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The Johns Hopkins Guide to Literary Theory and Criticism
 
 
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The Johns Hopkins Guide to Literary Theory and Criticism [Hardcover]

Michael Groden (Editor), Martin Kreiswirth (Editor), Imre Szeman (Editor)
5.0 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

0801880106 978-0801880100 November 3, 2004 2nd

The Johns Hopkins Guide to Literary Theory and Criticism has become the indispensable resource for scholars and students of literary theory and discourse. The long-awaited second edition includes 48 new entries and subentries and has been revised throughout, taking account of ten years of rapidly changing scholarship.

While concentrating on the explosion of contemporary critical and theoretical works, the Guide presents a comprehensive historical survey of ideas and individuals ranging from Plato and Aristotle to twentieth-century scholars. It includes more than 240 alphabetically arranged entries on critics and theorists, critical schools and movements, and the critical and theoretical innovations of specific countries and historical periods. It also examines developments in other disciplines which have shaped literary theory and criticism. An international, encyclopedic guide to the field's most important figures, schools, and movements, the new edition reflects the state of literary theory and criticism.


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Editorial Reviews

From Library Journal

This self-defensively "postmodern" guide provides 226 essay-length overviews of critics, schools, movements, and national and ethnic groups important to the study of literary theory and criticism. The descriptive entries, which include a primary and secondary bibliography and an abundance of cross references that facilitate exploration, are authoritative and well written. The entries in Hugh Holman's Handbook to Literature (Macmillan, 1992. 6th ed.) are both much shorter and more accessible, but individual critics are not included. Magill's Critical Survey of Poetry (Salem Pr., 1992. rev. ed.), on the other hand, gives critical analyses of poets but deals only briefly with terms and concepts. By covering terms and critics, this guide does the work of both sources, filling a niche for scholars and graduate students in literature and related fields.
- Peter Dollard, Alma Coll. Lib., Mich.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist

With coverage ranging from Plato and Aristotle to Richard Rorty and Edward Said, this work is an overview of major landmarks of criticism from classical antiquity to the present day. Included, in addition to literary critics, are theorists whose affiliation or discipline is not primarily literary studies: philosophers, political theorists, anthropologists, psychologists, and psychiatrists. For example, an essay on Hegel appears between those on Hazlitt and Heidegger. The editors state that they shortened the entries on twentieth-century critics in an effort to entice the reader into making selective sorties into earlier entries, earlier in the historical sense. In addition to those figures who have affected literary theory and criticism, the work includes important groups, schools, and movements; major national or ethnic schools of criticism; and theoretical innovations of specific countries and historical periods. The 226 entries are arranged alphabetically so that such entries as Caribbean Theory and Criticism, Chicago Critics, Chinese Theory and Criticism, and Chomsky, Noam appear in that order. Entries on Arabic, African, biblical, feminist, gay, Indian, psychoanalytic, and Russian criticism are joined by essays on film theory, cultural studies, hermeneutics, postmodernism, and stylistics.

Each contribution is signed. The authors are literary scholars from leading universities throughout the U.S. and Canada with a few from institutions in other countries. Each entry is followed by at least one bibliography; most have two, a primary and a secondary one. Ample cross-references are noted within entries in small-capital letters. Related references appear at the end of each entry. Quotations are signaled by parenthetical page numbers that refer to works in the bibliographies. The appended material includes a list of contributors with academic affiliations, an index of names, and an index of topics.

Histories and anthologies of literary theory and criticism abound, but there are few encyclopedic works that treat critics, schools, and movements in a reference format. This more scholarly work complements Gale's Contemporary Literary Critics, which gives biobibliographic information about modern critics but treats no schools or movements. Another recent work, the Encyclopedia of Contemporary Literary Theory: Approaches, Scholars, Terms (Univ. of Toronto, 1993), also emphasizes contemporary themes. The Johns Hopkins Guide is an excellent overview with a wider time frame. Academic libraries with strong literature programs, especially graduate programs, will want to own it. --This text refers to an out of print or unavailable edition of this title.


Product Details

  • Hardcover: 1008 pages
  • Publisher: The Johns Hopkins University Press; 2nd edition (November 3, 2004)
  • Language: English
  • ISBN-10: 0801880106
  • ISBN-13: 978-0801880100
  • Product Dimensions: 10 x 8.5 x 2.4 inches
  • Shipping Weight: 4.8 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #549,466 in Books (See Top 100 in Books)

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15 of 16 people found the following review helpful:
5.0 out of 5 stars All the benefits and liabilities of a good encyclopedia, June 24, 2004
Theory, so called, is vast and complex and historical and contradictory. This volume is brief and clear and present oriented and structural. That the field and its survey are incommensurate is necessary, but the user should be aware of these limitations. The entries are clear and non-dogmatic but they must betray the liabilities of summary: concise average readings that hide problems, relations, and other voices. At root, modern theory is not intelligible without philosophical contexts that go to the pre-socratics, but that cannot appear here. Some choices of inclusion and exclusion seem odd: a separate entry for Orwell and none for Deleuze, for instance. But on the whole, this book is useful and well done.

I bought it which is my highest rec.

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13 of 15 people found the following review helpful:
5.0 out of 5 stars The Literary Reference Guide, April 4, 2001
I'm going back into a Masters Program and plan to teach English for a living. Already this book has proved to be a valuable resource when surveying various schools of criticism. The cross-referenced index is a bit confusing, but this is a nice book that you may want to sit down with and read for awhile anyway. I've found some wonderful items in here, and it's fun to flip through, looking for previously unknown literary schools that may catch my interest. It's a great reference book, but also a compelling source of information and direction. I laid out the bucks for this book because I know it will be a handy reference for the next thirty years. Already it's directed me to some outside reading that has proved quite profitable. I'll keep this guide close by as long as I am a student of Literature.
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5 of 7 people found the following review helpful:
5.0 out of 5 stars Highly recommended to get your theoretical bearings, September 12, 2000
By A Customer
Provides a consise, and yet sufficiently nuanced and complex, summary of theoretical schools, practitioners, terms, and trends. Hefty and yet readable reference material -- cross-indexed with more thorough bibliographies for each entry.
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The young Edward Gibbon, fresh from his Calvinist cure in Lausanne, published his first book, Essai sur l'etude de la litterature, in 1761. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
fiction theory and criticism, integral apparatus, new critical art, midrash compilations, gay criticism, modern stylistics, literary feminism, artistic mimesis, myth critics, myth criticism, mainstream linguistics, school structuralism, scholarly editing, practical criticism
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United States, Jacques Derrida, Middle Ages, New York, World War, Karl Marx, Roland Barthes, Roman Jakobson, Paul de Man, Frankfurt School, Henry James, Jacques Lacan, Northrop Frye, Virginia Woolf, Harold Bloom, Latin American, Wallace Stevens, Matthew Arnold, Hillis Miller, James Joyce, Fredric Jameson, Julia Kristeva, Michel Foucault, Richard Howard, Kenneth Burke
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