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John Sloan's Women: A Psychoanalysis of Vision

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John Sloan's Women: A Psychoanalysis of Vision [Hardcover]

Janice Marie Coco (Author)

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Book Description

Publication Date: September 2004

John Sloan (1871-1951), a member of the revolutionary group of painters called 'The Eight,' was best known for his pictures of early twentieth-century New York City. Using psychoanalysis (object relations theory) and social history, Janice M. Coco explores the individual and social identities that inform Sloan's many representations of women. She examines the ways that he defined defined himself as both man and artist at a time when the ideals of masculinity and artistic identity were at issue. The author contends that Sloan's perception of women, as potentially threatening to his manhood and his career, manifests itself subtextually as the fetishized nature of his windowed compositions. This study links Sloan's controversial viewing practices (his peeping Tomism) to his fear of women and to the critical reception of his art. In particular, his recurring window motif embodies a general anxiety regarding invasion of privacy at the turn of the twentieth century. Finally, Coco attempts to unravel the web of misunderstanding that has shrouded Sloan's nude studies, a large body of self-conscious yet insightful images that has thus far defied explanation. Illustrated.

--This text refers to an alternate Hardcover edition.

#outer_postBodyPS { display: none; } #psGradient { display: none; } #psPlaceHolder { display: none; } #psExpand { display: none; } John Sloan (1871-1951), a member of the revolutionary group of painters called 'The Eight,' was best known for his pictures of early twentieth-century New York City. Using psychoanalysis (object relations theory) and social history, Janice M. Coco explores the individual and social identities that inform Sloan's many representations of women. She examines the ways that he defined defined himself as both man and artist at a time when the ideals of masculinity and artistic identity were at issue. The author contends that Sloan's perception of women, as potentially threatening to his manhood and his career, manifests itself subtextually as the fetishized nature of his windowed compositions. This study links Sloan's controversial viewing practices (his peeping Tomism) to his fear of women and to the critical reception of his art. In particular, his recurring window motif embodies a general anxiety regarding invasion of privacy at the turn of the twentieth century. Finally, Coco attempts to unravel the web of misunderstanding that has shrouded Sloan's nude studies, a large body of self-conscious yet insightful images that has thus far defied explanation. Illustrated.

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About the Author

Janice M. Coco teaches at Lewis & Clark College in Portland, Oregon. --This text refers to an alternate Hardcover edition.

Product Details

Hardcover: 135 pages
Publisher: Univ of Delaware Pr (September 2004)
Language: English
ISBN-10: 0874138663
ISBN-13: 978-0874138665
Product Dimensions: 11.2 x 8.7 x 0.6 inches
Shipping Weight: 1.6 pounds
Amazon Best Sellers Rank: #3,306,610 in Books (See Top 100 in Books)

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