From Publishers Weekly
Jennifer Jones sits at the desk adjacent to the boy narrator, and her unrelenting, goo-goo-eyed ardor leaves him wishing "she could move to the jungle/ And live in a tree/ And talk to the monkeys/ Instead of to me." But when Jennifer moves to Europe instead-and, according to her letters, becomes the toast of the continent-the boy finds that the world is a much lonelier place. Losing himself in schoolwork is futile: "It's boring! It's lonely!/ I miss her a lot./ I wish she'd return/ To her usual spot." Wishinsky's (previously teamed with Layton for Nothing Scares Us) pithy rhymes spark Layton's pleasingly dizzying cartoons. His scratchy ink line brings a comic spontaneity and edginess to every scene, and succinctly conveys the boy's emotional writhing at the very thought of being the object of Jennifer's crush. Marginalia, clip art and photograph collages (Layton draws Jennifer on top of photos taken in various capital cities, savoring the pleasures of Europe) punctuate the pages and add a goofily alluring visual depth. As for Jennifer's true love, it finally does conquer all: when she sends notice that she's returning home, the boy runs out to buy a plethora of red hearts. Ages 3-8.
Copyright 2002 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From School Library Journal
Kindergarten-Grade 2-Percy can't get away from Jennifer Jones, who, as it is noted in the title, won't leave him alone. Through rhyming verse, he describes all the ways she shows how much she likes him, while he is totally turned off by her attention. When Jennifer's mother is transferred to Europe and the girl moves away, Percy mopes and misses her, and is delighted when he learns that she is returning home. However, his excitement does not really ring true-he has spent most of the book, after all, complaining about her. It is not clear whether he misses Jennifer Jones or the attention she bestows upon him. The illustrations are frenetic and cluttered, composed of childlike cartoons combined with some collages. The cartoons are stiff and unlifelike, almost resembling paper dolls. Don Gillmor's Yuck, a Love Story (Stoddart, 2000) is a much more successful story of a first crush.
Susan Marie Pitard, formerly at Weezie Library for Children, Nantucket Atheneum, MACopyright 2003 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.