John Adams: Harmonielehre / The Chairman Dances / Tromba lontana / Short Ride in a Fast Machine

John Adams (Composer), Simon Rattle (Conductor), City of Birmingham Symphony Orchestra (Orchestra), Jonathan Holland (Performer), Wesley Warren (Performer) | Format: Audio CD

Product Details

• Performer: Jonathan Holland, Wesley Warren
• Orchestra: City of Birmingham Symphony Orchestra
• Conductor: Simon Rattle
• Composer: John Adams
• Audio CD (April 12, 1994)
• SPARS Code: DDD
• Number of Discs: 1
• Label: EMI Classics
• ASIN: B000002RU2
• In-Print Editions: MP3 Download
• Average Customer Review: 4.7 out of 5 stars  See all reviews (26 customer reviews)
• Amazon Best Sellers Rank: #67,080 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

35 of 36 people found the following review helpful:

5.0 out of 5 stars Minimalist paradise, December 13, 2005

By 

Brett A. Kniess (Madison, WI) - See all my reviews

This review is from: John Adams: Harmonielehre / The Chairman Dances / Tromba lontana / Short Ride in a Fast Machine (Audio CD)

Four great orchestral works by the American minimalist composer John Adams are showcased on this CD: Harmonielehre, The Chairman Dances, and Two Fanfares: Tromba Lontana and Short Ride in a Fast Machine.

The title of the 40-minute Harmonielehre is based around the textbook written by the 12-tone serialist Arnold Schoenberg. While the strict world of dodecaphony never really evolved into popular circles, this minimalist work shows that the genre is willing to expand and evolve, incorporating new ideas and exploring new outlooks. The first movement of Harmonielehre starts out like we would expect; highly repetitive rhythms and slow harmonic rhythm with slight changes of meter and orchestral colors. The repetition creates a sort of mantra and the simplistic harmonic rhythm is the foil of dodecaphony. A long lugubrious melodic line shows up after the first 1/3 of the movement and is passed from voice to voice throughout the 17+ minutes. It is an outgoing and virile first movement that bristles with energy. The second movement, "The Anfortas Wound", uses some quasi-12 tone rows unusually enough, and really, the movement is evocative of pointillism rather than minimalism. A constantly shifting kaleidoscope of colors continue throughout, and a long sinuous melody wends its way from instrument to instrument. Minimalists never fear, the last movement, Meister Eckhardt and Quackie is a through and through description of John Adams' "sound". Starting in a high, ethereal tessitura, along with the help of various mallet instruments, piano, and harp, the piece expands into overlapping brass-like Doppler effects and a grand conclusion to an exhausting work. The parts are extremely virtuosic and require great stamina; for the listener too!

The witty Chairman Dances: a foxtrot for orchestra is inspired by Adams' opera Nixon in China. Madame Mao crashes in on a Presidential party and she and Chairman Mao dance the foxtrot. The driving rhythms starts right off, but occasionally, the romanticism and soaring strings of the big band take over, almost as if a different piece has started. Nearly cinematic in parts, the tongue-in-cheek Hollywood portrayal is duly noted. All ends quietly with expansive requirements for percussion, including the ending sandpaper blocks.

The two fanfares include the more lyrical and almost mystical Tromba Lontana. The echoing trumpets between searing strings create an ethereal atmosphere. The famous Short Ride in a Fast Machine is an athletic piece opening with unrelenting flourishes, woodblock, and the superb brass finale. It is a standard for orchestral, nonetheless, minimalist literature.

The British performers, Sir Simon Rattle and the City of Birmingham Symphony Orchestra, excel in these pieces. No holding back for these musicians, it is all energy, with a clear and clean execution, and the works on this disk sparkle. This CD has all of the standard Adams repertoire, and it is nice to have it all on one disk with an outstanding performance. While this is a great introduction to John Adams, try the examples to make sure you like it first, it's not for everyone. Otherwise, this is THE CD to have of Adams' most popular and important works.

13 of 13 people found the following review helpful:

5.0 out of 5 stars A wonderful introduction to the art of John Adams, April 13, 2008

By 

Steven A. Peterson (Hershey, PA (Born in Kewanee, IL)) - See all my reviews
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This review is from: John Adams: Harmonielehre / The Chairman Dances / Tromba lontana / Short Ride in a Fast Machine (Audio CD)

For those who have never listened to the American composer John Adams (not the President!), this is a terrific introduction to his art. It contains his "Harmonielehre," "The Chairman Dances," and two fanfares, "Tromba Lontana" and "Short Ride on a Fast Machine." Sir Simon Rattle and the City of Birmingham Symphony Orchestra are in good form with these compositions.

My first introduction to John Adams was while listening to my local NPR station (WITF-FM) 2 or 3 years ago. I was hooked as I listened to the foxtrot for orchestra, "The Chairman Dances." Obviously, this also suggests how isolated I am from contemporary music! Upon hearing this piece, I ordered the CD from Amazon. And I have surely not regretted that purchase.

"The Chairman Dances" is based on Adams' opera, "Nixon in China," but it is a separate composition. This is a wonderfully energetic piece at many points, and well illustrates Adams' Minimalist perspective. Kind of hard to imagine Chairman Mao dancing with such energy during Nixon's visit to China! The liner notes say that: "Adams' score follows this process with striking acuity, especially as the big band tune, placed into a Minimalist environment, evokes a special kind of nostalgia." This piece "livelies one up" at its most energetic. There are also changes of pace in this nearly 13 minute piece, featuring contemplative music as well. The work fades out softly and slowly, evocatively.

There are also two fanfares, one of which is aptly titled "Short Ride on a Fast Machine." A lively, energetic, frenetic piece. This 1986 composition is characteristically an Adams' piece. This was written for the Pittsburgh Symphony Orchestra. As the notes say, this ". . .is almost manic in its immediate joyousness. . . ." This is lots of fun and infused with great energy.

The long piece on this CD is Adams' "Harmonielehre." The conductor and orchestra play this well, from the striking opening on. But this review is already getting too long, so I'll close here.

This CD is well worth a listen and provides a nice introduction to the art of John Adams.

20 of 22 people found the following review helpful:

5.0 out of 5 stars So satisfying..., December 24, 2004

By 

A Seeker of Wisdom (Los Angeles, CA) - See all my reviews

This review is from: John Adams: Harmonielehre / The Chairman Dances / Tromba lontana / Short Ride in a Fast Machine (Audio CD)

I wish there were more than 5 stars to rate this magnificent rendering of "Harmonielehre" (literally meaning "harmony lesson") which, in complete agreement with a couple other reviewers, is definitely worth the price of admission. As a musician, I listen to many things, not the least of which is the quality of a recording. The CBSO's version under the gifted baton of Sir Simon Rattle is soul-satisfyingly clean and, considering the incredible complexity of the composition, amazingly tight. Sir Rattle weaves a rich texture with subtle decrescendos in the midst of slow-but-thrillingly-sure crescendos that caused my hair to stand up and gooseflesh to appear...thus the word "satisfying" just fits all the way through. I can't for the life of me understand how anyone could view Adams' work as "repetitive"...every note and rhythmic pattern he has written here, it seems to me, fall much more into the category of "sequential," which therefore makes it all function. Counting by the musicians in this brilliant work must be very challenging...I would love to see the score. Every instrument supports every other...all dancing together even in rhythmic contrasts to one another to form this extraordinary whole. I love the mixture of the repeated rhythmic passages followed by the sweepingly romantic...every style, every color in the musical palette is represented in this piece. I cannot recommend this work, and this recording, highly enough.