She wasn't the greatest actress of the silver screen, but was there ever a bigger star than Joan Crawford? Who else had made ten films with Gable, danced with Fred Astaire, won an Academy Award for best actress (in 1945, for Mildred Pierce), outlasted her contemporary Greta Garbo by nearly three decades-and was hardly ever in a good film? And just as she was fading from memory, she got a new lease on notoriety with the publication of adopted daughter Christina's Mommie Dearest. In a dual preface, Quirk (The Films of Joan Crawford), a personal friend of the actress, rejects much of that highly unflattering account, while Schoell (Martini Man: The Life of Dean Martin) debunks it entirely. Their study is a thoroughgoing, evenhanded review of Crawford's life and work, which in tone is neither academic nor gossipy but rather confessional, as if they are eager to set the record straight. It should go a long way toward restoring Crawford's reputation as a hardworking professional who lived for her fans and managed to slap almost every leading man who ever played opposite her. In Sunset Boulevard, Gloria Swanson's character famously observed, "I'm still big; it's the pictures that got small." Perhaps the same could be said of Crawford. Recommended for all film collections in public and academic libraries.
Edward Cone, New YorkCopyright 2002 Reed Business Information, Inc.
"Just when you though you'd heard the last work on Joan Crawford, here comes another bio aimed straight at you, the gale male Crawford fan." -- Adelante Magazine
"Expert.... The woman who emerges from these pages was tough, demanding, self-obsessed, horny, generous, and loyal." -- Bay Area Reporter
"This bio covers her entire career -- a career that could only have been possible because of Joan's magnitude to listen and improve herself as she climbed higher and higher on the Hollywood ladder." -- Buzz Magazine
"Quirk complies the biographical links, recounting in an objective manner Crawford's progress from studio call girl, her multiple marriages and extensive list of lovers." -- Charleston (SC) Post & Courier
"Tells the whole saga, from difficult childhood to wanton chorus girl and starlet days (lots of juicy tidbits included) -- blind ambition, Mommy dearest -- it's all here, together with a complete filmography." -- Copley News Service
"A tough-minded but fair and immensely readable analysis of this legendary lady's colorful life and, especially, career. Lawrence J. Quirk knew Crawford and, with colleague William Schoell, writes with understanding but clear eyes. The result: the smartest, most absorbingly detailed and valuable work yet on a woman who was far more than a Mommie Dearest -- one of the great stars of the 20th century." -- Doug McClelland
"An expert overview of the temperamental diva's career." -- Film Review
"A thoroughgoing, evenhanded review of Crawford's life and work, which in tone is neither academic nor gossipy but rather confessional, as if they are eager to set the record straight." -- Library Journal
"This work makes a strenuous effort to clear Crawford's name of the child abuse cloud that has hung over her image since the publication of Christina Crawford's Mommie Dearest and the fabulously out-of-control movie that book spawned." -- Liz Smith
"Unique in its scrupulous analysis of Crawford's entire body of work." -- McCormick (SC) Messenger
"Unique in its scrupulous analysis of Crawford's entire body of work. Schoell and Quirk move beyond the myths and misconceptions to look at her film work, which in many respects was Crawford's life." -- Pink Pages
"A serious study." -- Richmond Times-Dispatch
"An entertaining read... especially in the scene where a persevering Quirk tries to convince the legend that gay men have a special thing about her -- which she won't believe on any account." -- Sight & Sound
"Joan Crawford was a sexual dynamo who used her bedroom prowess to seduce Hollywood's biggest starts -- both male and female." -- The Globe
"This most welcome book goes a long way toward restoring the reputation of the most glamorous star to emerge from the Hollywood dream factory." -- The State (Columbia, SC)