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The John Fiske Collection: Television Culture (Studies in Communication Series)
 
 

The John Fiske Collection: Television Culture (Studies in Communication Series) [Paperback]

John Fiske (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

0415039347 978-0415039345 February 25, 1988 New edition
A comprehensive introduction to television studies. Fiske analyzes both the economic and cultural aspects of television and investigates it in terms of both theory and text based criticism.

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Editorial Reviews

Review

"If you had to recommend a single work which applies cultural studies clearly, comprehensively, intelligently and generously to a major subject of inquiry, this would be it." Media Information Australia

"Fiske’s analyses skilfully trace the insertion of conflicting social, economic, cultural and political ideologies within the television text." Darrell Y. Hamamoto, Film Quarterly

--This text refers to the Hardcover edition.

About the Author

John Fiske is Professor Emeritus in the Department of Communication Arts at the University of Wisconsin-Madison, USA.

--This text refers to the Hardcover edition.

Product Details

  • Paperback: 368 pages
  • Publisher: Routledge; New edition edition (February 25, 1988)
  • Language: English
  • ISBN-10: 0415039347
  • ISBN-13: 978-0415039345
  • Product Dimensions: 9.1 x 6.1 x 0.9 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,324,178 in Books (See Top 100 in Books)

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11 of 13 people found the following review helpful:
5.0 out of 5 stars Enlightening, March 30, 2000
By A Customer
This review is from: The John Fiske Collection: Television Culture (Studies in Communication Series) (Paperback)
John Fiske takes us into the television world that we take for granted. He analyzes such aspects as Professional Wrestling, Dallas, daytime soap operas, M.A.S.H., the A-team, Miami Vice, Magnum p.i. and Saturday Night Live. He incorporates magazines (Playboy, Vogue), movies (Rambo, Mad Max) and famous celebrities (Madonna). He even looks into game shows such as the Family Feud, and The New Price is Right. He takes a look into the white culture of American media in order to examine televisions influence in popular culture. He explores the questions of why mass population consumes this form of cultural industry. He answers such questions as, who watches what programs and why? How does televisions become so aborted into social lives? Fiske explores the cultural process in which gives these show their meanings. It is an interesting and enlightening insight. It is useful when exploring other sociological theories relating to mass media and popular culture.
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Inside This Book (learn more)
First Sentence:
Any book about television culture is immediately faced with the problem of defining its object. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
motivated editing, transparency fallacy, popular cultural capital, soap opera press, dominant specularity, producerly text, restorative event, tertiary texts, polysemic potential, low modality, television realism, resistive readings, hero team, television text, diegetic world, semiotic excess, screen theory, masculine narrative, secondary texts, ideological codes, feminine narrative, semiotic power, masculine pleasure, technical codes, textual characteristics
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Miami Vice, Sue Ellen, Sale of the Century, Jack Marks, Mary Beth, Hill Street Blues, Tyne Daly, Charlie's Angels, Days of Hope, Third World, American Indians, Big John, East Anglia, George Peppard, Good Morning, James Bond, Max Headroom, Days of Our Lives, Pine Valley, Remington Steele, Star Trek, Wheel of Fortune, Barney Rosenzweig, Desperately Seeking Susan, Hannibal Smith
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