I felt like I MUST have read 366 pages for something other than that.

However, I would still recommend it. It is a delicate work of art whose power and beauty cannot be denied.

This was the first novel I ever read by Theodore Dreiser. The reason why I selected it was because in the film, American Splendor, Harvey Pekar mentions the novel and he's shown finishing it in the film. I wanted to know and feel what Mr. Pekar felt. And I believe I did. The tragedy of Jennie Gerhardt's life resonated with me. I was anguished over Jenny's loneliness and the fact that Lester could never make up his mind to marry her. I cried. Dreiser's observation of turn of the century high society and their view of the poor as pariahs still seems relevant today. We still live in a time of social and financial inequality.

Dreiser's writing style is definitely not modern. And his phrasing is not structured in the active voice. It's more long-winded. You need to enjoy his descriptions and his philosophical speculations that do make the novel more meaningful. You can't take the social critic out of Dreiser. If you can make time in your life to sit down and read this novel, you will come away having been moved by Dreiser's heartfelt portrayal of the human condition. May each and everyone one of you be as lucky to love as deeply as Jennie did.

It seems each time I finish one of Dresier's works I think it is my favorite. Such is the case with Jennie Gerhardt, at least until my next Dresier. This heart-wrenching saga takes the reader through Jennie's life from cleaning houses with her mother, bearing a child by a US Senator and living and loving a man beyond her society class. Lester (the man she loves after the Senator), for his part, is unwilling to marry Jennie and is cut-off from the family and it's millions for loving someone "below" his class in society. Jennie remains true to herself, following her heart and the dicates of a harsh scoiety. She makes amendes with her father and is the only child to nurture him through his final days and death. She takes her daughter away from Chicago and leaves Lester so he can reclaim his family fortune. Her daughter dies, leaving her alone but the strength of Jennie's character comes through when she adopts orphans, for if she isn't nurturing she isn't living. Dreiser drives home his theme of fate and how some can dictate it while others are a slave to it. But even this distinction isn't black and white. Lester seems not to care what fate has in store for him until he takes it into his onw hands and marries the society girl he arguably should have married before he hooked up with Jennie. Alas, Jennie never mastered her fate. She was punished for loving two men from the upper-crust of scoiety instead of taking the crusts that high-living classes would toss her.

This edition of Dreiser's JENNIE GERHARDT attempts to "correct" the text that appeared in 1911 when the book was first published. Back then the editors at Harper's agreed to publish the novel only if they could make substantial changes to the text, softening Dreiser's criticisms of organized religion and the rich, and diluting the "immoral" behavior of the main character. Dreiser reportedly didn't like the changes, fought to get some of them re-instated, but eventually had to yield since no other publisher would touch the book. Using preserved typescripts, this edition is closer to the one Dreiser submitted before cuts were made.

Jennie Gerhardt has an out-of-wedlock child by Senator Brander, which she is able to keep secret from the wealthy socialite Lester Kane, whom she takes up with. He finds out about the child, however, and is unaffected by the news. He continues to live with her in a complicated arrangement, until Jennie finds out that Lester's father will basically disinherit him if he doesn't stop living with her and forces him to leave (echoes of WASHINGTON SQUARE by James and the subsequent movie version THE HEIRESS here). He marries Letty Gerald, a woman from his own social class, but is miserable. When he becomes ill and is alone, he summons Jennie and declares his true love for her.

The novel is an interesting one. Lester is a pessimistic, cynical, atheistic man while Jennie is much simpler and has a mystical belief in the goodness of life. The "battleground" on which these opposing beliefs are fought over is made fascinating by Dreiser. Also Lester's struggle with his own wealthy class system, which he is never comfortable with and rebels against, is handled admirably and honestly by the author (it became a major theme in fiction by WW I). This was Dreiser's second novel after SISTER CARRIE; it's not as good as that first book, but it's a solid work of fiction nonetheless.

As usual, Dreiser's writing style just amazes me. Just like SISTER CARRIE, this book is about a woman searching for a place in life. You can't but help feel her pain of how her first love dies, only to find out she's pregnant, and she's not even married! Then concealing this child from her next lover, who she lives on. Just like always, a grand and entertaining read.

Most of us know the genius of Dreiser, the lyrical capabilities of this author is astonishing. He humanizes literature, the characters posess complex personalities and physical appearances. He takes the aesthetic beauty of the surreal and the honesty of harsh reality and combines these potent elements into a story of life, almost more believable than our own. This story follows Jennie Gerhardt, a young German girl living with her poor family in Ohio before the turn of the century. Honest but hard work puts her into the path of Senator Brander a benevolent mature man, but his ardent passions soon destroy Jennie, and her life is tainted with shame. She leaves her home, and life take her on many journeys, mostly unpleasant. This story chronicles how one mistake can change your life, and the domino effect takes place, constantly misplacing your life as you try to escape the past. I would also recommend "Tess of the D'Urbervilles" by Thomas Hardy

Next to American Tragedy, I think this is TD's best. Not overly drawn out or sappy, the narrative of the story moves well. Infact much of the time I was reading it, I felt a tension, knowing full well what would happen to Jennie, but somehow hoping things would work out better for her. They don't, and TD brings us to this point by getting us into the characters' heads in a way where we can sympathize with all of them.

i very much enjoyed this story - my first by this author. well-defined characters, all easy to like despite human flaws and shortcomings.

This is a great novel, more compact than Sister Carrie and somehow even more engrossing. The novel has a subtle, constant, building intensity such that it stayed in my head when I was away from it, and I actively anticipated resuming it as soon as possible. When I started it I thought it might be a sort of repackaged Sister Carrie, but it's not. Jennie Gerhardt is a distinctive novel, and just adds confirmation of the obvious--Dreiser can plot a big story and develop complex, emotionally affecting characters as well as anyone. I did not expect the wallop this novel packs. I'm puzzled that it's not widely and popularly regarded as a classic. I think it should be.

I found this book to be very engaging for the most part, very easy to read compared to other books I have read recently. But I found Dreiser's Sister Carrie to be more compelling and more ultimately satisfying. Jennie Gerhardt is the story of a remarkably innocent, caring, beautiful but very poor young woman who -- because of her unparalleled beauty and loving, simple, humble, trusting, compliant nature -- has "illicit" affairs with two older, highly reputable, influential men, one leading to the birth of a child out of wedlock. Kind of a Cinderella story, but where the Prince doesn't marry Cinderella. This was of course shocking stuff for a 1911 novel. And, because it describes how "proper" people thought in that bygone era, it makes us understand clearly why it was so shocking. Dreiser also does some philosophizing here and there in the book, stepping back and decrying the injustice of society, or inserting some general paragraphs regarding his thoughts on how puzzling life truly is. It is a compassionate, honorable, worthy book with a ponderous, thorough style to it, following the lives of the key characters through to the bitter end. But I felt that the book lost some of its power as it labored on to its conclusion, which seemed to be that there is no conclusion... other than, of course, what the reader makes of it.