Amazon.com Review
He was the most famous and influential art critic of his age, and not so incidentally a stern critic of 19th-century English society, but John Ruskin (1819-1900) was so deeply Victorian in thought and expression that he has been out of fashion virtually since his death. British art historian Tim Hilton introduces Ruskin to modern readers in a meticulously researched biography that elucidates his groundbreaking contributions to the study and appreciation of art without mincing words about his personal problems.
The Early Years covers the writing of
Modern Painters, whose first volume made the 24-year-old Ruskin's reputation as a champion of contemporary artists like J.M.W. Turner, and of
The Stones of Venice, which spearheaded England's Gothic revival. Hilton also examines Ruskin's close relationship with his parents and disastrous six-year marriage to Effie Gray, who received an annulment in 1854 because her husband had refused to consummate their union. (Hilton later concludes that Ruskin was sexually attracted only to preadolescent girls.) Lengthy quotations from Ruskin's diaries and letters vividly convey his personality: passionate in intellectual and social matters, argumentative, often insensitive, and prone to crippling depression. Closing in 1859, a time of frustration and stagnation for Ruskin, Hilton looks forward to his subject's mellowing of character and deepening of convictions in the half-century to come.
--Wendy Smith
Review
"The most readable and sympathetic [biography] that has yet appeared...This biography achieves perspective on its subject's character and achievement and on the well-known dramas of his domestic life." John Bayley, New York Review of Books "A stupendous biography." Fiona MacCarthy, The Times "The best life of the Victorian critic of art, architecture, and society we are likely to have for a long time." Washington Post Book World "Outstanding-beautifully written...loving but level-headed." John Gross, The Observer (Books of the Year) "A minor masterpiece of biographical writing." Roger Kimball, Architectural Record "Every serious scholar will have to acquire this volume, but even those who know practically nothing about Ruskin will find it enormously enjoyable." Quentin Bell, American Historical Review