John Ford Goes to War
 
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John Ford Goes to War (2005)

Oliver Stone , Leonard Maltin , Tom Thurman  |  NR |  DVD
2.0 out of 5 stars  See all reviews (3 customer reviews)

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Product Details

  • Actors: Oliver Stone, Leonard Maltin, Kris Kristofferson, Dan Ford, Peter Bogdanovich
  • Directors: Tom Thurman
  • Format: Color, Dolby, DVD, Full Screen, NTSC
  • Language: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Image Entertainment
  • DVD Release Date: December 20, 2005
  • Run Time: 56 minutes
  • Average Customer Review: 2.0 out of 5 stars  See all reviews (3 customer reviews)
  • ASIN: B000BC8SZQ
  • Amazon Best Sellers Rank: #209,449 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "John Ford Goes to War" visit the Internet Movie Database (IMDb)

Editorial Reviews

JOHN FORD GOES TO WAR - DVD Movie

 

Customer Reviews

3 Reviews
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Average Customer Review
2.0 out of 5 stars (3 customer reviews)
 
 
 
 
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16 of 19 people found the following review helpful:
1.0 out of 5 stars Show us the FILM!, July 2, 2006
By 
Tyree (San Diego, USA) - See all my reviews
This review is from: John Ford Goes to War (DVD)
There's just enough footge to keep this from being a total waste, but WHAT a disappointment!

All the usual talking heads - Andrew Sarris, Peter Bogdanovich, Leonard Maltin, etc - babble away in full color, portrait-sized glory while the scraps of WWII film are rationed like T-bone steaks. Maybe there were rights issues involved, but how dare somebody title this "John Ford Goes to War" when it's only the most cheapo collection of 50-year-later yak festooned all over a pitiful handful of the subject matter?

Wait until a truly representative selection of Ford's massive WWII output is released unedited and - one can only hope! - un-commented upon.

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9 of 10 people found the following review helpful:
3.0 out of 5 stars Full print of Ford's award-winning, January 18, 2008
By 
This review is from: John Ford Goes to War (DVD)
Being an admirer of John Ford's great western films, including "The Searchers", "She wore a yellow Ribbon", and "Fort Apache", I was interested to learn more about the character of this great American director as revealed in this DVD.

However, my compelling reason for acquiring the DVD was the inclusion of a copy of John Ford's Academy Award-winning "Battle of Midway" as an "Extra". This film has become very difficult to obtain through commercial sources.

Pacific War history buffs who would like to add John Ford's magnificent "Battle of Midway" to their DVD libraries may be interested to hear my opinion that the transfer from the original 16 millimetre film shot by Ford during the Japanese attack on Midway Atoll in June 1942 is excellent. The running time is 18 minutes. The print is reasonably sharp considering its source was a 16mm film. The colour is excellent. I found print wear and tear to be minimal and unobtrusive. In my opinion, inclusion of an excellent copy of "The Battle of Midway" fully justified the cost of this DVD.

Those who would like to place John Ford's film in its historical context, may wish to visit my Battle of Midway web-site at: [...]
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4 of 4 people found the following review helpful:
2.0 out of 5 stars John Ford goes to war...and I went to sleep, October 18, 2009
By 
This review is from: John Ford Goes to War (DVD)

John Ford Goes to War: 4 out of 10: This is almost a textbook example on how to take a fascinating subject and make a boring documentary out of it.

John Ford Goes to War highlights Ford's extraordinary service during World War 2 when he and his various crews filmed the war from Midway to India to Burma to Normandy, and even the war trials afterwards. It's like a real life Winds of War. Ford himself carried the hand held camera on Midway as bombs landed just feet away from Japanese planes. He had a telephone in one hand calling in enemy positions to headquarters while he filmed with the other.

A fascinating story like this should make for a fascinating documentary... it doesn't.

For one thing the movie seems to be under the mistaken impression that World War 2 took place in the 1840's not the 1940's. Now I know Ford was best known for his westerns but this film isn't about his westerns it is about his work during WW2. In addition Ford's personal life at this time was more Jimmy Buffet than Eddie Dean. So who do they get narrating the film? Kris Kristofferson.

Kristofferson's slow around the campfire drawl hits the viewer like a fistful of barbiturates and the along the trail Civil War era musical score doesn't help either. And then we have the talking heads. The endless talking heads.

You would think that a film that can use dramatic footage from 'The Battle of Midway" or 'December 7th' or moving footage such as the smiling faces of the doomed crew of 'Torpedo Squadron' wouldn't cut away every minute, from the hours of available footage, to show some guy talking... and you would be wrong.

Peter Bogdanovich and Leonard Maltin come across the best (though would it have killed Maltin to shave? I have I High Definition Television I really appreciate some personal hygiene before you get on camera.) Most of the others are people who wrote books and honestly should continue to write books.

They do interview an actual cameraman who shot footage for Ford during the war. His experience is insightful, touching and moving so of course he is only on once for less than a minute.

Anytime the documentary does show footage of Ford's work, it seems to realize you may be getting interested and quickly swerves into another talking head. This teasing us into a complacency of enjoyment and engagement before another talking head breaks the mood is a strange form of narrative waterboarding. It's as if the movie has a puritan streak that wishes you not to actually enjoy yourself.

Speaking of a strange puritan streak... I have left the best for last. Apparently John Ford ran over Oliver Stone's kitten while backing out of his driveway in 1971. There is almost no other explication for Stone's bizarre vitriol against the man. Apparently if Stone was a filmmaker in 1940 he would have been doing documentaries on how the Japanese are victims of American Expansionism and how the D-Day invasion at Normandy was yet another example of American Colonialism.

I would normally say hearing Stone rail against Ford for being historically inaccurate would be worth the price for admission. But alas no. The viewer is better off... much better off finding Ford's original documentaries uncut. (And if you want to see Stones version of historical accuracy I believe Alexander has a new 240 minute cut available on DVD)


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