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Jonathan Strange & Mr. Norrell: A Novel Paperback – September 29, 2009


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Product Details

  • Paperback: 864 pages
  • Publisher: Bloomsbury USA; Reprint edition (September 29, 2009)
  • Language: English
  • ISBN-10: 1608190862
  • ISBN-13: 978-1608190867
  • Product Dimensions: 5.5 x 2.1 x 8.3 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (1,151 customer reviews)
  • Amazon Best Sellers Rank: #1,246,087 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

It's 1808 and that Corsican upstart Napoleon is battering the English army and navy. Enter Mr. Norrell, a fusty but ambitious scholar from the Yorkshire countryside and the first practical magician in hundreds of years. What better way to demonstrate his revival of British magic than to change the course of the Napoleonic wars? Susanna Clarke's ingenious first novel, Jonathan Strange & Mr. Norrell, has the cleverness and lightness of touch of the Harry Potter series, but is less a fairy tale of good versus evil than a fantastic comedy of manners, complete with elaborate false footnotes, occasional period spellings, and a dense, lively mythology teeming beneath the narrative. Mr. Norrell moves to London to establish his influence in government circles, devising such powerful illusions as an 11-day blockade of French ports by English ships fabricated from rainwater. But however skillful his magic, his vanity provides an Achilles heel, and the differing ambitions of his more glamorous apprentice, Jonathan Strange, threaten to topple all that Mr. Norrell has achieved. A sparkling debut from Susanna Clarke--and it's not all fairy dust. --Regina Marler --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

The drawing room social comedies of early 19th-century Britain are infused with the powerful forces of English folklore and fantasy in this extraordinary novel of two magicians who attempt to restore English magic in the age of Napoleon. In Clarke's world, gentlemen scholars pore over the magical history of England, which is dominated by the Raven King, a human who mastered magic from the lands of faerie. The study is purely theoretical until Mr. Norrell, a reclusive, mistrustful bookworm, reveals that he is capable of producing magic and becomes the toast of London society, while an impetuous young aristocrat named Jonathan Strange tumbles into the practice, too, and finds himself quickly mastering it. Though irritated by the reticent Norrell, Strange becomes the magician's first pupil, and the British government is soon using their skills. Mr. Strange serves under Wellington in the Napoleonic Wars (in a series of wonderful historical scenes), but afterward the younger magician finds himself unable to accept Norrell's restrictive views of magic's proper place and sets out to create a new age of magic by himself. Clarke manages to portray magic as both a believably complex and tedious labor, and an eerie world of signs and wonders where every object may have secret meaning. London politics and talking stones are portrayed with equal realism and seem indisputably part of the same England, as signs indicate that the Raven King may return. The chock-full, old-fashioned narrative (supplemented with deft footnotes to fill in the ignorant reader on incidents in magical history) may seem a bit stiff and mannered at first, but immersion in the mesmerizing story reveals its intimacy, humor and insight, and will enchant readers of fantasy and literary fiction alike.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Most Helpful Customer Reviews

639 of 654 people found the following review helpful By Antaeus on November 2, 2004
Format: Hardcover
After reading the negative reviews of this book, I thought it would be helpful to clear up some misconceptions and set out a quick test of whether a reader is likely to enjoy "Jonathan Strange and Mr. Norrell".

Here's my take: it's NOT Harry Potter. If you want a quick-paced book, with lots of action and easy-to-read prose, THIS IS NOT YOUR BOOK. Here's the test: If, by the end of the first chapter, you have not laughed out loud or even chuckled, YOU WILL PROBABLY NOT LIKE THIS BOOK. And that's perfectly OK - I hope I've saved you from buying it (nothing's worse, IMHO, than buying a book you end up hating).

I personally love this book - I'd easily rate it as one of the best books I've read in years. But I also love Jane Austen, Mervyn Peake and Lord Dunsany. To me, this book is both an homage to and a witty send-up of 19th century literature. But you have to like that kind of literature and "get" the jokes that the author is making (both in the style of the prose as well as the play on historical events) to really enjoy this book.

I want to make it clear that I think it's fine if people hate this book. However, I am troubled by comments that suggest it's a bad book. That's not true - it's simply a matter of preferences. For example, I happen to detest Dickens and like comic books. But I don't think that Dickens is an awful writer and comic book writers are superior to him - Dickens just isn't my style. So I'd emphasize that, in my opinion, Susanna Clarke is a phenomenal writer. But the pleasure of this book lies as much (if not more) in the way it's written as the events that take place - so if you're not interested in prose for its own sake, it'll be hard going.
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1,731 of 1,831 people found the following review helpful By B. Capossere TOP 1000 REVIEWERVINE VOICE on September 16, 2004
Format: Hardcover Verified Purchase
I'm giving Jonathan Strange a 5 for the simply reason that I thoroughly enjoyed it all the way through, but I'd warn all readers to be more wary than usual of reviews (including this one). More than many books, this one I think will be a matter of true personal taste and experience will be your only truly accurate guide.

To begin with, Strange is often referred to as a "fantasy" novel, an "adult" Harry Potter (ignoring Potter's self-obvious claim to millions of "adult" readers). If you're expecting fantasy in the form of Harry Potter magic (though done by bigger people employing bigger words) or Lord of the Rings-like quests and elves, be advised neither is here. Fantastical might be a better genre-word here than "fantasy". There is certainly magic here, both human and faerie (very different forms), but when one of the major storylines is how magic has gradually disappeared from England and when one of the major characters has as his purpose the destruction (not Black Tower hordes of evil monsters destruction but economic, social, or legal destruction) of those who would become magician, as you might imagine there isn't a lot of magic going on, at least not for the first few hundred pages. Those looking for a lot of wand-waving or fireball-flinging would best look elsewhere.

One of the signs of the book's maturity is that one can't really generalize too much about the magic in it. Magic is almost invisible in the beginning and near-constant toward the end. It is scholarly, bookish and tedious and also vigorous, physical and exciting. It is human and Faerie and a melding of the two. It is all-powerful (Spain complains about the rearrangement of several of their country's geographic landmarks) and ineffective (you can see visions in water but they seldom are helpful).
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487 of 524 people found the following review helpful By T. Simons VINE VOICE on September 3, 2004
Format: Hardcover Verified Purchase
This book is hard to describe. In terms of genre, it is both fantasy and well-researched historical fiction, which makes it a rather rare bird. The writing style falls somewhere between Austen and Gaiman and Dickens. The plot is somewhat rambling and disjoint, forsaking the standard quest narratives; in some ways it is a fantastic history of England, in some ways a tale of rescue. If it is anything, it is the story of the relationship between the two title characters, but one of them is not even introduced for two hundred pages.

. Unlike most of the better modern fantasy, this book is not a page-turner, and I mean that as a compliment; rather, it is a book to savor. Not that the plot isn't engaging - it is - but I frequently found myself comparing how many pages I'd read to how many I had left, deciding that I was burning through the book too quickly, and setting it down while I turned the passages I'd just read over in my head.

As befits a character-driven fantasy, almost all the characters are likeable, or at least understandable; even when they take larger-than-life action, they do so for incredibly human reasons. There are also a number of historical-character cameos, all of them well-drawn and believable..

I do not agree with Mr. Gaiman's statement that this is "the finest English novel of the fantasticke to appear in the past 70 years." Tolkien is better; his work has an epic grandeur that this book lacks, perhaps because Susanna Clarke so realistically and concretely evokes the precise historical era at which she aims : the imagination has a somewhat wider canvas to paint on when reading Tolkien or similar high fantasy, with more blank space to be filled in by the reader.
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