Birthdays are a time for reflection, especially for Sarah, Duchess of Whitfield, who is awaiting the arrival of her far-flung family. Years earlier, reeling from her pending divorce, Sarah Thompson is force-marched through Europe on the grand tour by her concerned parents. Disinterested in the sons, grandsons, and nephews paraded before her by well-meaning acquaintances, Sarah chances upon William Whitfield, the Duke of Whitfield, 14th in line for succession to the English throne. Disarmed by his wit and intrigued by his intellect, Sarah allows William to become her companion in London, warning him they can only be friends. Undeterred, William dismisses Sarah's protestations that her divorce makes her unsuitable to be his duchess and finally convinces Sarah to marry him. While honeymooning in France, Sarah and William happen upon Chateau de la Meuze. Enchanted, the Whitfields buy and set about restoring the estate. But World War II looms, threatening their idyllic existence. Following the birth of their first child, Phillip, William joins the RAF when England declares war on Germany. Reluctantly, he leaves Sarah and Phillip at the chateau. German troops, led by the courtly commandant Joachim von Mannheim, take possession of the chateau to establish a hospital, removing Sarah and Phillip to the caretaker's cottage.
When the war ends, William, after being imprisoned for three years and barely surviving the torture that deprived him of the use of his legs, returns to his family. The Whitfields pick up threads of lives strained, but not broken, by war. Soon, they are approached by others who lost everything during the war except a few secreted heirlooms. But jewelry can't put food on the table, and the Whitfields begin purchasing jewelry to provide neighbors with much-needed cash. When William jokingly suggests opening a Paris store, a legacy is born: Whitfield's, Jewelers to the Crown. Over the next decades, which bring three more children, two more branches of Whitfields, and the death of her husband, Sarah is molded into a force to be reckoned with, capable of handling her willful children and a highly successful international business with equal aplomb. Steel paints a portrait of a family, imperfect as they may be, and the powerful matriarch who reminds them of the bond that transcends titles, money, and borders. --Alison Trinkle
From Publishers Weekly
In the Steel collectionoeuvre, which means works of art, is awk with following jewel metaphor , Jewels is merely a semiprecious gem. Set in the WW II era, the novel depicts the travails of its to elim dangler heroine, Sarah, Duchess of Whitfield. The beautiful debutante daughter of a wealthy American family, Sarah has endured the disgrace attending her divorce of her caddish first husband. Eventually she marries the charming and very rich Duke of Whitfield, who buys her a chateau in France. The rest of the novel follows the self-satisfied course of their usually happy since he's in prison camp at one point union. WW II offers Steel a chance to pump drama into this bland narrative, but she misses it. Sarah spends the war comfortably ensconced on the grounds of her chateau, looked out for by a solicitious German commander so polite she doesn't guess he has fallen in love with her. Meekly, he leaves the moment Sarah learns her husband, the duke, ? has survived a Nazi prison camp. After she nurses William back to health, their idyllic marriage placidly resumes. They are rich and envied. They eat well, dress well, live well, have or else mention first child above? children and open a jewelry store for amusement. The narrative's greatest conflict comes in the final chapters, when widowed Sarah has to deal with her unruly offspring. Costume jewelry has more sparkle than this uninspired tale. Major ad/promo; Literary Guild and Doubleday Book Club main selections.
Copyright 1992 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.