This radical re-reading of Ford's work studies his films in the context of his complex character, demonstrating their immense intelligence and their profound critique of our culture.
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Most Helpful Customer Reviews
7 of 7 people found the following review helpful:
4.0 out of 5 stars
John Ford's films,
By "joeccosta" (San Diego, CA United States) - See all my reviews
This review is from: John Ford: The Man and His Films (Paperback)
If one is searching for a biography of John Ford, this is not the book. (A suggestion--Scott Eyman's "Print the Legend" Another, with a slightly different emphasis but still with insightful observations--"John Wayne's America" by Garry Wills.) But as an analysis of specific Ford films as well as the themes he used throughout his career, this book is invaluable. Gallagher's style is a bit too academic at times, but he offers some interesting observations (His examination of the structure of "The Searchers" is particularly memorable).
7 of 7 people found the following review helpful:
5.0 out of 5 stars
All the bio (as well as analysis) that you could ever need!,
This review is from: John Ford: The Man and His Films (Paperback)
I don't think customer Lee Kane is quite right when he says that Tag Gallagher's labour-of-love book is mainly about the films. Gallagher's writing is spare and lean but he gives at least as much biography as the purely biographical books.
6 of 6 people found the following review helpful:
4.0 out of 5 stars
John Ford: A Brilliant Film Director whose Dark Glasses hid Poetic Eyes,
By C. M Mills "Michael Mills" (Knoxville Tennessee) - See all my reviews (TOP 1000 REVIEWER) (REAL NAME)
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This review is from: John Ford: The Man and His Films (Paperback)
T. Gallagher has written an outstanding book on the films of John Ford from his primitive Westerns of the silent era through his last film "7 Women" in 1965.Gallagher includes biographical information on the enigmatic Mr. Ford-tough guy; closet intellectual; painter of superb movie landscapes and all around genius! Gallagher's main focus, however, is a close study of all the John Ford movies. His commentary is to be read slowly (a dictionary to look up the abstruse words he likes to use can also prove handy!). Gallagher's writing is often academic (using big words and jargon of film scholars), pedantic and obscure. However, overall he does a good job at getting at the essence of a film's worth. Gallagher helps you to "read a Ford film" giving you new insights into the neglected genius of the fiery Irishman who made the best American movies of his time. If you want a biography of John Ford turn to the excellent biographies by Joseph McBride or Scott Eyman among others. If you want primarily a scholary study of the movies made by Ford then Gallagher is for you. I enjoyed the book and recommend it to fans of Ford or for anyone wishing to know more about this legendary director of such classics as "Rio Grande"; "Fort Apache" "She Wore a Yellow Ribbon" "The Grapes of Wrath"; "Drums Along the Mohawk"; "Young Mr. Lincoln"; "The Man Who Shot Liberty Valence" and countless other classics! Well recommended.
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