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Most Helpful Customer Reviews
10 of 10 people found the following review helpful:
5.0 out of 5 stars
for alleged grown-ups as well as young adults,
By
This review is from: Johnny and the Dead (Johnny Maxwell Trilogy) (Hardcover)
For the Terry Pratchett fans out there, nothing more need be said. It's Pratchett, you want to read it, the only reason you've been hesitating is because it's marked as a kids book (juvenile, young adult...) But this one isn't just for kids. As with any Pratchett book, there are layers and layers, and some of them wouldn't be obvious to kids at all.
In fact, some of them wouldn't be obvious to adults who haven't taken a college physics course or two, and/or kept up by reading all the science magazines. I'll bet I missed a couple of jokes or two, maybe a pun here and there, because my college physics courses were too long ago. But that's OK, the book's enjoyable even without those - there are enough layers that there is something for everyone. The humor flows from the characters, the story, and the writing style. As with any Pratchett book, the humor also contains some serious ideas, hidden until you suddenly realize you need to pay attention to them. The protagonists are Johnny, and his friends Wobbler (who wobbles), Bigmac (who is large), and Yo-less, who is apparently the only black in Blackbury who doesn't say yo. Each of this team has his own strange store of skills or knowledge, and Johnny's erratic talents turn out to include being able to talk to the dead, who definitely don't like being referred to as ghosts. The dead are characters too, especially Mr. Einstein - not the famous one, but his distant cousin, who should have been famous too, but was too busy being a butcher. As you're reading, take note of the project on World War II that Johnny is doing for school; it also features in the next book in the series, "Johnny and the Bomb." (One of the funny bits in the book is how, whenever a kid claims he's doing "a project," he winds up with all sorts of information that is unsuitable for kids, and/or hitherto classified or secret; the remembered horror of school projects makes all the adults give in so that they don't have to think about it any more! The series has no noticeable sexual content, and no real bad language; the most dangerous things in it for young readers are the ideas, which may make them *gasp* think! It may also make them lifelong Pratchett addicts. Some parents may object to the casual car thievery that is one of Bigmac's habits, and perhaps might find that the ability of kids to evade adult supervision is disconcerting, but it's no less true for all that. And some American younger readers may find the Englishness of it a bit hard to follow in some spots - housing projects referred to as blocks, french fries as chips, and so on. Well, a little bit of education in the ways of the world outside the USA won't hurt them any!
6 of 6 people found the following review helpful:
5.0 out of 5 stars
You don't really live until you're dead,
By Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews (HALL OF FAME REVIEWER) (TOP 100 REVIEWER) (VINE VOICE) (REAL NAME)
This review is from: Johnny and the Dead (Paperback)
Johnny Maxwell is just a normal twelve-year old kid, or at least he tries to be. Things just seem to happen to him that don't happen to anyone else - aliens inside a computer game surrender to him and name him their Chosen One, for example (as told in the first book of this series). Compared to that adventure, seeing dead people almost seems rather prosaic. The Trying Times Johnny has been living in have advanced past his parents' shouting and Being Sensible About Things to Phase 3, which sees him now living with his grandfather. He often takes a short cut to school through a local cemetery, and it is there that he meets the Alderman, the long dead and buried Alderman. His friends Yo-less, Bigmac, and Wobbler can't see dead people the way Johnny suddenly can, but events soon convince them that Johnny isn't just fooling around with them. Johnny meets all of the dead people in the cemetery, all of whom are quite put out when they learn that their cemetery, a place which the rules of being dead say they cannot leave, has been sold by the city (for only five pence) to a corporation planning on building office buildings there. Since Johnny is the only human who can see them (and why Johnny can see them is rather a mystery, although the Alderman thinks it is because he is too lazy not to see them), the dead look to him to save their eternal resting place. Stopping a big corporation from doing something the city has granted them the legal right to do is no easy task, especially for a twelve-year-old boy and his friends, but Johnny is wonderfully resourceful. The ending of this book didn't have much spark to it, but overall Johnny and the Dead is an even better read than the first Johnny Maxwell novel Only You Can Save Mankind. It also rings quite distinctly at times of the type of humor showcased by the author in his Discworld novels. There is one bit early on that is just hilarious. Wobbler puts the idea in Johnny's head that dead people basically lurch around like the zombie types in Michael Jackson's Thriller video, and this indirectly leads to the Alderman trying to moonwalk in the cemetery. The dead people as a whole put a lot of life into this book, oddly enough. Among the fascinating, entertaining dead folks we meet are an ardent suffragette, an inventor who is quite proficient at manipulating electronic equipment, a brilliant man named Einstein - Solomon Einstein the taxidermist, and a dyed-in-the-wool Marxist who is quite disappointed at the way things have gone in the world since his death. The vibrant personalities of the dead men and women more often than not clash in a number of very funny ways as they all try to cope with modern life or the lack of it. This book does stand up fairly well on its own, but the characterization of Johnny and his friends is not detailed enough for you to really get to know them without having read Only You Can Save Mankind already. This is considered juvenile fiction, but as with everything Terry Pratchett writes, men and women of all ages, providing they have at least a nascent sense of humor, will find much to enjoy and laugh about in these pages.
4 of 4 people found the following review helpful:
4.0 out of 5 stars
Living it up with the dead,
This review is from: Johnny and the Dead (Johnny Maxwell Trilogy) (Paperback)
Johnny and his band of quirky pals are back in "Johnny and the Dead," the second book of Terry Pratchett's "Johnny Maxwell" trilogy. Pratchett was surer this time around, endowing this hilarious sequel with quirkier dialogue and stories, and snappier writing.
Johnny Maxwell sees dead people. (Yes, like the little boy in "Sixth Sense.") For whatever reason, he sees the dead in their graveyard -- not really ghosts, but not alive either: a crabby former soldier, a distant relative of Einstein, a sprightly suffragette who died in a freak mishap, and a staunch Communist who STILL doesn't believe in life after death. All in all, they are a fairly harmless bunch. But a massive, mercenary, progress-obsessed corporation has just bought the graveyard for fivepence, and it will soon be razed for new construction. The only people more dismayed than the living inhabitants of Blackbury are the dead ones. So as the dead break their bonds to "unlive," Johnny and his friends will try to save the graveyard from... a fate worse than death? Yes, it's the sort of bizarre, slightly twisted plot that only Terry Pratchett could cook up, and then pull off. And yes, the same could be said of "Only You Can Save Mankind." But by the time he wrote this -- pre-Discworld -- Pratchett had obviously grown into his skills. In particular, the Big Message in this book is more subtle -- that money and progress aren't worth anything if they destroy the past. Despite that heavy moral, the handling of it is light and entertatining, such as when the dead Communist calls up a radio talk show host and speaks frankly about being "vertically challenged." Despite half a dozen amusing dead people, the star of the piece is Johnny himself -- smart, quiet unless he has a reason to speak out, and inexplicably able to see the dead. He also plays straight man to the quirkier pals, like peculiar Wobbler, intellectual Yo-less, and perpetually hungry Bigmac. Although you'll need to have read "Mankind" to know who they are. "Johnny and the Dead" is not just a sequel that surpasses the first book of this trilogy, but probably the best pre-Discworld work that Pratchett did. Funny, twisted and very well-done.
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