The artist traveled the route of the Underground Railroad--the name for the system that developed to help fugitive slaves escape to the North--in preparation for creating this series. He organized the pictorial narrative like a symphony in four movements, naming each section as such: The First Movement: The Unknown World; The Second Movement: Living in Bondage: Life on the Plantation; The Third Movement: Journey of Escape; and The Fourth Movement: Color in Freedom. As the story develops, the color palette changes accordingly. Dark blues and grays dominate in the early movements, while bright bursts of color weave through the final one. Through it all, the viewer has a visceral sense of "journey," of following a path, and gains a profound understanding of all that the struggle encompassed.
Cheryl Janifer LaRoche's essay provides an insightful historical backdrop, and Barbara Stephanic's text places Joseph Holston's art in the context of other painters' work as she energetically delves into the details of his images to enhance our appreciation of them.
Color in Freedom is more than a book. It's a thoroughly engaging artistic and historical journey. It will accompany the traveling exhibition of the same name opening at the University of Maryland University College in October 2008.
