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30 of 34 people found the following review helpful:
3.0 out of 5 stars
A very thorough biography that focuses on his musical thought, December 16, 2006
This is a very thorough biography that does a good job of tracking the evolution of this composer's creative genius. It has a lot of biographical detail and this is both a plus and minus. There is so much material that unless you are a very serious music person with a strong interest in Bach, you may drown in detail. A lot of the content is not new and one wouldn't say this is a revisionist biography.
If you are looking for musical details this book delivers. It analyzes many compositions and does so in-depth. Casual readers will most likely find this a problem, musicians with an interest in music theory will most likely love it. What is a potential problem, however, is paralysis by analysis. I don't think Bach's genius can be fully understand by analyzing his music just as the beauty of a sunset can not be fully understood by graphing the intensity and wavelength of the various colors in it.
This could be a great book or a dud depending upon what you are looking for in a biography. If you are a non-musician with a casual interest in Bach, you might be better off with something else. If you are doing a thesis on Bach, you probably don't want to miss this one. Ditto if you are a serious musician who wants to understand his music more deeply on a theoretical level.
I am a big Bach fan and a musician and I found the detail overwhelming. For my purposes, this is a good reference to augment what I already know about the composer, but it's a bit too detailed for me as a thoroughly enjoyable read. That is not to say the book is bad, just that it seems to be trying to appeal to two different audiences and that is a difficult task to pull off.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
A Biography and A Musical Analysis, February 18, 2007
It's strange that with someone as famous as Bach that we really know very little about his personal life. In this book Martin Geck has written as much as we know, and has had to expand that with some of the generally accepted rumors. He has done a very good job in this area. That takes about a third of this book.
The other two thirds of the book is on Bach's music. In this area, the book is absolutely supurb. Mr. Geck has been a professor of musicology at Dormund University. He has written about the other German major composers and now has produced this masterpiece on Bach.
He covers every aspect of Bach's music from technique, to the impact on the listener. Surprisingly his analysis is not too technical so the average enthusiast can understant what he is saying. The last section of the book is called Horizons, and while fairly short (30 pages or so) he offers some opinions on Back's art, theology, symbolism and other aspects of his work that are seldom covered.
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5 of 6 people found the following review helpful:
3.0 out of 5 stars
Some interesting content, annoyingly disturbing translation, November 25, 2007
This book is a strange combination of some interesting content (especially the part about the works; the biographical information is dry and gives no idea what kind of a person Bach was), and some very misguided choices in translation. Aside from the occasional translation error, the translator seems not to realize that the "historical present", which is used in German, does not exist in English (other than rarely). This gives, as another reviewer pointed out a sensation of cognitive dissonance. As I translator myself, I'm used to seeing this is French (the language I work from), but when I read a French book using this, it is rarely as disturbing as it is here. The translator should have normalized this into English, that is, using the past, but also should have normalized the disturbing shifts of time from the past to the present that occur on nearly every page.
The biographical section is, as I mentioned, dry and static; you get no feeling that Bach ever ate a meal or went to the bathroom. It is fact after fact, date after date, written document after written document. The parts about the music itself are more interesting, but the overall feeling this book leaves is one of confusion. The decision to separate Bach's life and work is curious; the two were intertwined (especially because the author talks so little about Bach as a person, there's nothing else to hold up to the light).
All in all, this is not a good book for someone wanting to understand Bach's life. Alas, in spite of the many books about Bach, not many of them do so. Others are also plagued by translation errors, or academic prose, and a real humanist biography of Bach is needed.
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