From Publishers Weekly
Starred Review. Kirby is generally considered the most influential artist in the history of comics, and these stories show him at his feverishly apocalyptic best. After his historic run at Marvel in the '60s, Kirby moved to DC Comics, where the work he produced influenced everything from Star Wars to The Matrix. In these stories, which initially appeared in 1971 and 1972, he uses Superman's human pal Jimmy Olsen as a gateway to fantastic tales that always spin off in unexpected directions and pile on wild ideas. A vampire attacking one of Jimmy's co-workers turns out to be from a miniature world created in a lab, where he was educated by a constant stream of horror movies. A search for a Loch Ness monster–like beast turns into a battle against alien overlords and finds Jimmy regressing to a caveman state. While the dialogue of the era displays shameless comic book cliches—"Jumping jars of jellied jaguars!" Jimmy shouts at one point—it turns out not to be dated, kind of like Krazy Kat's argot (and Kirby's restless imagination and powerful artwork will propel readers over any rough spots). Fans will welcome this new collection, and newcomers will learn where many pop culture icons come from and discover an original artist.
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
After putting Marvel Comics on the pop-culture map with such creations as the Fantastic Four and the Hulk, artist Kirby was lured to DC Comics to create a new line of superheroes. Besides developing such original characters as the New Gods and the Forever People, Kirby took over a long-running title featuring Superman's kid-reporter pal, Jimmy Olsen. Kirby's effort to marry the long-established Superman mythos and his fervently grandiose storytelling made for compelling if messy reading. In this second collection of Kirby's 15-issue run on Jimmy Olsen, Superman and his sidekick team with updated versions of vintage Kirby characters the Newsboy Legion (the sons of the World War II-era team) and the Guardian (a clone of the 1940s original) to encounter horror-movie monsters from a microscopic planet, genetically altered mythological creatures, and would-be King of Earth Victor Volcanum. As silly as it sounds and then some, this collection will probably baffle today's more serious comics audience, but those who fondly remember Kirby's wildly imaginative stuff will seize the opportunity to reread it. Gordon Flagg
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved



