John Wayne: The Man Behind the Myth (Paperback)

~ (Author) "As famed stuntman Yakima Canutt told me the story over a drink in the bar of a London hotel in 1976, it wasn't too difficult..." (more)
Key Phrases: planned tribute, general interview, war wagon, John Wayne, John Ford, Paul Fix (more...)

Editorial Reviews

From Publishers Weekly

According to this congenial biography by film journalist Munn, movie legend Wayne (1907–1979) was a hard worker who held tight to his beliefs and what he thought he should show on screen. Wayne's career did have its share of controversy (although he starred in cutthroat war films, Wayne didn't sign up for military service in WWII; he rejected communism, which made him the object of Stalinist threats; and the actor's given name is still debated), and Munn deftly addresses those hullabaloos while providing an overview of the actor's accomplishments. After playing football at USC, Wayne worked as a studio prop man, coming into early contact with director John Ford, who would direct Wayne in some of his most memorable performances, including 1952's The Quiet Man. Throughout their association, Ford treated Wayne erratically, disparaging his talents and lashing out at him for accepting a lead role from rival director Raoul Walsh (The Big Trail, 1930). Yet Ford and Wayne collaborated on 1939's Stagecoach, which gave birth to the serious western and the Ford-Wayne movie subgenre. Other highlights include Wayne's emergence as a heavy in 1948's Red River and his ferocious performance in 1956's The Searchers. Munn portrays the actor in his personal life as a man's man, who sustained friendships with tough cohorts like stuntman Yakima Canutt but failed in romance. Although the book takes an odd turn toward the end, when Munn links Wayne's patriotism and heroic persona to the heroic actions after September 11, overall, it's a fine tribute.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

Review

"'Michael Munn interviewed John Wayne several times...and an impressive number of Hollwood colleagues.' 'The Daily Mail' 'By the end of this book, I found myself full of admiration for Wayne - an affectionate and enjoyable biography.' C Spencer, 'The Daily Telegraph'" --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 400 pages
• Publisher: NAL Trade (March 1, 2005)
• Language: English
• ISBN-10: 0451214145
• ISBN-13: 978-0451214140
• Product Dimensions: 8.9 x 6 x 1 inches
• Shipping Weight: 15.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #146,525 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

16 of 16 people found the following review helpful:

4.0 out of 5 stars A personal look at John "the Duke" Wayne, American film legend, July 28, 2005

By	Dennis at Holy Apostles (Connecticut, USA) - See all my reviews

This review is from: John Wayne: The Man Behind the Myth (Hardcover)

British journalist Michael Munn does a good job at delving into the core of a remarkable man, the motion picture legend we call "the Duke." Some people have criticized John Wayne over the years for not acting, but Wayne carefully crafted and honed his Duke persona to give his audiences something they could take with them, especially during the grim days of World War II. Wayne wanted to enlist, but he was a man of his word and under contract. Instead, he boosted morale through his films.

John Wayne embodied the spirit of the rugged American. He was a man's man who never backed down from a fight, on or off screen. And yet, he showed a flexibility and tolerance with actors who marched to a different drum. Kirk Douglas and Rock Hudson are examples of men whose politics and lifestyle, respectively, John Wayne disagreed with very strongly. But Wayne respected their acting credentials and for him that was the decisive factor. Wayne was a true acting professional and a man of passion who could project himself as larger than life.

Munn captures all of this and more. Where he goes astray, perhaps, is with his curious anecdote about Soviet dictator Joseph Stalin wanting to kill the Duke. Surely as cunning a player on the world stage as Stalin would never have risked an international incident, or even war, by having John Wayne assassinated. I'm not sure of the source Munn used, but it could be of the "red herring" variety. This jazz about the Duke getting the scoop from Soviet premier Nikita Khrushchev, Stalin's wily successor who admittedly did his share of de-Stalinizing, is far-fetched. Yet, it all adds to the mystique.

This book was an easy read and I liked pouring through it. One has to be aware, however, that John Wayne was no saint. He caroused with women while letting his marriages fall apart, he drank hard, and he used salty language. Munn quotes Wayne and his circle of friends verbatim, especially when director John Ford was among them, so be forewarned that there is profanity in this book. In the end, Munn's take on the Duke leaves you feeling like you almost knew him, and that is good. Rev. Dennis J. Mercieri, alumnus of Holy Apostles Seminary

11 of 11 people found the following review helpful:

5.0 out of 5 stars An American Icon, July 5, 2006

By	Readalots (South Texas, USA) - See all my reviews

Michael Munn's "John Wayne: The Man Behind the Myth" (2003) presents the life of one of America's greatest 20th century icons. This 386-page hardback is comfortably researched with 17 pages of filmography (describing, briefly, each John Wayne film), 5 pages of sources, and a two page annotated bibliography.

Munn brings motion picture super star John Wayne to life with a comprehensive chronological narrative of his life and career. Using Wayne era media documentation, personal interviews with friends, family, and co-stars, and reviewing books about the Duke the author reintroduces readers to John Wayne's greatness. Memorable stories are told from the Duke's personal, family, and performance lives.

We hear from John Agar, Lee Van Cleef, Rock Hudson, Charlton Heston, Jennifer O'Neill, Sammy Davis, Jr., Maureen O'Hara, and many more about Wayne. Readers learn about his opinions on Richard Widmark's acting, John Huston's directing, and daughter Aissa's script reading. One discovers which one of Wayne's films was his own favorite ("The Alamo") and which was the simplest for him to make ("True Grit"). (John Wayne turned down the "Dirty Harry" part after Frank Sinatra's refusal because he didn't want a Sinatra's rejection and the Duke also didn't like the image of a rogue cop.) Wayne's families, religion (as a back-sliding Presbyterian), politics (as an Orange County Reagan Republican), love for alcohol, and lung cancer (which ultimately killed him in 1979) are reviewed.

Munn's story of John Wayne's rise from a movie back lot janitor (as an injured USC football player) to mega star adored by millions is interesting and at times riveting. Much of the Duke's life was like a John Wayne movie. The Duke was involved in hunting accidents, stage and scene mishaps, and was once targeted by the Brezhnev government for his anti Soviet views. The Duke liked fist fighting, rifle shooting, and loving Latinas. (Munn is comprehensive, reflective, and convincing.)

Michael Munn's "John Wayne: The Man Behind the Myth" is written in a non-technical novelistic style. For me, it was a quick read. All John Wayne aficionados should own a copy. It is recommended to everyone.

18 of 21 people found the following review helpful:

5.0 out of 5 stars A wonderful tribute to a man larger than life, May 1, 2004

By A Customer

This review is from: John Wayne: The Man Behind the Myth (Hardcover)

This is a "must read" for any John Wayne fan. The book is written with a deftness and style similar to the character of the man of whom it portrays. Munn is a self-described fan, yet is able to depict Wayne in a realistic light while using great sensitivity and care. The book is based largely on Munn's personal interviews (spanning several years) with John Wayne's colleagues and more importantly, the Duke himself, which lends credibility to his words. I have come away from this book not only with an historical view into John Wayne's career, but also with a great sense of respect for Waynes's honesty and "no-nonsense" approach to life. His love for his country is more than admirable, especially now in such times of partisanship and complacency. Sadly, John Wayne's era has gone by the wayside so kudos to Michael Munn for keeping his spirit alive.