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Most Helpful Customer Reviews
19 of 22 people found the following review helpful:
5.0 out of 5 stars
Damn, I Still Can't Play Like Him.,
By
This review is from: John Entwistle: Bass Guitar Master Class (DVD)
I'd like to say this DVD made all the difference in my playing, but I'd have to be John Entwistle to figure it all out. The DVD is great because it is an archive of the creative process of a lost musical genius. Getting past the few practicable tricks, there's some of John's musical philosophies saved for future generations. I know it sounds silly, but imagine having Hendrix sit down and dissect his playing, or Mozart discuss his thoughts on composition with someone who asks the questions you would.Its also amazing how video production has changes over the past 20 years. The picture is good, but you can see the improvements in cameras and tapes.
15 of 17 people found the following review helpful:
5.0 out of 5 stars
The Quiet One talks,
By Michael R. DeVincenzi "Mike From SJ" (San Jose) - See all my reviews
This review is from: John Entwistle: Bass Guitar Master Class (DVD)
I like the segment where John admits that his little finger is used just for show. John honestly demonstrates his style of playing. He says that he would be bored to just play the bass in the standard way; he needs to solo to completely express himself . John had a easy going side to his personality, and he carefully answers questions. Some things can't be explained in words, but John does a great job at it. He turns his treble and volume to full and lets the chips fall where they may. This is a great DVD to watch over and over; I plan to watch it many times. Thanks John for taking the time to show us your style.
14 of 16 people found the following review helpful:
5.0 out of 5 stars
Expanding bass solo technique,
By
This review is from: John Entwistle: Bass Guitar Master Class (DVD)
John Entwistle demonstrates bass solo and rhythmic techniques by himself, and then jams with lead guitarist Arlen Roth, who questions The Ox further on his approach to bass. This gives viewers the chance to focus on Entwistle's bass playing without having to strain to hear it through the deluge (as John described it) of The Who's power chords, drum assaults and slinky synthesizers. Entwistle emerges as an unselfish innovator who was willing to share his skills with others. His deadpan wit quietly perks up the proceedings as well.
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