John Dilleshaw 1929 - 1930

John Dilleshaw | Format: MP3 Download

Product Details

• Original Release Date: March 18, 1997
• Label: Document Records
• Copyright: (c) 1997 Document Records
• Total Length: 1:17:58
• Genres: Christian & Gospel/Gospel, Country/Traditional Country
• ASIN: B000S5A8UY
• Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #310,354 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

2 of 2 people found the following review helpful:

5.0 out of 5 stars Proud to be his Grandson!, December 16, 2000

By 

Timothy J. Downs (Palmetto, GA United States) - See all my reviews

This review is from: Complete Recorded Works (1929-30) (Audio CD)

This CD is a classic! But more important to me, a link to my Grandfather, John Dilleshaw. He died in 1941 long before I was born. I came across this CD by accident and have enjoyed many hours of listening pleasure as I hear my grandfather belt his country vocals and run his fingers up and down that old guitar. This music will take you back to a time when the pace of life was much simpler. I hope my Grandfather's music will bring you half the joy it has brought me!

Harry Kiker, also featured on this CD was my great Uncle.

2 of 2 people found the following review helpful:

4.0 out of 5 stars Congratulations! You've hit paydirt!, June 4, 2000

By A Customer

This review is from: Complete Recorded Works (1929-30) (Audio CD)

If you're reading this page, then chances are I am preaching to the choir here (can I get an "AMEN"?).

But if chances are you were looking for something else, please stop and consider this undservedly unknown artist (who happens to look a bit like Bill Clinton).

Simply put, this is **top-rate** old-time music. The fiddle and mandolin playing is fantastic, and Dilleshaw's guitar and vocal styles are quite pleasant (listen to Bad Lee Brown), and the unit plays very, very tight (and the Lowe Stokes numbers at the end are real barn burners!).

But the REAL secret is in the vocals. This stuff is dance music. Doesn't always translate well to records. To ease the repetitiveness, Dilleshaw adds some VERY unusual and hilarious calls, commenting on such topics as getting his feet stuck in the mud and scrambled eggs stuck on someone's chin (check out "Lye Soap").

Old time music fans are divided into two groups: those who know of "Seven Foot Dilly", and those who don't. Make the move, you'll never regret it.

Note: There is the problem with cut 17. The song seems relatively innocuous (if not a bit unintelligble), but still, a permanent marker might be in order. This problem is prevalent in old-time music (think about the origins of it!); historical perspective should be maintained by the listener.

4.0 out of 5 stars Congratulations! You've hit paydirt!, June 4, 2000

By A Customer

This review is from: Complete Recorded Works (1929-30) (Audio CD)

If you're reading this page, then chances are I am preaching to the choir here (can I get an "AMEN"?).

But if chances are you were looking for something else, please stop and consider this undservedly unknown artist (who happens to look a bit like Bill Clinton).

Simply put, this is **top-rate** old-time music. The fiddle and mandolin playing is fantastic, and Dilleshaw's guitar and vocal styles are quite pleasant (listen to Bad Lee Brown), and the unit plays very, very tight (and the Lowe Stokes numbers at the end are real barn burners!).

But the REAL secret is in the vocals. This stuff is dance music. Doesn't always translate well to records. To ease the repetitiveness, Dilleshaw adds some VERY unusual and hilarious calls, commenting on such topics as getting his feet stuck in the mud and scrambled eggs stuck on someone's chin (check out "Lye Soap").

Old time music fans are divided into two groups: those who know of "Seven Foot Dilly", and those who don't. Make the move, you'll never regret it.

Note: There is the problem with cut 17. The song seems relatively innocuous (if not a bit unintelligble), but still, a permanent marker might be in order. This problem is prevalent in old-time music (think about the origins of it!); historical perspective should be maintained by the listener.