Taylor has been called the "Shakespeare of the Divines." Like his older contemporary Lancelot Andrewes, he drew on the spirit of the Renaissance. Rich classical allusions, ornate symbolism, and flowing cadences enhance his presentation of the sacred truths of holy writ. His own experience of life made him no stranger to suffering, having buried his first wife and all of his five sons. In his best-known work, Holy Dying, we have not only a fine example of a genre of spiritual literature common to the late Middle Ages, but one of the moving meditations on death ever written. In it we see a man proclaiming the truths of Christianity, not with the bold speculative originality of mystics like Eckhart or the systematic precision of Albert the Great, but with a sheer literary brilliance that enabled him to craft words that stood like windows to the unseen world of which they spoke: words that could awaken and stir, that could define and articulate the myriad sentiments and subtleties of the holy life.
In this volume the whole range of Taylor's achievement is surveyed. His work as a pilgrim and pastor, theologian and priest, poet and preacher is presented with comprehensive introductions that highlight how he blended the insights of the Fathers with the forces of his own time into brilliant new forms of expressions.
